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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B82CA it is the complementary color #847D35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B82CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B82CA shade: #8082C5, #9194D8, #A2A6EB, #B3B8FE and #C4CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B82CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B82CA shade: #7B82CA, #6A70B7, #595EA4, #484C91 and #373A7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B82CA shade: #7B82CA, #8A7BCA, #9F7BCA, #B47BCA and #C97BCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B82CA shade: #7B82CA and #7B7BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B82CA shade matches the following richer shades: #7B82CA, #6C76D9, #5E6AE8 and #4F5EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B82CA shade: #7B82CA, #8A8EBB, #999BAC, #A8A79E and #B7B38F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B82CA shade: #7BADCA, #7B98CA, #7B83CA, #887BCA and #9D7BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B82CA shade: #454EAE, #5E66BE, #7B82CA, #999ED6 and #B6BAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B82CA shade: #7B82CA, #CA7BC2 and #A3CA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B82CA shade: #7B82CA, #CA7B83 and #83CA7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B82CA shade: #7B82CA, #CA7BC2, #CAC27B and #7BCA83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B82CA shade: #7B82CA, #CA7BAB, #CAC27B and #7BCA9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

Complementary color

CMYK 0 / 5 / 60 / 48

HEX #847D35

RGB 132 125 53

HSL 54.68, 0.43%, 0.36%

LAB 51.64, -7.17, 39.38

 

CMYK 35 / 34 / 0 / 23

HEX #8082C5

RGB 128 130 197

HSL 238.26, 0.37%, 0.64%

LAB 56.67, 15.3, -35.09

 

CMYK 33 / 31 / 0 / 15

HEX #9194D8

RGB 145 148 216

HSL 237.46, 0.48%, 0.71%

LAB 63.47, 14.67, -35.05

 

CMYK 31 / 29 / 0 / 8

HEX #A2A6EB

RGB 162 166 235

HSL 236.71, 0.65%, 0.78%

LAB 70.14, 14.11, -35.06

 

CMYK 30 / 28 / 0 / 0

HEX #B3B8FE

RGB 179 184 254

HSL 236, 0.97%, 0.85%

LAB 76.69, 13.61, -35.1

 

CMYK 23 / 21 / 0 / 0

HEX #C4CAFF

RGB 196 202 255

HSL 233.9, 1%, 0.88%

LAB 82.48, 8.98, -26.63

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 42 / 39 / 0 / 28

HEX #6A70B7

RGB 106 112 183

HSL 235.32, 0.35%, 0.57%

LAB 49.58, 16.12, -38.31

 

CMYK 46 / 43 / 0 / 36

HEX #595EA4

RGB 89 94 164

HSL 236, 0.3%, 0.5%

LAB 42.47, 17.09, -38.51

 

CMYK 50 / 48 / 0 / 43

HEX #484C91

RGB 72 76 145

HSL 236.71, 0.34%, 0.43%

LAB 35.18, 18.28, -38.78

 

CMYK 56 / 54 / 0 / 51

HEX #373A7E

RGB 55 58 126

HSL 237.46, 0.39%, 0.35%

LAB 27.7, 19.78, -39.12

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 32 / 39 / 0 / 21

HEX #8A7BCA

RGB 138 123 202

HSL 251.39, 0.43%, 0.64%

LAB 55.92, 23.58, -39.04

 

CMYK 21 / 39 / 0 / 21

HEX #9F7BCA

RGB 159 123 202

HSL 267.34, 0.43%, 0.64%

LAB 57.85, 29.68, -35.88

 

CMYK 11 / 39 / 0 / 21

HEX #B47BCA

RGB 180 123 202

HSL 283.29, 0.43%, 0.64%

LAB 60.01, 36.02, -32.35

 

CMYK 0 / 39 / 0 / 21

HEX #C97BCA

RGB 201 123 202

HSL 299.24, 0.43%, 0.64%

LAB 62.38, 42.49, -28.49

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 50 / 46 / 0 / 15

HEX #6C76D9

RGB 108 118 217

HSL 234.5, 0.59%, 0.64%

LAB 53.12, 23.23, -52.12

 

CMYK 59 / 54 / 0 / 9

HEX #5E6AE8

RGB 94 106 232

HSL 234.78, 0.75%, 0.64%

LAB 50.11, 32.52, -65.45

 

