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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE62D it is the complementary color #8419D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE62D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE62D shade: #80E628, #91F83B, #A2FF4E, #B3FF61 and #C4FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE62D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE62D shade: #7BE62D, #6AD41A, #59C207, #48B000 and #379E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE62D shade: #7BE62D, #ADE62D, #DFE62D, #E6BB2D and #E6892D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE62D shade: #7BE62D, #49E62D, #2DE642, #2DE674 and #2DE6A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE62D shade matches the following richer shades: #7BE62D and #78F91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE62D shade: #7BE62D, #7ED340, #81C052, #84AD65 and #879A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE62D shade: #E0E62D, #AEE62D, #7DE62D, #4BE62D and #2DE63F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE62D shade: #54AC14, #66D118, #7BE62D, #92EA51 and #A9EF76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE62D shade: #7BE62D, #2DE6BB and #E62DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE62D shade: #7BE62D, #2D7DE6 and #E62D7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE62D shade: #7BE62D, #2DE6BB, #962DE6 and #E62D58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE62D shade: #7BE62D, #2DDAE6, #962DE6 and #E6392D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

Complementary color

CMYK 37 / 88 / 0 / 18

HEX #8419D2

RGB 132 25 210

HSL 274.7, 0.79%, 0.46%

LAB 38.29, 70.61, -72

 

CMYK 44 / 0 / 83 / 10

HEX #80E628

RGB 128 230 40

HSL 92.21, 0.79%, 0.53%

LAB 82.56, -57.84, 74.4

 

CMYK 42 / 0 / 76 / 3

HEX #91F83B

RGB 145 248 59

HSL 92.7, 0.93%, 0.6%

LAB 88.67, -58.51, 75.16

 

CMYK 36 / 0 / 69 / 0

HEX #A2FF4E

RGB 162 255 78

HSL 91.53, 1%, 0.65%

LAB 91.57, -54.65, 72.05

 

CMYK 30 / 0 / 62 / 0

HEX #B3FF61

RGB 179 255 97

HSL 88.86, 1%, 0.69%

LAB 92.56, -47.5, 66.1

 

CMYK 23 / 0 / 55 / 0

HEX #C4FF74

RGB 196 255 116

HSL 85.47, 1%, 0.73%

LAB 93.67, -39.86, 59.55

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 50 / 0 / 88 / 17

HEX #6AD41A

RGB 106 212 26

HSL 94.19, 0.78%, 0.47%

LAB 76.21, -58.25, 71.51

 

CMYK 54 / 0 / 96 / 24

HEX #59C207

RGB 89 194 7

HSL 93.69, 0.93%, 0.39%

LAB 69.98, -57.01, 68.8

 

CMYK 59 / 0 / 100 / 31

HEX #48B000

RGB 72 176 0

HSL 95.45, 1%, 0.35%

LAB 63.7, -55.33, 64.38

 

CMYK 65 / 0 / 100 / 38

HEX #379E00

RGB 55 158 0

HSL 99.11, 1%, 0.31%

LAB 57.33, -53.28, 59.13

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 25 / 0 / 80 / 10

HEX #ADE62D

RGB 173 230 45

HSL 78.49, 0.79%, 0.54%

LAB 84.83, -42.02, 76.04

 

CMYK 3 / 0 / 80 / 10

HEX #DFE62D

RGB 223 230 45

HSL 62.27, 0.79%, 0.54%

LAB 88.19, -22.11, 80.29

 

CMYK 0 / 19 / 80 / 10

HEX #E6BB2D

RGB 230 187 45

HSL 46.05, 0.79%, 0.54%

LAB 77.61, 2.48, 71.33

 

CMYK 0 / 40 / 80 / 10

HEX #E6892D

RGB 230 137 45

HSL 29.84, 0.79%, 0.54%

LAB 65.67, 28.95, 60.68

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 68 / 0 / 80 / 10

HEX #49E62D

RGB 73 230 45

HSL 110.92, 0.79%, 0.54%

LAB 80.85, -71.37, 70.95

 

CMYK 80 / 0 / 71 / 10

HEX #2DE642

RGB 45 230 66

HSL 126.81, 0.79%, 0.54%

LAB 80.49, -74.09, 63.84

 

CMYK 80 / 0 / 50 / 10

HEX #2DE674

RGB 45 230 116

HSL 143.03, 0.79%, 0.54%

LAB 80.97, -68.21, 42.97

 

CMYK 80 / 0 / 28 / 10

HEX #2DE6A6

RGB 45 230 166

HSL 159.24, 0.79%, 0.54%

LAB 81.79, -58.85, 18.82

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 52 / 0 / 90 / 2

HEX #78F91A

RGB 120 249 26

HSL 94.71, 0.95%, 0.54%

LAB 87.88, -67.51, 81.55

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 40 / 0 / 70 / 17

HEX #7ED340

RGB 126 211 64

HSL 94.69, 0.63%, 0.54%

LAB 76.92, -49.71, 61.62

 

