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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD25B it is the complementary color #842DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD25B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD25B shade: #80D256, #91E469, #A2F67C, #B3FF8F and #C4FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD25B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD25B shade: #7BD25B, #6AC048, #59AE35, #489C22 and #378A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD25B shade: #7AD25A, #9BD25A, #BBD25A, #D2C85A and #D2A85A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD25B shade: #7AD25A, #5AD25A, #5AD27B, #5AD29B and #5AD2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD25B shade matches the following richer shades: #7AD25A, #73E249 and #6BF339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD25B shade: #7AD25A, #82C16B, #8AB07C, #929F8D and #9A8E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD25B shade: #BCD25A, #9CD25A, #7CD25A, #5CD25A and #5AD278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD25B shade: #50AB2E, #60C93A, #7AD25A, #94DA7B and #AFE39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD25B shade: #7BD25B, #5AD2C8 and #D25AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD25B shade: #7BD25B, #5A7CD2 and #D25A7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD25B shade: #7BD25B, #5AD2C8, #B05AD2 and #D25A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD25B shade: #7BD25B, #5AB8D2, #B05AD2 and #D2745A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

Complementary color

CMYK 20 / 73 / 0 / 36

HEX #842DA4

RGB 132 45 164

HSL 283.87, 0.57%, 0.41%

LAB 36.86, 54.72, -47.21

 

CMYK 39 / 0 / 59 / 18

HEX #80D256

RGB 128 210 86

HSL 99.68, 0.58%, 0.58%

LAB 76.89, -46.76, 52.58

 

CMYK 36 / 0 / 54 / 11

HEX #91E469

RGB 145 228 105

HSL 100.49, 0.69%, 0.65%

LAB 83.19, -46.81, 51.53

 

CMYK 34 / 0 / 50 / 4

HEX #A2F67C

RGB 162 246 124

HSL 101.31, 0.87%, 0.73%

LAB 89.42, -46.77, 50.4

 

CMYK 30 / 0 / 44 / 0

HEX #B3FF8F

RGB 179 255 143

HSL 100.71, 1%, 0.78%

LAB 93.05, -42.79, 46.11

 

CMYK 23 / 0 / 36 / 0

HEX #C4FFA2

RGB 196 255 162

HSL 98.06, 1%, 0.82%

LAB 94.25, -34.61, 38.59

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 45 / 0 / 63 / 25

HEX #6AC048

RGB 106 192 72

HSL 103, 0.49%, 0.52%

LAB 70.34, -47.72, 51.09

 

CMYK 49 / 0 / 70 / 32

HEX #59AE35

RGB 89 174 53

HSL 102.15, 0.53%, 0.45%

LAB 63.88, -47.41, 51.84

 

CMYK 54 / 0 / 78 / 39

HEX #489C22

RGB 72 156 34

HSL 101.31, 0.64%, 0.37%

LAB 57.34, -46.81, 52.03

 

CMYK 60 / 0 / 89 / 46

HEX #378A0F

RGB 55 138 15

HSL 100.49, 0.8%, 0.3%

LAB 50.71, -45.76, 51.09

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25A

RGB 122 210 90

HSL 104, 0.57%, 0.59%

LAB 76.66, -48.27, 50.45

 

CMYK 26 / 0 / 57 / 18

HEX #9BD25A

RGB 155 210 90

HSL 87.5, 0.57%, 0.59%

LAB 78.34, -37, 52.83

 

CMYK 11 / 0 / 57 / 18

HEX #BBD25A

RGB 187 210 90

HSL 71.5, 0.57%, 0.59%

LAB 80.4, -24.72, 55.72

 

CMYK 0 / 5 / 57 / 18

HEX #D2C85A

RGB 210 200 90

HSL 55, 0.57%, 0.59%

LAB 79.47, -10.38, 55.15

 

CMYK 0 / 20 / 57 / 18

HEX #D2A85A

RGB 210 168 90

HSL 39, 0.57%, 0.59%

LAB 71.18, 6.36, 45.59

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25A

RGB 122 210 90

HSL 104, 0.57%, 0.59%

LAB 76.66, -48.27, 50.45

 

CMYK 57 / 0 / 57 / 18

HEX #5AD25A

RGB 90 210 90

HSL 120, 0.57%, 0.59%

LAB 75.45, -57.17, 48.74

 

CMYK 57 / 0 / 41 / 18

HEX #5AD27B

RGB 90 210 123

HSL 136.5, 0.57%, 0.59%

LAB 75.88, -52.47, 33.23

 

CMYK 57 / 0 / 26 / 18

HEX #5AD29B

RGB 90 210 155

HSL 152.5, 0.57%, 0.59%

LAB 76.46, -46.46, 17.33

 

CMYK 57 / 0 / 11 / 18

HEX #5AD2BB

RGB 90 210 187

HSL 168.5, 0.57%, 0.59%

LAB 77.19, -39.16, 1.29

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25A

RGB 122 210 90

HSL 104, 0.57%, 0.59%

LAB 76.66, -48.27, 50.45

 

