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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BEB4D it is the complementary color #8414B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BEB4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BEB4D shade: #80EB48, #91FD5B, #A2FF6E, #B3FF81 and #C4FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BEB4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BEB4D shade: #7BEB4D, #6AD93A, #59C727, #48B514 and #37A301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BEB4D shade: #7AEB4B, #A5EB4B, #D0EB4B, #EBDB4B and #EBB04B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BEB4D shade: #7AEB4B, #4FEB4B, #4BEB73, #4BEB9E and #4BEBC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BEB4D shade matches the following richer shades: #7AEB4B and #73FB3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BEB4D shade: #7AEB4B, #81DB5C, #87CA6C, #8EBA7C and #95AA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BEB4D shade: #D0EB4B, #A6EB4B, #7BEB4B, #51EB4B and #4BEB71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BEB4D shade: #4CCD16, #5EE626, #7AEB4B, #95EF71 and #B1F396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BEB4D shade: #7BEB4D, #4BEBDB and #EB4BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BEB4D shade: #7BEB4D, #4B7BEB and #EB4B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BEB4D shade: #7BEB4D, #4BEBDB, #BB4BEB and #EB4B5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BEB4D shade: #7BEB4D, #4BCBEB, #BB4BEB and #EB6B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

Complementary color

CMYK 26 / 89 / 0 / 30

HEX #8414B2

RGB 132 20 178

HSL 282.53, 0.8%, 0.39%

LAB 35.24, 65.2, -58.21

 

CMYK 46 / 0 / 69 / 8

HEX #80EB48

RGB 128 235 72

HSL 99.39, 0.8%, 0.6%

LAB 84.21, -57.94, 66.2

 

CMYK 43 / 0 / 64 / 1

HEX #91FD5B

RGB 145 253 91

HSL 100, 0.98%, 0.67%

LAB 90.33, -58.26, 65.62

 

CMYK 36 / 0 / 57 / 0

HEX #A2FF6E

RGB 162 255 110

HSL 98.48, 1%, 0.72%

LAB 91.83, -52.02, 59.59

 

CMYK 30 / 0 / 49 / 0

HEX #B3FF81

RGB 179 255 129

HSL 96.19, 1%, 0.75%

LAB 92.88, -44.44, 52.49

 

CMYK 23 / 0 / 42 / 0

HEX #C4FF94

RGB 196 255 148

HSL 93.08, 1%, 0.79%

LAB 94.05, -36.42, 45.17

 

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

CMYK 51 / 0 / 73 / 15

HEX #6AD93A

RGB 106 217 58

HSL 101.89, 0.68%, 0.54%

LAB 77.87, -58.53, 64.46

 

CMYK 55 / 0 / 80 / 22

HEX #59C727

RGB 89 199 39

HSL 101.25, 0.67%, 0.47%

LAB 71.63, -57.76, 64.2

 

CMYK 60 / 0 / 89 / 29

HEX #48B514

RGB 72 181 20

HSL 100.62, 0.8%, 0.39%

LAB 65.34, -56.6, 62.89

 

CMYK 66 / 0 / 99 / 36

HEX #37A301

RGB 55 163 1

HSL 100, 0.99%, 0.32%

LAB 58.98, -54.95, 60.29

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 30 / 0 / 68 / 8

HEX #A5EB4B

RGB 165 235 75

HSL 86.25, 0.8%, 0.61%

LAB 85.97, -45.55, 67.45

 

CMYK 11 / 0 / 68 / 8

HEX #D0EB4B

RGB 208 235 75

HSL 70.13, 0.8%, 0.61%

LAB 88.61, -29.27, 70.98

 

CMYK 0 / 7 / 68 / 8

HEX #EBDB4B

RGB 235 219 75

HSL 54, 0.8%, 0.61%

LAB 86.42, -10.51, 69.46

 

CMYK 0 / 25 / 68 / 8

HEX #EBB04B

RGB 235 176 75

HSL 37.88, 0.8%, 0.61%

LAB 75.59, 11.67, 58.27

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 66 / 0 / 68 / 8

HEX #4FEB4B

RGB 79 235 75

HSL 118.5, 0.8%, 0.61%

LAB 82.69, -69.76, 63.02

 

CMYK 68 / 0 / 51 / 8

HEX #4BEB73

RGB 75 235 115

HSL 135, 0.8%, 0.61%

LAB 82.99, -65.92, 46.07

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 0 / 14 / 8

HEX #4BEBC9

RGB 75 235 201

HSL 167.25, 0.8%, 0.61%

LAB 84.55, -49.12, 4.48

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 54 / 0 / 76 / 2

HEX #73FB3B

RGB 115 251 59

HSL 102.5, 0.96%, 0.61%

LAB 88.43, -68.2, 74.53

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 41 / 0 / 58 / 14

HEX #81DB5C

RGB 129 219 92

HSL 102.52, 0.64%, 0.61%

LAB 79.67, -49.56, 53.11

 

