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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B8CCA it is the complementary color #847335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B8CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B8CCA shade: #808CC5, #919ED8, #A2B0EB, #B3C2FE and #C4D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B8CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B8CCA shade: #7B8CCA, #6A7AB7, #5968A4, #485691 and #37447E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B8CCA shade: #7B8CCA, #807BCA, #957BCA, #AA7BCA and #BF7BCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B8CCA shade: #7B8CCA and #7B7BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B8CCA shade matches the following richer shades: #7B8CCA, #6C84D9, #5E7BE8 and #4F73F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B8CCA shade: #7B8CCA, #8A95BB, #999DAC, #A8A69E and #B7AE8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B8CCA shade: #7BB6CA, #7BA1CA, #7B8CCA, #7F7BCA and #947BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B8CCA shade: #455CAE, #5E73BE, #7B8CCA, #99A6D6 and #B6C0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B8CCA shade: #7B8CCA, #C97BCA and #ACCA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B8CCA shade: #7B8CCA, #CA7B8C and #8CCA7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B8CCA shade: #7B8CCA, #C97BCA, #CAB97B and #7DCA7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B8CCA shade: #7B8CCA, #CA7BB4, #CAB97B and #7BCA92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

Complementary color

CMYK 0 / 13 / 60 / 48

HEX #847335

RGB 132 115 53

HSL 47.09, 0.43%, 0.36%

LAB 48.79, -1.54, 36.14

 

CMYK 35 / 29 / 0 / 23

HEX #808CC5

RGB 128 140 197

HSL 229.57, 0.37%, 0.64%

LAB 59.32, 9.44, -30.96

 

CMYK 33 / 27 / 0 / 15

HEX #919ED8

RGB 145 158 216

HSL 229.01, 0.48%, 0.71%

LAB 66.08, 8.95, -31

 

CMYK 31 / 25 / 0 / 8

HEX #A2B0EB

RGB 162 176 235

HSL 228.49, 0.65%, 0.78%

LAB 72.71, 8.52, -31.08

 

CMYK 30 / 24 / 0 / 0

HEX #B3C2FE

RGB 179 194 254

HSL 228, 0.97%, 0.85%

LAB 79.23, 8.13, -31.19

 

CMYK 23 / 17 / 0 / 0

HEX #C4D4FF

RGB 196 212 255

HSL 223.73, 1%, 0.88%

LAB 85.02, 3.64, -22.77

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 42 / 33 / 0 / 28

HEX #6A7AB7

RGB 106 122 183

HSL 227.53, 0.35%, 0.57%

LAB 52.29, 10.07, -34.06

 

CMYK 46 / 37 / 0 / 36

HEX #5968A4

RGB 89 104 164

HSL 228, 0.3%, 0.5%

LAB 45.23, 10.84, -34.16

 

CMYK 50 / 41 / 0 / 43

HEX #485691

RGB 72 86 145

HSL 228.49, 0.34%, 0.43%

LAB 37.98, 11.8, -34.33

 

CMYK 56 / 46 / 0 / 51

HEX #37447E

RGB 55 68 126

HSL 229.01, 0.39%, 0.35%

LAB 30.53, 13.04, -34.58

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 37 / 39 / 0 / 21

HEX #807BCA

RGB 128 123 202

HSL 243.8, 0.43%, 0.64%

LAB 55.09, 20.81, -40.4

 

CMYK 26 / 39 / 0 / 21

HEX #957BCA

RGB 149 123 202

HSL 259.75, 0.43%, 0.64%

LAB 56.9, 26.73, -37.44

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 5 / 39 / 0 / 21

HEX #BF7BCA

RGB 191 123 202

HSL 291.65, 0.43%, 0.64%

LAB 61.23, 39.4, -30.37

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 50 / 39 / 0 / 15

HEX #6C84D9

RGB 108 132 217

HSL 226.79, 0.59%, 0.64%

LAB 56.78, 14.8, -46.29

 

CMYK 59 / 47 / 0 / 9

HEX #5E7BE8

RGB 94 123 232

HSL 227.39, 0.75%, 0.64%

LAB 54.42, 22.14, -58.51

 

CMYK 68 / 53 / 0 / 3

HEX #4F73F7

RGB 79 115 247

HSL 227.14, 0.91%, 0.64%

LAB 52.55, 29.69, -69.92

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 26 / 20 / 0 / 27

HEX #8A95BB

RGB 138 149 187

HSL 226.53, 0.26%, 0.64%

LAB 62.07, 4.67, -21.03

 

