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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BFB1A it is the complementary color #8404E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BFB1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BFB1A shade: #80FB15, #91FF28, #A2FF3B, #B3FF4E and #C4FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BFB1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BFB1A shade: #7BFB1A, #6AE907, #59D700, #48C500 and #37B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BFB1A shade: #7AFB17, #B7FB17, #F4FB17, #FBC417 and #FB8717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BFB1A shade: #7AFB17, #3CFB17, #17FB30, #17FB6D and #17FBAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BFB1A shade matches the following richer shades: #7AFB17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BFB1A shade: #7AFB17, #7CE82A, #7FD53D, #81C250 and #84AF63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BFB1A shade: #F3FB17, #B7FB17, #7AFB17, #3DFB17 and #17FB2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BFB1A shade: #53BD02, #65E603, #7AFB17, #91FC40 and #A8FC69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BFB1A shade: #7BFB1A, #17FBC6 and #FB17D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BFB1A shade: #7BFB1A, #177AFB and #FB177A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BFB1A shade: #7BFB1A, #17FBC6, #9817FB and #FB174D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BFB1A shade: #7BFB1A, #17ECFB, #9817FB and #FB2717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

Complementary color

CMYK 42 / 98 / 0 / 10

HEX #8404E5

RGB 132 4 229

HSL 274.13, 0.97%, 0.46%

LAB 38.98, 77.72, -81.78

 

CMYK 49 / 0 / 92 / 2

HEX #80FB15

RGB 128 251 21

HSL 92.09, 0.97%, 0.53%

LAB 88.75, -66.09, 83.07

 

CMYK 43 / 0 / 84 / 0

HEX #91FF28

RGB 145 255 40

HSL 90.7, 1%, 0.58%

LAB 90.64, -61.98, 81.77

 

CMYK 36 / 0 / 77 / 0

HEX #A2FF3B

RGB 162 255 59

HSL 88.47, 1%, 0.62%

LAB 91.47, -55.73, 78.07

 

CMYK 30 / 0 / 69 / 0

HEX #B3FF4E

RGB 179 255 78

HSL 85.76, 1%, 0.65%

LAB 92.42, -48.85, 73.19

 

CMYK 23 / 0 / 62 / 0

HEX #C4FF61

RGB 196 255 97

HSL 82.41, 1%, 0.69%

LAB 93.5, -41.45, 67.4

 

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

CMYK 55 / 0 / 97 / 9

HEX #6AE907

RGB 106 233 7

HSL 93.72, 0.94%, 0.47%

LAB 82.57, -66.08, 79.14

 

CMYK 59 / 0 / 100 / 16

HEX #59D700

RGB 89 215 0

HSL 95.16, 1%, 0.42%

LAB 76.51, -64.41, 74.73

 

CMYK 63 / 0 / 100 / 23

HEX #48C500

RGB 72 197 0

HSL 98.07, 1%, 0.39%

LAB 70.39, -62.44, 69.68

 

CMYK 69 / 0 / 100 / 30

HEX #37B300

RGB 55 179 0

HSL 101.56, 1%, 0.35%

LAB 64.2, -60.2, 64.59

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 27 / 0 / 91 / 2

HEX #B7FB17

RGB 183 251 23

HSL 77.89, 0.97%, 0.54%

LAB 91.29, -47.88, 85.93

 

CMYK 3 / 0 / 91 / 2

HEX #F4FB17

RGB 244 251 23

HSL 61.84, 0.97%, 0.54%

LAB 95.28, -23.96, 90.78

 

CMYK 0 / 22 / 91 / 2

HEX #FBC417

RGB 251 196 23

HSL 45.53, 0.97%, 0.54%

LAB 81.87, 6.31, 80.79

 

CMYK 0 / 46 / 91 / 2

HEX #FB8717

RGB 251 135 23

HSL 29.47, 0.97%, 0.54%

LAB 67.95, 37.99, 70.52

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 76 / 0 / 91 / 2

HEX #3CFB17

RGB 60 251 23

HSL 110.26, 0.97%, 0.54%

LAB 87.01, -80.51, 80.65

 

CMYK 91 / 0 / 81 / 2

HEX #17FB30

RGB 23 251 48

HSL 126.58, 0.97%, 0.54%

LAB 86.7, -82.97, 75.34

 

CMYK 91 / 0 / 57 / 2

HEX #17FB6D

RGB 23 251 109

HSL 142.63, 0.97%, 0.54%

LAB 87.13, -77.46, 53.66

 

CMYK 91 / 0 / 32 / 2

HEX #17FBAB

RGB 23 251 171

HSL 158.95, 0.97%, 0.54%

LAB 88.02, -66.94, 24.82

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 47 / 0 / 82 / 9

HEX #7CE82A

RGB 124 232 42

HSL 94.11, 0.81%, 0.54%

LAB 83, -59.73, 74.25

 

