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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B8A15 it is the complementary color #8475EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B8A15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B8A15 shade: #808A10, #919C23, #A2AE36, #B3C049 and #C4D25C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B8A15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B8A15 shade: #7B8A15, #6A7802, #596600, #485400 and #374200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B8A15 shade: #7A8914, #897814, #895914, #893914 and #891A14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B8A15 shade: #7A8914, #5B8914, #3B8914, #1B8914 and #14892C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B8A15 shade matches the following richer shades: #7A8914 and #849607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B8A15 shade: #7A8914, #717C21, #676F2E, #5E633A and #545647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B8A15 shade: #895814, #897714, #7B8914, #5C8914 and #3D8914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B8A15 shade: #3A4109, #5A650F, #7A8914, #9AAD19 and #BAD11F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B8A15 shade: #7B8A15, #148939 and #681489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B8A15 shade: #7B8A15, #147B89 and #89147B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B8A15 shade: #7B8A15, #148939, #221489 and #891464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B8A15 shade: #7B8A15, #14895C, #221489 and #891441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

Complementary color

CMYK 44 / 50 / 0 / 8

HEX #8475EA

RGB 132 117 234

HSL 247.69, 0.74%, 0.69%

LAB 55.65, 34.31, -57.51

 

CMYK 7 / 0 / 88 / 46

HEX #808A10

RGB 128 138 16

HSL 64.92, 0.79%, 0.3%

LAB 54.87, -17.89, 56.04

 

CMYK 7 / 0 / 78 / 39

HEX #919C23

RGB 145 156 35

HSL 65.45, 0.63%, 0.37%

LAB 61.58, -18.96, 57.21

 

CMYK 7 / 0 / 69 / 32

HEX #A2AE36

RGB 162 174 54

HSL 66, 0.53%, 0.45%

LAB 68.18, -19.79, 57.22

 

CMYK 7 / 0 / 62 / 25

HEX #B3C049

RGB 179 192 73

HSL 66.55, 0.49%, 0.52%

LAB 74.68, -20.44, 56.64

 

CMYK 7 / 0 / 56 / 18

HEX #C4D25C

RGB 196 210 92

HSL 67.12, 0.57%, 0.59%

LAB 81.07, -20.95, 55.76

 

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

CMYK 12 / 0 / 98 / 53

HEX #6A7802

RGB 106 120 2

HSL 67.12, 0.97%, 0.24%

LAB 47.63, -18.82, 52.29

 

CMYK 13 / 0 / 100 / 60

HEX #596600

RGB 89 102 0

HSL 67.65, 1%, 0.2%

LAB 40.62, -17.23, 46.89

 

CMYK 14 / 0 / 100 / 67

HEX #485400

RGB 72 84 0

HSL 68.57, 1%, 0.16%

LAB 33.39, -15.55, 40.87

 

CMYK 17 / 0 / 100 / 74

HEX #374200

RGB 55 66 0

HSL 70, 1%, 0.13%

LAB 25.89, -13.83, 34.29

 

CMYK 11 / 0 / 85 / 46

HEX #7A8914

RGB 122 137 20

HSL 67.69, 0.75%, 0.31%

LAB 54.11, -19.95, 54.27

 

CMYK 0 / 12 / 85 / 46

HEX #897814

RGB 137 120 20

HSL 51.28, 0.75%, 0.31%

LAB 50.45, -3.85, 51.68

 

CMYK 0 / 35 / 85 / 46

HEX #895914

RGB 137 89 20

HSL 35.38, 0.75%, 0.31%

LAB 42.02, 14.06, 44.44

 

CMYK 0 / 58 / 85 / 46

HEX #893914

RGB 137 57 20

HSL 18.97, 0.75%, 0.31%

LAB 34.59, 32.11, 37.88

 

CMYK 0 / 81 / 85 / 46

HEX #891A14

RGB 137 26 20

HSL 3.08, 0.75%, 0.31%

LAB 29.68, 45.36, 33.4

 

CMYK 11 / 0 / 85 / 46

HEX #7A8914

RGB 122 137 20

HSL 67.69, 0.75%, 0.31%

LAB 54.11, -19.95, 54.27

 

CMYK 34 / 0 / 85 / 46

HEX #5B8914

RGB 91 137 20

HSL 83.59, 0.75%, 0.31%

LAB 52.02, -33.07, 51.65

 

CMYK 57 / 0 / 85 / 46

HEX #3B8914

RGB 59 137 20

HSL 100, 0.75%, 0.31%

LAB 50.54, -44.06, 49.76

 

CMYK 80 / 0 / 85 / 46

HEX #1B8914

RGB 27 137 20

HSL 116.41, 0.75%, 0.31%

LAB 49.71, -50.99, 48.7

 

CMYK 85 / 0 / 68 / 46

HEX #14892C

RGB 20 137 44

HSL 132.31, 0.75%, 0.31%

LAB 49.76, -49.9, 39.95

 

CMYK 11 / 0 / 85 / 46

HEX #7A8914

RGB 122 137 20

HSL 67.69, 0.75%, 0.31%

LAB 54.11, -19.95, 54.27

 

CMYK 12 / 0 / 95 / 41

HEX #849607

RGB 132 150 7

HSL 67.55, 0.91%, 0.31%

LAB 58.73, -22.44, 60.82

 

