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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BC71D it is the complementary color #8438E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BC71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BC71D shade: #80C718, #91D92B, #A2EB3E, #B3FD51 and #C4FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BC71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BC71D shade: #7BC71D, #6AB50A, #59A300, #489100 and #377F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BC71D shade: #7BC81C, #AAC81C, #C8B81C, #C88A1C and #C85C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BC71D shade: #7BC81C, #4DC81C, #1FC81C, #1CC848 and #1CC877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BC71D shade matches the following richer shades: #7BC81C and #7DDB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BC71D shade: #7BC81C, #79B62F, #77A341, #759154 and #747E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BC71D shade: #C8B71C, #ACC81C, #7EC81C, #50C81C and #22C81C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BC71D shade: #4F8012, #65A417, #7BC81C, #90E12D and #A3E651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BC71D shade: #7BC71D, #1CC889 and #C81CC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BC71D shade: #7BC71D, #1C7EC8 and #C81C7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BC71D shade: #7BC71D, #1CC889, #671CC8 and #C81C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BC71D shade: #7BC71D, #1CC8BD, #671CC8 and #C81C28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

Complementary color

CMYK 42 / 75 / 0 / 11

HEX #8438E2

RGB 132 56 226

HSL 266.82, 0.75%, 0.55%

LAB 43.1, 64.15, -73.31

 

CMYK 36 / 0 / 88 / 22

HEX #80C718

RGB 128 199 24

HSL 84.34, 0.78%, 0.44%

LAB 73.22, -46.08, 69.74

 

CMYK 33 / 0 / 80 / 15

HEX #91D92B

RGB 145 217 43

HSL 84.83, 0.7%, 0.51%

LAB 79.51, -46.85, 71.21

 

CMYK 31 / 0 / 74 / 8

HEX #A2EB3E

RGB 162 235 62

HSL 85.32, 0.81%, 0.58%

LAB 85.73, -47.41, 71.69

 

CMYK 29 / 0 / 68 / 1

HEX #B3FD51

RGB 179 253 81

HSL 85.81, 0.98%, 0.65%

LAB 91.88, -47.82, 71.55

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF64

RGB 196 255 100

HSL 82.84, 1%, 0.7%

LAB 93.53, -41.22, 66.21

 

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

CMYK 41 / 0 / 94 / 29

HEX #6AB50A

RGB 106 181 10

HSL 86.32, 0.9%, 0.37%

LAB 66.62, -46.72, 66.03

 

CMYK 45 / 0 / 100 / 36

HEX #59A300

RGB 89 163 0

HSL 87.24, 1%, 0.32%

LAB 60.18, -45.43, 61.89

 

CMYK 50 / 0 / 100 / 43

HEX #489100

RGB 72 145 0

HSL 90.21, 1%, 0.28%

LAB 53.63, -43.86, 56.46

 

CMYK 57 / 0 / 100 / 50

HEX #377F00

RGB 55 127 0

HSL 94.02, 1%, 0.25%

LAB 46.96, -42.11, 50.94

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 15 / 0 / 86 / 22

HEX #AAC81C

RGB 170 200 28

HSL 70.47, 0.75%, 0.45%

LAB 76.03, -30.16, 72.32

 

CMYK 0 / 8 / 86 / 22

HEX #C8B81C

RGB 200 184 28

HSL 54.42, 0.75%, 0.45%

LAB 73.96, -9.45, 71.58

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 54 / 86 / 22

HEX #C85C1C

RGB 200 92 28

HSL 22.33, 0.75%, 0.45%

LAB 51.86, 39.63, 53.44

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 62 / 0 / 86 / 22

HEX #4DC81C

RGB 77 200 28

HSL 102.91, 0.75%, 0.45%

LAB 71.53, -61.61, 66.7

 

CMYK 85 / 0 / 86 / 22

HEX #1FC81C

RGB 31 200 28

HSL 118.95, 0.75%, 0.45%

LAB 70.65, -69.19, 65.58

 

CMYK 86 / 0 / 64 / 22

HEX #1CC848

RGB 28 200 72

HSL 135.35, 0.75%, 0.45%

LAB 70.89, -66.12, 51.15

 

CMYK 86 / 0 / 41 / 22

HEX #1CC877

RGB 28 200 119

HSL 151.74, 0.75%, 0.45%

LAB 71.48, -59.01, 29.28

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 43 / 0 / 95 / 14

HEX #7DDB0A

RGB 125 219 10

HSL 86.99, 0.91%, 0.45%

LAB 79.07, -55.38, 76.38

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 34 / 0 / 74 / 29

HEX #79B62F

RGB 121 182 47

HSL 87.11, 0.59%, 0.45%

LAB 67.82, -40.39, 58.55

 