CMYK 40 / 0 / 71 / 16

HEX #7FD53D

RGB 127 213 61

HSL 93.95, 0.64%, 0.54%

LAB 77.54, -50.4, 63.36

 

CMYK 34 / 0 / 59 / 24

HEX #81C250

RGB 129 194 80

HSL 94.21, 0.48%, 0.54%

LAB 72.11, -40.16, 49.84

 

CMYK 25 / 0 / 43 / 31

HEX #84AF63

RGB 132 175 99

HSL 93.95, 0.32%, 0.54%

LAB 66.87, -28.14, 34.32

 

CMYK 3 / 0 / 91 / 2

HEX #F3FB17

RGB 243 251 23

HSL 62.11, 0.97%, 0.54%

LAB 95.21, -24.37, 90.69

 

CMYK 27 / 0 / 91 / 2

HEX #B7FB17

RGB 183 251 23

HSL 77.89, 0.97%, 0.54%

LAB 91.29, -47.88, 85.93

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 76 / 0 / 91 / 2

HEX #3DFB17

RGB 61 251 23

HSL 110, 0.97%, 0.54%

LAB 87.02, -80.37, 80.67

 

CMYK 91 / 0 / 82 / 2

HEX #17FB2E

RGB 23 251 46

HSL 126.05, 0.97%, 0.54%

LAB 86.69, -83.07, 75.83

 

CMYK 56 / 0 / 99 / 26

HEX #53BD02

RGB 83 189 2

HSL 94.01, 0.98%, 0.37%

LAB 68.2, -56.97, 67.85

 

CMYK 56 / 0 / 99 / 10

HEX #65E603

RGB 101 230 3

HSL 94.1, 0.97%, 0.46%

LAB 81.49, -66.41, 78.55

 

CMYK 51 / 0 / 91 / 2

HEX #7AFB17

RGB 122 251 23

HSL 93.95, 0.97%, 0.54%

LAB 88.54, -67.73, 82.55

 

CMYK 42 / 0 / 75 / 1

HEX #91FC40

RGB 145 252 64

HSL 94.15, 0.97%, 0.62%

LAB 89.86, -59.77, 74.78

 

CMYK 33 / 0 / 58 / 1

HEX #A8FC69

RGB 168 252 105

HSL 94.29, 0.96%, 0.7%

LAB 91.22, -49.29, 61.12

 

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

CMYK 91 / 0 / 21 / 2

HEX #17FBC6

RGB 23 251 198

HSL 166.05, 0.97%, 0.54%

LAB 88.57, -60.9, 11.72

 

CMYK 0 / 91 / 15 / 2

HEX #FB17D5

RGB 251 23 213

HSL 310, 0.97%, 0.54%

LAB 57.97, 90.38, -41.05

 

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

CMYK 91 / 51 / 0 / 2

HEX #177AFB

RGB 23 122 251

HSL 213.95, 0.97%, 0.54%

LAB 53.02, 21.67, -71.45

 

CMYK 0 / 91 / 51 / 2

HEX #FB177A

RGB 251 23 122

HSL 333.95, 0.97%, 0.54%

LAB 54.58, 81.39, 7.13

 

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

CMYK 91 / 0 / 21 / 2

HEX #17FBC6

RGB 23 251 198

HSL 166.05, 0.97%, 0.54%

LAB 88.57, -60.9, 11.72

 

CMYK 39 / 91 / 0 / 2

HEX #9817FB

RGB 152 23 251

HSL 273.95, 0.97%, 0.54%

LAB 44.59, 81.76, -84.88

 

CMYK 0 / 91 / 69 / 2

HEX #FB174D

RGB 251 23 77

HSL 345.79, 0.97%, 0.54%

LAB 53.66, 78.84, 32.93

 

CMYK 51 / 0 / 90 / 2

HEX #7BFB1A

RGB 123 251 26

HSL 94.13, 0.97%, 0.54%

LAB 88.58, -67.38, 82.18

 

CMYK 91 / 6 / 0 / 2

HEX #17ECFB

RGB 23 236 251

HSL 183.95, 0.97%, 0.54%

LAB 85.57, -40.31, -20.38

 

CMYK 39 / 91 / 0 / 2

HEX #9817FB

RGB 152 23 251

HSL 273.95, 0.97%, 0.54%

LAB 44.59, 81.76, -84.88

 

CMYK 0 / 84 / 91 / 2

HEX #FB2717

RGB 251 39 23

HSL 4.21, 0.97%, 0.54%

LAB 54.05, 74.81, 60.93

 

Description

Color code: HEX #7BFB1A | qconv.com Color code: HEX #7BFB1A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 251 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 251 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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