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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE543 it is the complementary color #841ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE543 shade: #80E53E, #91F751, #A2FF64, #B3FF77 and #C4FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE543 shade: #7BE543, #6AD330, #59C11D, #48AF0A and #379D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE543 shade: #7AE542, #A6E542, #D2E542, #E5CC42 and #E5A042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE543 shade: #7AE542, #4EE542, #42E562, #42E58D and #42E5B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE543 shade matches the following richer shades: #7AE542 and #75F631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE543 shade: #7AE542, #80D353, #85C265, #8AB176 and #909F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE543 shade: #D2E542, #A6E542, #7BE542, #50E542 and #42E560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE543 shade: #51BB19, #61DF1E, #7AE542, #94EA66 and #ADEF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE543 shade: #7BE543, #42E5CC and #E542BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE543 shade: #7BE543, #427BE5 and #E5427B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE543 shade: #7BE543, #42E5CC, #AC42E5 and #E5425A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE543 shade: #7BE543, #42CCE5, #AC42E5 and #E55A42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

Complementary color

CMYK 30 / 86 / 0 / 26

HEX #841ABC

RGB 132 26 188

HSL 279.26, 0.76%, 0.42%

LAB 36.51, 65.83, -62.07

 

CMYK 44 / 0 / 73 / 10

HEX #80E53E

RGB 128 229 62

HSL 96.29, 0.76%, 0.57%

LAB 82.37, -56.32, 67.85

 

CMYK 41 / 0 / 67 / 3

HEX #91F751

RGB 145 247 81

HSL 96.87, 0.91%, 0.64%

LAB 88.51, -56.72, 67.55

 

CMYK 36 / 0 / 61 / 0

HEX #A2FF64

RGB 162 255 100

HSL 96, 1%, 0.7%

LAB 91.74, -52.95, 63.73

 

CMYK 30 / 0 / 53 / 0

HEX #B3FF77

RGB 179 255 119

HSL 93.53, 1%, 0.73%

LAB 92.77, -45.5, 56.92

 

CMYK 23 / 0 / 46 / 0

HEX #C4FF8A

RGB 196 255 138

HSL 90.26, 1%, 0.77%

LAB 93.92, -37.59, 49.78

 

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

CMYK 50 / 0 / 77 / 17

HEX #6AD330

RGB 106 211 48

HSL 98.65, 0.65%, 0.51%

LAB 75.99, -56.93, 65.87

 

CMYK 54 / 0 / 85 / 24

HEX #59C11D

RGB 89 193 29

HSL 98.05, 0.74%, 0.44%

LAB 69.72, -56.06, 65.02

 

CMYK 59 / 0 / 94 / 31

HEX #48AF0A

RGB 72 175 10

HSL 97.45, 0.89%, 0.36%

LAB 63.39, -54.77, 62.85

 

CMYK 65 / 0 / 100 / 38

HEX #379D00

RGB 55 157 0

HSL 98.98, 1%, 0.31%

LAB 57, -52.94, 58.87

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 28 / 0 / 71 / 10

HEX #A6E542

RGB 166 229 66

HSL 83.19, 0.76%, 0.58%

LAB 84.25, -43.18, 68.96

 

CMYK 8 / 0 / 71 / 10

HEX #D2E542

RGB 210 229 66

HSL 66.99, 0.76%, 0.58%

LAB 87.06, -26.12, 72.68

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 0 / 30 / 71 / 10

HEX #E5A042

RGB 229 160 66

HSL 34.6, 0.76%, 0.58%

LAB 71, 17.17, 57.2

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 66 / 0 / 71 / 10

HEX #4EE542

RGB 78 229 66

HSL 115.58, 0.76%, 0.58%

LAB 80.77, -68.74, 64.32

 

CMYK 71 / 0 / 57 / 10

HEX #42E562

RGB 66 229 98

HSL 131.78, 0.76%, 0.58%

LAB 80.78, -67.63, 51.21

 

CMYK 71 / 0 / 38 / 10

HEX #42E58D

RGB 66 229 141

HSL 147.61, 0.76%, 0.58%

LAB 81.36, -61.01, 31.17

 

CMYK 71 / 0 / 19 / 10

HEX #42E5B9

RGB 66 229 185

HSL 163.8, 0.76%, 0.58%

LAB 82.22, -51.73, 9.52

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 52 / 0 / 80 / 4

HEX #75F631

RGB 117 246 49

HSL 99.29, 0.92%, 0.58%

LAB 86.96, -66.45, 75.97

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 39 / 0 / 61 / 17

HEX #80D353

RGB 128 211 83

HSL 98.91, 0.59%, 0.58%

LAB 77.16, -47.47, 54.21

 