CMYK 11 / 0 / 85 / 46

HEX #7A8914

RGB 122 137 20

HSL 67.69, 0.75%, 0.31%

LAB 54.11, -19.95, 54.27

 

CMYK 9 / 0 / 73 / 51

HEX #717C21

RGB 113 124 33

HSL 67.25, 0.58%, 0.31%

LAB 49.54, -16.62, 45.6

 

CMYK 7 / 0 / 59 / 56

HEX #676F2E

RGB 103 111 46

HSL 67.38, 0.41%, 0.31%

LAB 44.87, -13.15, 34.53

 

CMYK 5 / 0 / 41 / 61

HEX #5E633A

RGB 94 99 58

HSL 67.32, 0.26%, 0.31%

LAB 40.59, -9.12, 22.64

 

CMYK 2 / 0 / 17 / 66

HEX #545647

RGB 84 86 71

HSL 68, 0.1%, 0.31%

LAB 35.98, -3.81, 8.48

 

CMYK 0 / 36 / 85 / 46

HEX #895814

RGB 137 88 20

HSL 34.87, 0.75%, 0.31%

LAB 41.76, 14.65, 44.22

 

CMYK 0 / 13 / 85 / 46

HEX #897714

RGB 137 119 20

HSL 50.77, 0.75%, 0.31%

LAB 50.17, -3.29, 51.44

 

CMYK 10 / 0 / 85 / 46

HEX #7B8914

RGB 123 137 20

HSL 67.18, 0.75%, 0.31%

LAB 54.19, -19.5, 54.37

 

CMYK 33 / 0 / 85 / 46

HEX #5C8914

RGB 92 137 20

HSL 83.08, 0.75%, 0.31%

LAB 52.08, -32.67, 51.72

 

CMYK 55 / 0 / 85 / 46

HEX #3D8914

RGB 61 137 20

HSL 98.97, 0.75%, 0.31%

LAB 50.61, -43.48, 49.85

 

CMYK 11 / 0 / 86 / 75

HEX #3A4109

RGB 58 65 9

HSL 67.5, 0.76%, 0.15%

LAB 25.86, -11.22, 30.7

 

CMYK 11 / 0 / 85 / 60

HEX #5A650F

RGB 90 101 15

HSL 67.67, 0.74%, 0.23%

LAB 40.44, -15.73, 42.81

 

CMYK 11 / 0 / 85 / 46

HEX #7A8914

RGB 122 137 20

HSL 67.69, 0.75%, 0.31%

LAB 54.11, -19.95, 54.27

 

CMYK 11 / 0 / 86 / 32

HEX #9AAD19

RGB 154 173 25

HSL 67.7, 0.75%, 0.39%

LAB 67.15, -23.95, 65.08

 

CMYK 11 / 0 / 85 / 18

HEX #BAD11F

RGB 186 209 31

HSL 67.75, 0.74%, 0.47%

LAB 79.69, -27.75, 75.21

 

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

CMYK 85 / 0 / 58 / 46

HEX #148939

RGB 20 137 57

HSL 138.97, 0.75%, 0.31%

LAB 49.9, -48.23, 33.94

 

CMYK 24 / 85 / 0 / 46

HEX #681489

RGB 104 20 137

HSL 283.08, 0.75%, 0.31%

LAB 27.43, 52.5, -46.14

 

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

CMYK 85 / 10 / 0 / 46

HEX #147B89

RGB 20 123 137

HSL 187.18, 0.75%, 0.31%

LAB 47.13, -22.08, -15.47

 

CMYK 0 / 85 / 10 / 46

HEX #89147B

RGB 137 20 123

HSL 307.18, 0.75%, 0.31%

LAB 32.37, 56.47, -29.14

 

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

CMYK 85 / 0 / 58 / 46

HEX #148939

RGB 20 137 57

HSL 138.97, 0.75%, 0.31%

LAB 49.9, -48.23, 33.94

 

CMYK 75 / 85 / 0 / 46

HEX #221489

RGB 34 20 137

HSL 247.18, 0.75%, 0.31%

LAB 18.57, 43.51, -61.03

 

CMYK 0 / 85 / 27 / 46

HEX #891464

RGB 137 20 100

HSL 318.97, 0.75%, 0.31%

LAB 31.2, 53.26, -16.28

 

CMYK 11 / 0 / 85 / 46

HEX #7B8A15

RGB 123 138 21

HSL 67.69, 0.74%, 0.31%

LAB 54.49, -19.99, 54.37

 

CMYK 85 / 0 / 33 / 46

HEX #14895C

RGB 20 137 92

HSL 156.92, 0.75%, 0.31%

LAB 50.47, -41.62, 15.69

 

CMYK 75 / 85 / 0 / 46

HEX #221489

RGB 34 20 137

HSL 247.18, 0.75%, 0.31%

LAB 18.57, 43.51, -61.03

 

CMYK 0 / 85 / 53 / 46

HEX #891441

RGB 137 20 65

HSL 336.92, 0.75%, 0.31%

LAB 29.91, 49.55, 4.82

 

Description

Color code: HEX #7B8A15 | qconv.com Color code: HEX #7B8A15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 138 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 138 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 85 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 85% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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