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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B8325 it is the complementary color #847CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B8325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B8325 shade: #808320, #919533, #A2A746, #B3B959 and #C4CB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B8325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B8325 shade: #7B8325, #6A7112, #595F00, #484D00 and #373B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B8325 shade: #7B8325, #837125, #835825, #833F25 and #832525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B8325 shade: #7B8325, #618325, #488325, #2F8325 and #258334

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B8325 shade matches the following richer shades: #7B8325, #869017 and #919E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B8325 shade: #7B8325, #6F7532, #646840, #595A4D and #4E4C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B8325 shade: #835825, #837125, #7B8325, #628325 and #498325

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B8325 shade: #3E4212, #5D631B, #7B8325, #99A32E and #B7C337

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B8325 shade: #7B8325, #25833F and #652583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B8325 shade: #7B8325, #257B83 and #83257B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B8325 shade: #7B8325, #25833F, #2C2583 and #832568

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B8325 shade: #7B8325, #25835C, #2C2583 and #83254C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

Complementary color

CMYK 39 / 43 / 0 / 15

HEX #847CDA

RGB 132 124 218

HSL 245.11, 0.56%, 0.67%

LAB 56.47, 25.7, -47.25

 

CMYK 2 / 0 / 76 / 49

HEX #808320

RGB 128 131 32

HSL 61.82, 0.61%, 0.32%

LAB 52.87, -13.6, 49.62

 

CMYK 3 / 0 / 66 / 42

HEX #919533

RGB 145 149 51

HSL 62.45, 0.49%, 0.39%

LAB 59.67, -14.47, 49.3

 

CMYK 3 / 0 / 58 / 35

HEX #A2A746

RGB 162 167 70

HSL 63.09, 0.41%, 0.46%

LAB 66.34, -15.13, 48.46

 

CMYK 3 / 0 / 52 / 27

HEX #B3B959

RGB 179 185 89

HSL 63.75, 0.41%, 0.54%

LAB 72.89, -15.65, 47.4

 

CMYK 3 / 0 / 47 / 20

HEX #C4CB6C

RGB 196 203 108

HSL 64.42, 0.48%, 0.61%

LAB 79.35, -16.07, 46.26

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 6 / 0 / 84 / 56

HEX #6A7112

RGB 106 113 18

HSL 64.42, 0.73%, 0.26%

LAB 45.52, -14.64, 46.89

 

CMYK 6 / 0 / 100 / 63

HEX #595F00

RGB 89 95 0

HSL 63.79, 1%, 0.19%

LAB 38.39, -13.4, 45.23

 

CMYK 6 / 0 / 100 / 70

HEX #484D00

RGB 72 77 0

HSL 63.9, 1%, 0.15%

LAB 31.08, -11.59, 39.15

 

CMYK 7 / 0 / 100 / 77

HEX #373B00

RGB 55 59 0

HSL 64.07, 1%, 0.12%

LAB 23.47, -9.71, 31.96

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 0 / 14 / 72 / 49

HEX #837125

RGB 131 113 37

HSL 48.51, 0.56%, 0.33%

LAB 47.97, -1.97, 42.9

 

CMYK 0 / 33 / 72 / 49

HEX #835825

RGB 131 88 37

HSL 32.55, 0.56%, 0.33%

LAB 41.12, 12.63, 35.75

 

CMYK 0 / 52 / 72 / 49

HEX #833F25

RGB 131 63 37

HSL 16.6, 0.56%, 0.33%

LAB 35.03, 27.13, 29.03

 

CMYK 0 / 72 / 72 / 49

HEX #832525

RGB 131 37 37

HSL 0, 0.56%, 0.33%

LAB 30.11, 40.04, 23.3

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 26 / 0 / 72 / 49

HEX #618325

RGB 97 131 37

HSL 81.7, 0.56%, 0.33%

LAB 50.58, -26.88, 44.66

 

CMYK 45 / 0 / 72 / 49

HEX #488325

RGB 72 131 37

HSL 97.66, 0.56%, 0.33%

LAB 49.18, -36.4, 42.79

 

CMYK 64 / 0 / 72 / 49

HEX #2F8325

RGB 47 131 37

HSL 113.62, 0.56%, 0.33%

LAB 48.22, -43.79, 41.49

 

CMYK 72 / 0 / 60 / 49

HEX #258334

RGB 37 131 52

HSL 129.57, 0.56%, 0.33%

LAB 48.1, -44.26, 34.39

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 7 / 0 / 84 / 44

HEX #869017

RGB 134 144 23

HSL 64.96, 0.72%, 0.33%

LAB 57.15, -18.11, 56.47

 