CMYK 31 / 0 / 48 / 24

HEX #85C265

RGB 133 194 101

HSL 99.35, 0.43%, 0.58%

LAB 72.57, -36.43, 40.45

 

CMYK 22 / 0 / 33 / 31

HEX #8AB176

RGB 138 177 118

HSL 99.66, 0.27%, 0.58%

LAB 68.14, -24.22, 26.03

 

CMYK 9 / 0 / 15 / 38

HEX #909F87

RGB 144 159 135

HSL 97.5, 0.11%, 0.58%

LAB 63.73, -9.91, 10.74

 

CMYK 8 / 0 / 71 / 10

HEX #D2E542

RGB 210 229 66

HSL 66.99, 0.76%, 0.58%

LAB 87.06, -26.12, 72.68

 

CMYK 28 / 0 / 71 / 10

HEX #A6E542

RGB 166 229 66

HSL 83.19, 0.76%, 0.58%

LAB 84.25, -43.18, 68.96

 

CMYK 46 / 0 / 71 / 10

HEX #7BE542

RGB 123 229 66

HSL 99.02, 0.76%, 0.58%

LAB 82.19, -57.57, 66.22

 

CMYK 65 / 0 / 71 / 10

HEX #50E542

RGB 80 229 66

HSL 114.85, 0.76%, 0.58%

LAB 80.82, -68.35, 64.39

 

CMYK 71 / 0 / 58 / 10

HEX #42E560

RGB 66 229 96

HSL 131.04, 0.76%, 0.58%

LAB 80.76, -67.88, 52.08

 

CMYK 57 / 0 / 87 / 27

HEX #51BB19

RGB 81 187 25

HSL 99.26, 0.76%, 0.42%

LAB 67.55, -56.22, 63.9

 

CMYK 57 / 0 / 87 / 13

HEX #61DF1E

RGB 97 223 30

HSL 99.17, 0.76%, 0.5%

LAB 79.28, -64.47, 73.26

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 37 / 0 / 56 / 8

HEX #94EA66

RGB 148 234 102

HSL 99.09, 0.76%, 0.66%

LAB 85.05, -48.66, 55.09

 

CMYK 28 / 0 / 42 / 6

HEX #ADEF8B

RGB 173 239 139

HSL 99.6, 0.76%, 0.74%

LAB 88.2, -38.21, 41.83

 

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

CMYK 71 / 0 / 11 / 10

HEX #42E5CC

RGB 66 229 204

HSL 170.8, 0.76%, 0.58%

LAB 82.68, -47.03, 0.16

 

CMYK 0 / 71 / 18 / 10

HEX #E542BC

RGB 229 66 188

HSL 315.09, 0.76%, 0.58%

LAB 56.27, 73.32, -29.65

 

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

CMYK 71 / 46 / 0 / 10

HEX #427BE5

RGB 66 123 229

HSL 219.02, 0.76%, 0.58%

LAB 52.93, 16.59, -59.3

 

CMYK 0 / 71 / 46 / 10

HEX #E5427B

RGB 229 66 123

HSL 339.02, 0.76%, 0.58%

LAB 54.01, 66.04, 5.18

 

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

CMYK 71 / 0 / 11 / 10

HEX #42E5CC

RGB 66 229 204

HSL 170.8, 0.76%, 0.58%

LAB 82.68, -47.03, 0.16

 

CMYK 25 / 71 / 0 / 10

HEX #AC42E5

RGB 172 66 229

HSL 279.02, 0.76%, 0.58%

LAB 49.89, 67.8, -63.75

 

CMYK 0 / 71 / 61 / 10

HEX #E5425A

RGB 229 66 90

HSL 351.17, 0.76%, 0.58%

LAB 53.27, 63.55, 23.86

 

CMYK 46 / 0 / 71 / 10

HEX #7BE543

RGB 123 229 67

HSL 99.26, 0.76%, 0.58%

LAB 82.19, -57.5, 65.87

 

CMYK 71 / 11 / 0 / 10

HEX #42CCE5

RGB 66 204 229

HSL 189.2, 0.76%, 0.58%

LAB 76.07, -28.57, -23.06

 

CMYK 25 / 71 / 0 / 10

HEX #AC42E5

RGB 172 66 229

HSL 279.02, 0.76%, 0.58%

LAB 49.89, 67.8, -63.75

 

CMYK 0 / 61 / 71 / 10

HEX #E55A42

RGB 229 90 66

HSL 8.83, 0.76%, 0.58%

LAB 56.45, 52.64, 41.46

 

Description

Color code: HEX #7BE543 | qconv.com Color code: HEX #7BE543 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 229 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 229 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 71 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 71% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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