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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE71C it is the complementary color #8418E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE71C shade: #80E717, #91F92A, #A2FF3D, #B3FF50 and #C4FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE71C shade: #7BE71C, #6AD509, #59C300, #48B100 and #379F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE71C shade: #7BE71C, #B2E71C, #E7E51C, #E7AF1C and #E7781C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE71C shade: #7BE71C, #44E71C, #1CE72B, #1CE761 and #1CE798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE71C shade matches the following richer shades: #7BE71C and #7AFB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE71C shade: #7BE71C, #7CD331, #7EBE45, #7FAA59 and #80966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE71C shade: #E7E31C, #B4E71C, #7EE71C, #48E71C and #1CE726

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE71C shade: #54A010, #67C614, #7BE71C, #91EB42 and #A6EF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE71C shade: #7BE71C, #1CE7AD and #E71CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE71C shade: #7BE71C, #1C7EE7 and #E71C7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE71C shade: #7BE71C, #1CE7AD, #851CE7 and #E71C56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE71C shade: #7BE71C, #1CE3E7, #851CE7 and #E7201C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

Complementary color

CMYK 42 / 89 / 0 / 11

HEX #8418E3

RGB 132 24 227

HSL 271.92, 0.81%, 0.49%

LAB 39.76, 74.41, -79.37

 

CMYK 45 / 0 / 90 / 9

HEX #80E717

RGB 128 231 23

HSL 89.71, 0.82%, 0.5%

LAB 82.81, -58.75, 77.9

 

CMYK 42 / 0 / 83 / 2

HEX #91F92A

RGB 145 249 42

HSL 90.14, 0.95%, 0.57%

LAB 88.89, -59.65, 79.81

 

CMYK 36 / 0 / 76 / 0

HEX #A2FF3D

RGB 162 255 61

HSL 88.76, 1%, 0.62%

LAB 91.48, -55.63, 77.5

 

CMYK 30 / 0 / 69 / 0

HEX #B3FF50

RGB 179 255 80

HSL 86.06, 1%, 0.66%

LAB 92.43, -48.73, 72.49

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 50 / 0 / 96 / 16

HEX #6AD509

RGB 106 213 9

HSL 91.47, 0.92%, 0.44%

LAB 76.48, -58.99, 74.07

 

CMYK 54 / 0 / 100 / 24

HEX #59C300

RGB 89 195 0

HSL 92.62, 1%, 0.38%

LAB 70.28, -57.49, 69.81

 

CMYK 59 / 0 / 100 / 31

HEX #48B100

RGB 72 177 0

HSL 95.59, 1%, 0.35%

LAB 64.02, -55.68, 64.63

 

CMYK 65 / 0 / 100 / 38

HEX #379F00

RGB 55 159 0

HSL 99.25, 1%, 0.31%

LAB 57.66, -53.62, 59.4

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 23 / 0 / 88 / 9

HEX #B2E71C

RGB 178 231 28

HSL 75.67, 0.81%, 0.51%

LAB 85.35, -41.07, 80.24

 

CMYK 0 / 1 / 88 / 9

HEX #E7E51C

RGB 231 229 28

HSL 59.41, 0.81%, 0.51%

LAB 88.5, -18.71, 84.32

 

CMYK 0 / 24 / 88 / 9

HEX #E7AF1C

RGB 231 175 28

HSL 43.45, 0.81%, 0.51%

LAB 74.66, 8.78, 73.4

 

CMYK 0 / 48 / 88 / 9

HEX #E7781C

RGB 231 120 28

HSL 27.19, 0.81%, 0.51%

LAB 62.09, 37.74, 63.57

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 71 / 0 / 88 / 9

HEX #44E71C

RGB 68 231 28

HSL 108.18, 0.81%, 0.51%

LAB 81, -73.29, 74.83

 

CMYK 88 / 0 / 81 / 9

HEX #1CE72B

RGB 28 231 43

HSL 124.43, 0.81%, 0.51%

LAB 80.5, -77.46, 70.91

 

CMYK 88 / 0 / 58 / 9

HEX #1CE761

RGB 28 231 97

HSL 140.39, 0.81%, 0.51%

LAB 80.88, -72.65, 51.65

 

CMYK 88 / 0 / 34 / 9

HEX #1CE798

RGB 28 231 152

HSL 156.65, 0.81%, 0.51%

LAB 81.66, -63.5, 25.86

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 51 / 0 / 97 / 2

HEX #7AFB08

RGB 122 251 8

HSL 91.85, 0.97%, 0.51%

LAB 88.52, -67.97, 84.04

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 41 / 0 / 77 / 17

HEX #7CD331

RGB 124 211 49

HSL 92.22, 0.65%, 0.51%

LAB 76.74, -51.31, 66.54

 