CMYK 27 / 0 / 60 / 36

HEX #77A341

RGB 119 163 65

HSL 86.94, 0.43%, 0.45%

LAB 62.08, -31.16, 45.16

 

CMYK 19 / 0 / 42 / 43

HEX #759154

RGB 117 145 84

HSL 87.54, 0.27%, 0.45%

LAB 56.76, -20.93, 29.17

 

CMYK 8 / 0 / 19 / 51

HEX #747E66

RGB 116 126 102

HSL 85, 0.11%, 0.45%

LAB 51.38, -8.36, 11.84

 

CMYK 0 / 9 / 86 / 22

HEX #C8B71C

RGB 200 183 28

HSL 54.07, 0.75%, 0.45%

LAB 73.69, -8.94, 71.36

 

CMYK 14 / 0 / 86 / 22

HEX #ACC81C

RGB 172 200 28

HSL 69.77, 0.75%, 0.45%

LAB 76.17, -29.34, 72.49

 

CMYK 37 / 0 / 86 / 22

HEX #7EC81C

RGB 126 200 28

HSL 85.81, 0.75%, 0.45%

LAB 73.43, -47.08, 69.09

 

CMYK 60 / 0 / 86 / 22

HEX #50C81C

RGB 80 200 28

HSL 101.86, 0.75%, 0.45%

LAB 71.62, -60.89, 66.81

 

CMYK 83 / 0 / 86 / 22

HEX #22C81C

RGB 34 200 28

HSL 117.91, 0.75%, 0.45%

LAB 70.69, -68.88, 65.62

 

CMYK 38 / 0 / 86 / 50

HEX #4F8012

RGB 79 128 18

HSL 86.73, 0.75%, 0.29%

LAB 48.44, -33.71, 48.76

 

CMYK 38 / 0 / 86 / 36

HEX #65A417

RGB 101 164 23

HSL 86.81, 0.75%, 0.37%

LAB 61.12, -41.08, 59.07

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 36 / 0 / 80 / 12

HEX #90E12D

RGB 144 225 45

HSL 87, 0.75%, 0.53%

LAB 81.82, -50.41, 72.75

 

CMYK 29 / 0 / 65 / 10

HEX #A3E651

RGB 163 230 81

HSL 86.98, 0.75%, 0.61%

LAB 84.47, -43.69, 63.54

 

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

CMYK 86 / 0 / 32 / 22

HEX #1CC889

RGB 28 200 137

HSL 158.02, 0.75%, 0.45%

LAB 71.8, -55.34, 20.25

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

CMYK 86 / 37 / 0 / 22

HEX #1C7EC8

RGB 28 126 200

HSL 205.81, 0.75%, 0.45%

LAB 51.08, -0.08, -45.92

 

CMYK 0 / 86 / 37 / 22

HEX #C81C7E

RGB 200 28 126

HSL 325.81, 0.75%, 0.45%

LAB 45.1, 69.32, -10.36

 

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

CMYK 86 / 0 / 32 / 22

HEX #1CC889

RGB 28 200 137

HSL 158.02, 0.75%, 0.45%

LAB 71.8, -55.34, 20.25

 

CMYK 49 / 86 / 0 / 22

HEX #671CC8

RGB 103 28 200

HSL 266.16, 0.75%, 0.45%

LAB 33.74, 64.15, -73.81

 

CMYK 0 / 86 / 55 / 22

HEX #C81C5B

RGB 200 28 91

HSL 338.02, 0.75%, 0.45%

LAB 44.04, 66.3, 9.81

 

CMYK 38 / 0 / 85 / 22

HEX #7BC71D

RGB 123 199 29

HSL 86.82, 0.75%, 0.45%

LAB 72.99, -47.69, 68.43

 

CMYK 86 / 0 / 5 / 22

HEX #1CC8BD

RGB 28 200 189

HSL 176.16, 0.75%, 0.45%

LAB 73.04, -42.17, -6.03

 

CMYK 49 / 86 / 0 / 22

HEX #671CC8

RGB 103 28 200

HSL 266.16, 0.75%, 0.45%

LAB 33.74, 64.15, -73.81

 

CMYK 0 / 86 / 80 / 22

HEX #C81C28

RGB 200 28 40

HSL 355.81, 0.75%, 0.45%

LAB 43.16, 63.73, 39.83

 

Description

Color code: HEX #7BC71D | qconv.com Color code: HEX #7BC71D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 199 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 199 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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