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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BDC79 it is the complementary color #842386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BDC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BDC79 shade: #80DC74, #91EE87, #A2FF9A, #B3FFAD and #C4FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BDC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BDC79 shade: #7BDC79, #6ACA66, #59B853, #48A640 and #37942D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BDC79 shade: #7BDC79, #95DC79, #B0DC79, #CBDC79 and #DCD279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BDC79 shade: #7BDC79, #79DC91, #79DCAC, #79DCC7 and #79D6DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BDC79 shade matches the following richer shades: #7BDC79, #6EEA6B and #61F75D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BDC79 shade: #7BDC79, #88CE86, #95C194, #A2B3A2 and #AFA6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BDC79 shade: #B1DC79, #96DC79, #7CDC79, #79DC90 and #79DCAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BDC79 shade: #3ACB37, #5AD458, #7BDC79, #9BE49A and #BBEDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BDC79 shade: #7BDC79, #79CBDC and #DC79A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BDC79 shade: #7BDC79, #797CDC and #DC797C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BDC79 shade: #7BDC79, #79CBDC, #D979DC and #DC8979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BDC79 shade: #7BDC79, #79AEDC, #D979DC and #DCA779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

Complementary color

CMYK 1 / 74 / 0 / 47

HEX #842386

RGB 132 35 134

HSL 298.79, 0.59%, 0.33%

LAB 33.62, 52.78, -34.08

 

CMYK 42 / 0 / 47 / 14

HEX #80DC74

RGB 128 220 116

HSL 113.08, 0.6%, 0.66%

LAB 80.2, -47.46, 42.51

 

CMYK 39 / 0 / 43 / 7

HEX #91EE87

RGB 145 238 135

HSL 114.17, 0.75%, 0.73%

LAB 86.46, -47.32, 41.29

 

CMYK 36 / 0 / 40 / 0

HEX #A2FF9A

RGB 162 255 154

HSL 115.25, 1%, 0.8%

LAB 92.37, -46.71, 39.73

 

CMYK 30 / 0 / 32 / 0

HEX #B3FFAD

RGB 179 255 173

HSL 115.61, 1%, 0.84%

LAB 93.5, -38.61, 31.96

 

CMYK 23 / 0 / 25 / 0

HEX #C4FFC0

RGB 196 255 192

HSL 116.19, 1%, 0.88%

LAB 94.76, -30.15, 24.24

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 48 / 0 / 50 / 21

HEX #6ACA66

RGB 106 202 102

HSL 117.6, 0.49%, 0.6%

LAB 73.72, -48.32, 41.09

 

CMYK 52 / 0 / 55 / 28

HEX #59B853

RGB 89 184 83

HSL 116.44, 0.42%, 0.52%

LAB 67.3, -48.28, 42.37

 

CMYK 57 / 0 / 61 / 35

HEX #48A640

RGB 72 166 64

HSL 115.29, 0.44%, 0.45%

LAB 60.8, -48.03, 43.57

 

CMYK 63 / 0 / 70 / 42

HEX #37942D

RGB 55 148 45

HSL 114.17, 0.53%, 0.38%

LAB 54.22, -47.46, 44.55

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 32 / 0 / 45 / 14

HEX #95DC79

RGB 149 220 121

HSL 103.03, 0.59%, 0.67%

LAB 81.27, -40.12, 41.61

 

CMYK 20 / 0 / 45 / 14

HEX #B0DC79

RGB 176 220 121

HSL 86.67, 0.59%, 0.67%

LAB 82.81, -30.64, 43.87

 

CMYK 8 / 0 / 45 / 14

HEX #CBDC79

RGB 203 220 121

HSL 70.3, 0.59%, 0.67%

LAB 84.62, -20.43, 46.51

 

CMYK 0 / 5 / 45 / 14

HEX #DCD279

RGB 220 210 121

HSL 53.94, 0.59%, 0.67%

LAB 83.28, -8.73, 45.15

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 45 / 0 / 34 / 14

HEX #79DC91

RGB 121 220 145

HSL 134.55, 0.59%, 0.67%

LAB 80.35, -45.05, 28.06

 

CMYK 45 / 0 / 22 / 14

HEX #79DCAC

RGB 121 220 172

HSL 150.91, 0.59%, 0.67%

LAB 80.87, -39.97, 14.68

 

CMYK 45 / 0 / 10 / 14

HEX #79DCC7

RGB 121 220 199

HSL 167.27, 0.59%, 0.67%

LAB 81.5, -34.08, 1.28

 

CMYK 45 / 3 / 0 / 14

HEX #79D6DC

RGB 121 214 220

HSL 183.64, 0.59%, 0.67%

LAB 80.36, -26.09, -11.59

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 53 / 0 / 54 / 8

HEX #6EEA6B

RGB 110 234 107

HSL 118.58, 0.75%, 0.67%

LAB 83.56, -59.16, 50.7

 