CMYK 33 / 0 / 47 / 21

HEX #87CA6C

RGB 135 202 108

HSL 102.77, 0.47%, 0.61%

LAB 75.12, -38.47, 40.18

 

CMYK 24 / 0 / 33 / 27

HEX #8EBA7C

RGB 142 186 124

HSL 102.58, 0.31%, 0.61%

LAB 71.09, -26.3, 26.83

 

CMYK 12 / 0 / 18 / 33

HEX #95AA8C

RGB 149 170 140

HSL 102, 0.15%, 0.61%

LAB 67.3, -13.03, 13.05

 

CMYK 11 / 0 / 68 / 8

HEX #D0EB4B

RGB 208 235 75

HSL 70.13, 0.8%, 0.61%

LAB 88.61, -29.27, 70.98

 

CMYK 29 / 0 / 68 / 8

HEX #A6EB4B

RGB 166 235 75

HSL 85.88, 0.8%, 0.61%

LAB 86.02, -45.19, 67.52

 

CMYK 48 / 0 / 68 / 8

HEX #7BEB4B

RGB 123 235 75

HSL 102, 0.8%, 0.61%

LAB 84.04, -59.18, 64.84

 

CMYK 66 / 0 / 68 / 8

HEX #51EB4B

RGB 81 235 75

HSL 117.75, 0.8%, 0.61%

LAB 82.74, -69.38, 63.08

 

CMYK 68 / 0 / 52 / 8

HEX #4BEB71

RGB 75 235 113

HSL 134.25, 0.8%, 0.61%

LAB 82.97, -66.2, 46.98

 

CMYK 63 / 0 / 89 / 20

HEX #4CCD16

RGB 76 205 22

HSL 102.3, 0.81%, 0.45%

LAB 73.06, -63.71, 69.17

 

CMYK 59 / 0 / 83 / 10

HEX #5EE626

RGB 94 230 38

HSL 102.5, 0.79%, 0.53%

LAB 81.35, -67.28, 73.34

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 38 / 0 / 53 / 6

HEX #95EF71

RGB 149 239 113

HSL 102.86, 0.8%, 0.69%

LAB 86.66, -49.25, 52.03

 

CMYK 27 / 0 / 38 / 5

HEX #B1F396

RGB 177 243 150

HSL 102.58, 0.79%, 0.77%

LAB 89.7, -37.21, 38.38

 

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

CMYK 68 / 0 / 7 / 8

HEX #4BEBDB

RGB 75 235 219

HSL 174, 0.8%, 0.61%

LAB 85.01, -44.55, -4.32

 

CMYK 0 / 68 / 20 / 8

HEX #EB4BBB

RGB 235 75 187

HSL 318, 0.8%, 0.61%

LAB 58.3, 71.57, -25.86

 

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

CMYK 68 / 48 / 0 / 8

HEX #4B7BEB

RGB 75 123 235

HSL 222, 0.8%, 0.61%

LAB 53.66, 20, -61.45

 

CMYK 0 / 68 / 48 / 8

HEX #EB4B7B

RGB 235 75 123

HSL 342, 0.8%, 0.61%

LAB 56.21, 64.53, 8.46

 

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

CMYK 68 / 0 / 7 / 8

HEX #4BEBDB

RGB 75 235 219

HSL 174, 0.8%, 0.61%

LAB 85.01, -44.55, -4.32

 

CMYK 20 / 68 / 0 / 8

HEX #BB4BEB

RGB 187 75 235

HSL 282, 0.8%, 0.61%

LAB 53.59, 68.38, -61.05

 

CMYK 0 / 68 / 61 / 8

HEX #EB4B5B

RGB 235 75 91

HSL 354, 0.8%, 0.61%

LAB 55.53, 62.15, 26.43

 

CMYK 48 / 0 / 67 / 8

HEX #7BEB4D

RGB 123 235 77

HSL 102.53, 0.8%, 0.61%

LAB 84.05, -59.02, 64.1

 

CMYK 68 / 14 / 0 / 8

HEX #4BCBEB

RGB 75 203 235

HSL 192, 0.8%, 0.61%

LAB 76.2, -25.05, -26.07

 

CMYK 20 / 68 / 0 / 8

HEX #BB4BEB

RGB 187 75 235

HSL 282, 0.8%, 0.61%

LAB 53.59, 68.38, -61.05

 

CMYK 0 / 54 / 68 / 8

HEX #EB6B4B

RGB 235 107 75

HSL 12, 0.8%, 0.61%

LAB 60.5, 47.39, 41.54

 

Description

Color code: HEX #7BEB4D | qconv.com Color code: HEX #7BEB4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 235 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 235 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 67 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 67% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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