CMYK 49 / 0 / 68 / 11

HEX #73E249

RGB 115 226 73

HSL 103.53, 0.73%, 0.59%

LAB 81.03, -58.24, 62.35

 

CMYK 56 / 0 / 77 / 5

HEX #6BF339

RGB 107 243 57

HSL 103.87, 0.89%, 0.59%

LAB 85.77, -67.57, 72.5

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25A

RGB 122 210 90

HSL 104, 0.57%, 0.59%

LAB 76.66, -48.27, 50.45

 

CMYK 33 / 0 / 45 / 24

HEX #82C16B

RGB 130 193 107

HSL 103.95, 0.41%, 0.59%

LAB 72.19, -36.23, 36.94

 

CMYK 22 / 0 / 30 / 31

HEX #8AB07C

RGB 138 176 124

HSL 103.85, 0.25%, 0.59%

LAB 67.95, -22.79, 22.57

 

CMYK 8 / 0 / 11 / 38

HEX #929F8D

RGB 146 159 141

HSL 103.33, 0.09%, 0.59%

LAB 64.02, -8.09, 7.82

 

CMYK 3 / 10 / 0 / 38

HEX #9A8E9E

RGB 154 142 158

HSL 285, 0.08%, 0.59%

LAB 60.5, 7.52, -6.84

 

CMYK 10 / 0 / 57 / 18

HEX #BCD25A

RGB 188 210 90

HSL 71, 0.57%, 0.59%

LAB 80.47, -24.32, 55.82

 

CMYK 26 / 0 / 57 / 18

HEX #9CD25A

RGB 156 210 90

HSL 87, 0.57%, 0.59%

LAB 78.4, -36.63, 52.91

 

CMYK 41 / 0 / 57 / 18

HEX #7CD25A

RGB 124 210 90

HSL 103, 0.57%, 0.59%

LAB 76.75, -47.64, 50.58

 

CMYK 56 / 0 / 57 / 18

HEX #5CD25A

RGB 92 210 90

HSL 119, 0.57%, 0.59%

LAB 75.52, -56.69, 48.83

 

CMYK 57 / 0 / 43 / 18

HEX #5AD278

RGB 90 210 120

HSL 135, 0.57%, 0.59%

LAB 75.84, -52.96, 34.69

 

CMYK 53 / 0 / 73 / 33

HEX #50AB2E

RGB 80 171 46

HSL 103.68, 0.58%, 0.43%

LAB 62.53, -49.44, 53.03

 

CMYK 52 / 0 / 71 / 21

HEX #60C93A

RGB 96 201 58

HSL 104.06, 0.57%, 0.51%

LAB 72.6, -55.38, 59.03

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25A

RGB 122 210 90

HSL 104, 0.57%, 0.59%

LAB 76.66, -48.27, 50.45

 

CMYK 32 / 0 / 44 / 15

HEX #94DA7B

RGB 148 218 123

HSL 104.21, 0.56%, 0.67%

LAB 80.67, -39.3, 39.85

 

CMYK 23 / 0 / 32 / 11

HEX #AFE39B

RGB 175 227 155

HSL 103.33, 0.56%, 0.75%

LAB 85.21, -29.78, 29.91

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 57 / 0 / 5 / 18

HEX #5AD2C8

RGB 90 210 200

HSL 175, 0.57%, 0.59%

LAB 77.54, -35.86, -5.18

 

CMYK 0 / 57 / 18 / 18

HEX #D25AAC

RGB 210 90 172

HSL 319, 0.57%, 0.59%

LAB 56.08, 56.62, -20.94

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 57 / 41 / 0 / 18

HEX #5A7CD2

RGB 90 124 210

HSL 223, 0.57%, 0.59%

LAB 53.21, 13.5, -48.08

 

CMYK 0 / 57 / 41 / 18

HEX #D25A7C

RGB 210 90 124

HSL 343, 0.57%, 0.59%

LAB 54.52, 50.52, 4.91

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 57 / 0 / 5 / 18

HEX #5AD2C8

RGB 90 210 200

HSL 175, 0.57%, 0.59%

LAB 77.54, -35.86, -5.18

 

CMYK 16 / 57 / 0 / 18

HEX #B05AD2

RGB 176 90 210

HSL 283, 0.57%, 0.59%

LAB 53.16, 53.99, -47.69

 

CMYK 0 / 57 / 52 / 18

HEX #D25A64

RGB 210 90 100

HSL 355, 0.57%, 0.59%

LAB 53.96, 48.22, 18.31

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 57 / 12 / 0 / 18

HEX #5AB8D2

RGB 90 184 210

HSL 193, 0.57%, 0.59%

LAB 70.25, -20.39, -21.55

 

CMYK 16 / 57 / 0 / 18

HEX #B05AD2

RGB 176 90 210

HSL 283, 0.57%, 0.59%

LAB 53.16, 53.99, -47.69

 

CMYK 0 / 45 / 57 / 18

HEX #D2745A

RGB 210 116 90

HSL 13, 0.57%, 0.59%

LAB 58.91, 34.36, 30.56

 

Description

Color code: HEX #7BD25B | qconv.com Color code: HEX #7BD25B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 210 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 210 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 57 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 57% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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