CMYK 61 / 0 / 62 / 3

HEX #61F75D

RGB 97 247 93

HSL 118.44, 0.91%, 0.67%

LAB 86.92, -68.43, 60.59

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 34 / 0 / 35 / 19

HEX #88CE86

RGB 136 206 134

HSL 118.33, 0.42%, 0.67%

LAB 76.74, -36.21, 29.04

 

CMYK 23 / 0 / 23 / 24

HEX #95C194

RGB 149 193 148

HSL 118.67, 0.27%, 0.67%

LAB 73.98, -23.37, 18.02

 

CMYK 9 / 0 / 9 / 30

HEX #A2B3A2

RGB 162 179 162

HSL 120, 0.1%, 0.67%

LAB 71.23, -9.16, 6.67

 

CMYK 0 / 5 / 0 / 31

HEX #AFA6AF

RGB 175 166 175

HSL 300, 0.05%, 0.67%

LAB 69.1, 4.91, -3.48

 

CMYK 20 / 0 / 45 / 14

HEX #B1DC79

RGB 177 220 121

HSL 86.06, 0.59%, 0.67%

LAB 82.87, -30.27, 43.96

 

CMYK 32 / 0 / 45 / 14

HEX #96DC79

RGB 150 220 121

HSL 102.42, 0.59%, 0.67%

LAB 81.32, -39.79, 41.69

 

CMYK 44 / 0 / 45 / 14

HEX #7CDC79

RGB 124 220 121

HSL 118.18, 0.59%, 0.67%

LAB 80.1, -47.96, 39.89

 

CMYK 45 / 0 / 35 / 14

HEX #79DC90

RGB 121 220 144

HSL 133.94, 0.59%, 0.67%

LAB 80.33, -45.22, 28.55

 

CMYK 45 / 0 / 23 / 14

HEX #79DCAA

RGB 121 220 170

HSL 149.7, 0.59%, 0.67%

LAB 80.82, -40.37, 15.67

 

CMYK 71 / 0 / 73 / 20

HEX #3ACB37

RGB 58 203 55

HSL 118.78, 0.59%, 0.51%

LAB 72.15, -64.86, 59.32

 

CMYK 58 / 0 / 58 / 17

HEX #5AD458

RGB 90 212 88

HSL 119.03, 0.59%, 0.59%

LAB 76.05, -58.15, 50.34

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 32 / 0 / 32 / 11

HEX #9BE49A

RGB 155 228 154

HSL 119.19, 0.58%, 0.75%

LAB 84.37, -37, 29.11

 

CMYK 21 / 0 / 22 / 7

HEX #BBEDBA

RGB 187 237 186

HSL 118.82, 0.59%, 0.83%

LAB 89.24, -25.57, 19.58

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 45 / 8 / 0 / 14

HEX #79CBDC

RGB 121 203 220

HSL 190.3, 0.59%, 0.67%

LAB 77.25, -20.61, -16.26

 

CMYK 0 / 45 / 25 / 14

HEX #DC79A4

RGB 220 121 164

HSL 333.94, 0.59%, 0.67%

LAB 62.99, 43.54, -5.79

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 45 / 44 / 0 / 14

HEX #797CDC

RGB 121 124 220

HSL 238.18, 0.59%, 0.67%

LAB 55.73, 23.54, -49.59

 

CMYK 0 / 45 / 44 / 14

HEX #DC797C

RGB 220 121 124

HSL 358.18, 0.59%, 0.67%

LAB 61.95, 38.67, 15.6

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 45 / 8 / 0 / 14

HEX #79CBDC

RGB 121 203 220

HSL 190.3, 0.59%, 0.67%

LAB 77.25, -20.61, -16.26

 

CMYK 1 / 45 / 0 / 14

HEX #D979DC

RGB 217 121 220

HSL 298.18, 0.59%, 0.67%

LAB 64.64, 51.61, -34.92

 

CMYK 0 / 38 / 45 / 14

HEX #DC8979

RGB 220 137 121

HSL 9.7, 0.59%, 0.67%

LAB 65.35, 29.94, 21.95

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 45 / 21 / 0 / 14

HEX #79AEDC

RGB 121 174 220

HSL 207.88, 0.59%, 0.67%

LAB 69.12, -5.31, -28.65

 

CMYK 1 / 45 / 0 / 14

HEX #D979DC

RGB 217 121 220

HSL 298.18, 0.59%, 0.67%

LAB 64.64, 51.61, -34.92

 

CMYK 0 / 24 / 45 / 14

HEX #DCA779

RGB 220 167 121

HSL 27.88, 0.59%, 0.67%

LAB 72.38, 13.82, 31.3

 

Description

Color code: HEX #7BDC79 | qconv.com Color code: HEX #7BDC79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 220 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 220 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 45 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 45% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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