CMYK 34 / 0 / 64 / 25

HEX #7EBE45

RGB 126 190 69

HSL 91.74, 0.48%, 0.51%

LAB 70.66, -40.47, 53

 

CMYK 25 / 0 / 48 / 33

HEX #7FAA59

RGB 127 170 89

HSL 91.85, 0.32%, 0.51%

LAB 64.95, -28.86, 36.97

 

CMYK 15 / 0 / 27 / 41

HEX #80966D

RGB 128 150 109

HSL 92.2, 0.16%, 0.51%

LAB 59.44, -15.55, 19.12

 

CMYK 0 / 2 / 88 / 9

HEX #E7E31C

RGB 231 227 28

HSL 58.82, 0.81%, 0.51%

LAB 87.97, -17.74, 83.91

 

CMYK 22 / 0 / 88 / 9

HEX #B4E71C

RGB 180 231 28

HSL 75.07, 0.81%, 0.51%

LAB 85.47, -40.3, 80.39

 

CMYK 45 / 0 / 88 / 9

HEX #7EE71C

RGB 126 231 28

HSL 91.03, 0.81%, 0.51%

LAB 82.74, -59.24, 77

 

CMYK 69 / 0 / 88 / 9

HEX #48E71C

RGB 72 231 28

HSL 107, 0.81%, 0.51%

LAB 81.08, -72.58, 74.93

 

CMYK 88 / 0 / 84 / 9

HEX #1CE726

RGB 28 231 38

HSL 122.96, 0.81%, 0.51%

LAB 80.48, -77.7, 72.11

 

CMYK 48 / 0 / 90 / 37

HEX #54A010

RGB 84 160 16

HSL 91.67, 0.82%, 0.35%

LAB 59.03, -45.51, 58.45

 

CMYK 48 / 0 / 90 / 22

HEX #67C614

RGB 103 198 20

HSL 92.02, 0.82%, 0.43%

LAB 71.77, -54.12, 68.78

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 38 / 0 / 72 / 8

HEX #91EB42

RGB 145 235 66

HSL 91.95, 0.81%, 0.59%

LAB 84.91, -53.01, 69.27

 

CMYK 31 / 0 / 57 / 6

HEX #A6EF67

RGB 166 239 103

HSL 92.21, 0.81%, 0.67%

LAB 87.4, -44.65, 57.6

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 88 / 0 / 25 / 9

HEX #1CE7AD

RGB 28 231 173

HSL 162.86, 0.81%, 0.51%

LAB 82.06, -58.93, 15.53

 

CMYK 0 / 88 / 10 / 9

HEX #E71CCF

RGB 231 28 207

HSL 307.09, 0.81%, 0.51%

LAB 54.37, 85.32, -43.54

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 88 / 45 / 0 / 9

HEX #1C7EE7

RGB 28 126 231

HSL 211.03, 0.81%, 0.51%

LAB 52.88, 11.77, -60.55

 

CMYK 0 / 88 / 45 / 9

HEX #E71C7E

RGB 231 28 126

HSL 331.03, 0.81%, 0.51%

LAB 51.07, 76.45, -0.85

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 88 / 0 / 25 / 9

HEX #1CE7AD

RGB 28 231 173

HSL 162.86, 0.81%, 0.51%

LAB 82.06, -58.93, 15.53

 

CMYK 42 / 88 / 0 / 9

HEX #851CE7

RGB 133 28 231

HSL 271.03, 0.81%, 0.51%

LAB 40.55, 74.5, -80.33

 

CMYK 0 / 88 / 63 / 9

HEX #E71C56

RGB 231 28 86

HSL 342.86, 0.81%, 0.51%

LAB 50.09, 73.7, 22.15

 

CMYK 47 / 0 / 88 / 9

HEX #7BE71C

RGB 123 231 28

HSL 91.92, 0.81%, 0.51%

LAB 82.62, -60.15, 76.85

 

CMYK 88 / 2 / 0 / 9

HEX #1CE3E7

RGB 28 227 231

HSL 181.18, 0.81%, 0.51%

LAB 82.35, -41.98, -14.67

 

CMYK 42 / 88 / 0 / 9

HEX #851CE7

RGB 133 28 231

HSL 271.03, 0.81%, 0.51%

LAB 40.55, 74.5, -80.33

 

CMYK 0 / 86 / 88 / 9

HEX #E7201C

RGB 231 32 28

HSL 1.18, 0.81%, 0.51%

LAB 49.62, 70.96, 53.98

 

Description

Color code: HEX #7BE71C | qconv.com Color code: HEX #7BE71C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 231 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 231 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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