CMYK 11 / 9 / 0 / 33

HEX #999DAC

RGB 153 157 172

HSL 227.37, 0.1%, 0.64%

LAB 64.86, 1.63, -8.29

 

CMYK 0 / 1 / 6 / 34

HEX #A8A69E

RGB 168 166 158

HSL 48, 0.05%, 0.64%

LAB 68.07, -0.75, 4.38

 

CMYK 0 / 5 / 22 / 28

HEX #B7AE8F

RGB 183 174 143

HSL 46.5, 0.22%, 0.64%

LAB 71.09, -1.89, 17.09

 

CMYK 39 / 10 / 0 / 21

HEX #7BB6CA

RGB 123 182 202

HSL 195.19, 0.43%, 0.64%

LAB 70.82, -13.97, -16.16

 

CMYK 39 / 20 / 0 / 21

HEX #7BA1CA

RGB 123 161 202

HSL 211.14, 0.43%, 0.64%

LAB 64.93, -2.57, -25.12

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 37 / 39 / 0 / 21

HEX #7F7BCA

RGB 127 123 202

HSL 243.04, 0.43%, 0.64%

LAB 55.01, 20.54, -40.53

 

CMYK 27 / 39 / 0 / 21

HEX #947BCA

RGB 148 123 202

HSL 258.99, 0.43%, 0.64%

LAB 56.81, 26.44, -37.59

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 51 / 39 / 0 / 25

HEX #5E73BE

RGB 94 115 190

HSL 226.88, 0.42%, 0.56%

LAB 49.93, 13.42, -41.86

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 29 / 22 / 0 / 16

HEX #99A6D6

RGB 153 166 214

HSL 227.21, 0.43%, 0.72%

LAB 68.68, 6.27, -25.85

 

CMYK 19 / 15 / 0 / 11

HEX #B6C0E2

RGB 182 192 226

HSL 226.36, 0.43%, 0.8%

LAB 77.95, 3.62, -18.08

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 0 / 39 / 0 / 21

HEX #C97BCA

RGB 201 123 202

HSL 299.24, 0.43%, 0.64%

LAB 62.38, 42.49, -28.49

 

CMYK 15 / 0 / 39 / 21

HEX #ACCA7B

RGB 172 202 123

HSL 82.78, 0.43%, 0.64%

LAB 77.54, -23.25, 36.16

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 0 / 39 / 31 / 21

HEX #CA7B8C

RGB 202 123 140

HSL 347.09, 0.43%, 0.64%

LAB 60.44, 32.86, 3.97

 

CMYK 31 / 0 / 39 / 21

HEX #8CCA7B

RGB 140 202 123

HSL 107.09, 0.43%, 0.64%

LAB 75.6, -34.73, 33.27

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 0 / 39 / 0 / 21

HEX #C97BCA

RGB 201 123 202

HSL 299.24, 0.43%, 0.64%

LAB 62.38, 42.49, -28.49

 

CMYK 0 / 8 / 39 / 21

HEX #CAB97B

RGB 202 185 123

HSL 47.09, 0.43%, 0.64%

LAB 75.25, -2.83, 33.66

 

CMYK 38 / 0 / 39 / 21

HEX #7DCA7B

RGB 125 202 123

HSL 118.48, 0.43%, 0.64%

LAB 74.84, -39.61, 32.13

 

CMYK 39 / 31 / 0 / 21

HEX #7B8CCA

RGB 123 140 202

HSL 227.09, 0.43%, 0.64%

LAB 59.19, 9.43, -34.01

 

CMYK 0 / 39 / 11 / 21

HEX #CA7BB4

RGB 202 123 180

HSL 316.71, 0.43%, 0.64%

LAB 61.67, 38.9, -17.11

 

CMYK 0 / 8 / 39 / 21

HEX #CAB97B

RGB 202 185 123

HSL 47.09, 0.43%, 0.64%

LAB 75.25, -2.83, 33.66

 

CMYK 39 / 0 / 28 / 21

HEX #7BCA92

RGB 123 202 146

HSL 137.47, 0.43%, 0.64%

LAB 75.16, -36.33, 20.5

 

Description

Color code: HEX #7B8CCA | qconv.com Color code: HEX #7B8CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 140 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 140 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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