CMYK 33 / 0 / 57 / 25

HEX #81C052

RGB 129 192 82

HSL 94.36, 0.47%, 0.54%

LAB 71.54, -39.07, 48.27

 

CMYK 24 / 0 / 42 / 32

HEX #84AD65

RGB 132 173 101

HSL 94.17, 0.31%, 0.54%

LAB 66.31, -26.9, 32.57

 

CMYK 12 / 0 / 22 / 40

HEX #879A78

RGB 135 154 120

HSL 93.53, 0.14%, 0.54%

LAB 61.32, -13.2, 15.65

 

CMYK 3 / 0 / 80 / 10

HEX #E0E62D

RGB 224 230 45

HSL 61.95, 0.79%, 0.54%

LAB 88.27, -21.7, 80.38

 

CMYK 24 / 0 / 80 / 10

HEX #AEE62D

RGB 174 230 45

HSL 78.16, 0.79%, 0.54%

LAB 84.88, -41.64, 76.11

 

CMYK 46 / 0 / 80 / 10

HEX #7DE62D

RGB 125 230 45

HSL 94.05, 0.79%, 0.54%

LAB 82.46, -58.55, 73.01

 

CMYK 67 / 0 / 80 / 10

HEX #4BE62D

RGB 75 230 45

HSL 110.27, 0.79%, 0.54%

LAB 80.89, -71, 71

 

CMYK 80 / 0 / 73 / 10

HEX #2DE63F

RGB 45 230 63

HSL 125.84, 0.79%, 0.54%

LAB 80.47, -74.33, 64.88

 

CMYK 51 / 0 / 88 / 33

HEX #54AC14

RGB 84 172 20

HSL 94.74, 0.79%, 0.38%

LAB 62.88, -50.04, 60.95

 

CMYK 51 / 0 / 89 / 18

HEX #66D118

RGB 102 209 24

HSL 94.7, 0.79%, 0.46%

LAB 75.13, -58.37, 70.9

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 38 / 0 / 65 / 8

HEX #92EA51

RGB 146 234 81

HSL 94.51, 0.78%, 0.62%

LAB 84.77, -51.21, 63.6

 

CMYK 29 / 0 / 51 / 6

HEX #A9EF76

RGB 169 239 118

HSL 94.71, 0.79%, 0.7%

LAB 87.72, -42.09, 51.22

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 80 / 0 / 19 / 10

HEX #2DE6BB

RGB 45 230 187

HSL 166.05, 0.79%, 0.54%

LAB 82.24, -53.98, 8.46

 

CMYK 0 / 80 / 13 / 10

HEX #E62DC7

RGB 230 45 199

HSL 310.05, 0.79%, 0.54%

LAB 54.89, 80.88, -38.14

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 80 / 46 / 0 / 10

HEX #2D7DE6

RGB 45 125 230

HSL 214.05, 0.79%, 0.54%

LAB 52.88, 13.31, -59.97

 

CMYK 0 / 80 / 46 / 10

HEX #E62D7D

RGB 230 45 125

HSL 334.05, 0.79%, 0.54%

LAB 52.04, 72.7, 1.15

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 80 / 0 / 19 / 10

HEX #2DE6BB

RGB 45 230 187

HSL 166.05, 0.79%, 0.54%

LAB 82.24, -53.98, 8.46

 

CMYK 35 / 80 / 0 / 10

HEX #962DE6

RGB 150 45 230

HSL 274.05, 0.79%, 0.54%

LAB 44.34, 71.81, -73.47

 

CMYK 0 / 80 / 62 / 10

HEX #E62D58

RGB 230 45 88

HSL 346.05, 0.79%, 0.54%

LAB 51.16, 70.05, 22.31

 

CMYK 47 / 0 / 80 / 10

HEX #7BE62D

RGB 123 230 45

HSL 94.7, 0.79%, 0.54%

LAB 82.38, -59.15, 72.91

 

CMYK 80 / 5 / 0 / 10

HEX #2DDAE6

RGB 45 218 230

HSL 183.89, 0.79%, 0.54%

LAB 79.85, -37.09, -17.9

 

CMYK 35 / 80 / 0 / 10

HEX #962DE6

RGB 150 45 230

HSL 274.05, 0.79%, 0.54%

LAB 44.34, 71.81, -73.47

 

CMYK 0 / 75 / 80 / 10

HEX #E6392D

RGB 230 57 45

HSL 3.89, 0.79%, 0.54%

LAB 51.77, 64.81, 47.65

 

Description

Color code: HEX #7BE62D | qconv.com Color code: HEX #7BE62D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 230 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 230 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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