CMYK 8 / 0 / 94 / 38

HEX #919E09

RGB 145 158 9

HSL 65.23, 0.89%, 0.33%

LAB 62.08, -20.72, 63.57

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 5 / 0 / 57 / 54

HEX #6F7532

RGB 111 117 50

HSL 65.37, 0.4%, 0.33%

LAB 47.41, -12.48, 35.58

 

CMYK 4 / 0 / 38 / 59

HEX #646840

RGB 100 104 64

HSL 66, 0.24%, 0.33%

LAB 42.73, -8.53, 22.03

 

CMYK 1 / 0 / 14 / 65

HEX #595A4D

RGB 89 90 77

HSL 64.62, 0.08%, 0.33%

LAB 37.79, -2.99, 7.38

 

CMYK 14 / 16 / 0 / 64

HEX #4E4C5B

RGB 78 76 91

HSL 248, 0.09%, 0.33%

LAB 33.01, 4.28, -8.51

 

CMYK 0 / 33 / 72 / 49

HEX #835825

RGB 131 88 37

HSL 32.55, 0.56%, 0.33%

LAB 41.12, 12.63, 35.75

 

CMYK 0 / 14 / 72 / 49

HEX #837125

RGB 131 113 37

HSL 48.51, 0.56%, 0.33%

LAB 47.97, -1.97, 42.9

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 25 / 0 / 72 / 49

HEX #628325

RGB 98 131 37

HSL 81.06, 0.56%, 0.33%

LAB 50.64, -26.46, 44.75

 

CMYK 44 / 0 / 72 / 49

HEX #498325

RGB 73 131 37

HSL 97.02, 0.56%, 0.33%

LAB 49.23, -36.06, 42.85

 

CMYK 6 / 0 / 73 / 74

HEX #3E4212

RGB 62 66 18

HSL 65, 0.57%, 0.16%

LAB 26.63, -9.21, 27.59

 

CMYK 6 / 0 / 73 / 61

HEX #5D631B

RGB 93 99 27

HSL 65, 0.57%, 0.25%

LAB 40.13, -12.59, 38.17

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 6 / 0 / 72 / 36

HEX #99A32E

RGB 153 163 46

HSL 65.13, 0.56%, 0.41%

LAB 64.29, -18.52, 56.17

 

CMYK 6 / 0 / 72 / 24

HEX #B7C337

RGB 183 195 55

HSL 65.14, 0.56%, 0.49%

LAB 75.68, -21.33, 64.78

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 72 / 0 / 52 / 49

HEX #25833F

RGB 37 131 63

HSL 136.6, 0.56%, 0.33%

LAB 48.24, -42.63, 28.9

 

CMYK 23 / 72 / 0 / 49

HEX #652583

RGB 101 37 131

HSL 280.85, 0.56%, 0.33%

LAB 28.72, 44.28, -40.34

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 72 / 6 / 0 / 49

HEX #257B83

RGB 37 123 131

HSL 185.11, 0.56%, 0.33%

LAB 47.23, -22.12, -11.74

 

CMYK 0 / 72 / 6 / 49

HEX #83257B

RGB 131 37 123

HSL 305.11, 0.56%, 0.33%

LAB 33.09, 49.91, -28.07

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 72 / 0 / 52 / 49

HEX #25833F

RGB 37 131 63

HSL 136.6, 0.56%, 0.33%

LAB 48.24, -42.63, 28.9

 

CMYK 66 / 72 / 0 / 49

HEX #2C2583

RGB 44 37 131

HSL 244.47, 0.56%, 0.33%

LAB 21.93, 33.3, -51.67

 

CMYK 0 / 72 / 21 / 49

HEX #832568

RGB 131 37 104

HSL 317.23, 0.56%, 0.33%

LAB 32.14, 46.9, -17.5

 

CMYK 6 / 0 / 72 / 49

HEX #7B8325

RGB 123 131 37

HSL 65.11, 0.56%, 0.33%

LAB 52.48, -15.6, 47.2

 

CMYK 72 / 0 / 30 / 49

HEX #25835C

RGB 37 131 92

HSL 155.11, 0.56%, 0.33%

LAB 48.76, -36.87, 13.39

 

CMYK 66 / 72 / 0 / 49

HEX #2C2583

RGB 44 37 131

HSL 244.47, 0.56%, 0.33%

LAB 21.93, 33.3, -51.67

 

CMYK 0 / 72 / 42 / 49

HEX #83254C

RGB 131 37 76

HSL 335.11, 0.56%, 0.33%

LAB 31.04, 43.27, -0.98

 

Description

Color code: HEX #7B8325 | qconv.com Color code: HEX #7B8325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 131 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 131 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 72 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 72% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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