CMYK 68 / 62 / 0 / 3

HEX #4F5EF7

RGB 79 94 247

HSL 234.64, 0.91%, 0.64%

LAB 47.47, 42.51, -78.19

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 26 / 24 / 0 / 27

HEX #8A8EBB

RGB 138 142 187

HSL 235.1, 0.26%, 0.64%

LAB 60.19, 8.67, -23.9

 

CMYK 11 / 10 / 0 / 33

HEX #999BAC

RGB 153 155 172

HSL 233.68, 0.1%, 0.64%

LAB 64.32, 2.74, -9.09

 

CMYK 0 / 1 / 6 / 34

HEX #A8A79E

RGB 168 167 158

HSL 54, 0.05%, 0.64%

LAB 68.34, -1.29, 4.77

 

CMYK 0 / 2 / 22 / 28

HEX #B7B38F

RGB 183 179 143

HSL 54, 0.22%, 0.64%

LAB 72.42, -4.55, 18.93

 

CMYK 39 / 14 / 0 / 21

HEX #7BADCA

RGB 123 173 202

HSL 202.03, 0.43%, 0.64%

LAB 68.29, -9.16, -20

 

CMYK 39 / 25 / 0 / 21

HEX #7B98CA

RGB 123 152 202

HSL 217.97, 0.43%, 0.64%

LAB 62.45, 2.5, -28.95

 

CMYK 39 / 35 / 0 / 21

HEX #7B83CA

RGB 123 131 202

HSL 233.92, 0.43%, 0.64%

LAB 56.79, 14.71, -37.76

 

CMYK 33 / 39 / 0 / 21

HEX #887BCA

RGB 136 123 202

HSL 249.87, 0.43%, 0.64%

LAB 55.75, 23.02, -39.32

 

CMYK 22 / 39 / 0 / 21

HEX #9D7BCA

RGB 157 123 202

HSL 265.82, 0.43%, 0.64%

LAB 57.65, 29.08, -36.2

 

CMYK 60 / 55 / 0 / 32

HEX #454EAE

RGB 69 78 174

HSL 234.86, 0.43%, 0.48%

LAB 37.43, 26.13, -52.61

 

CMYK 51 / 46 / 0 / 25

HEX #5E66BE

RGB 94 102 190

HSL 235, 0.42%, 0.56%

LAB 46.45, 21.45, -47.4

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 29 / 26 / 0 / 16

HEX #999ED6

RGB 153 158 214

HSL 235.08, 0.43%, 0.72%

LAB 66.58, 10.77, -29.08

 

CMYK 19 / 18 / 0 / 11

HEX #B6BAE2

RGB 182 186 226

HSL 234.55, 0.43%, 0.8%

LAB 76.41, 6.87, -20.42

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 0 / 39 / 4 / 21

HEX #CA7BC2

RGB 202 123 194

HSL 306.08, 0.43%, 0.64%

LAB 62.18, 41.34, -24.27

 

CMYK 19 / 0 / 39 / 21

HEX #A3CA7B

RGB 163 202 123

HSL 89.62, 0.43%, 0.64%

LAB 76.96, -26.6, 35.28

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 0 / 39 / 35 / 21

HEX #CA7B83

RGB 202 123 131

HSL 353.92, 0.43%, 0.64%

LAB 60.21, 31.7, 8.81

 

CMYK 35 / 0 / 39 / 21

HEX #83CA7B

RGB 131 202 123

HSL 113.92, 0.43%, 0.64%

LAB 75.14, -37.7, 32.57

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 0 / 39 / 4 / 21

HEX #CA7BC2

RGB 202 123 194

HSL 306.08, 0.43%, 0.64%

LAB 62.18, 41.34, -24.27

 

CMYK 0 / 4 / 39 / 21

HEX #CAC27B

RGB 202 194 123

HSL 53.92, 0.43%, 0.64%

LAB 77.62, -7.52, 36.71

 

CMYK 39 / 0 / 35 / 21

HEX #7BCA83

RGB 123 202 131

HSL 126.08, 0.43%, 0.64%

LAB 74.88, -38.95, 28.02

 

CMYK 39 / 36 / 0 / 21

HEX #7B82CA

RGB 123 130 202

HSL 234.68, 0.43%, 0.64%

LAB 56.53, 15.31, -38.17

 

CMYK 0 / 39 / 15 / 21

HEX #CA7BAB

RGB 202 123 171

HSL 323.54, 0.43%, 0.64%

LAB 61.36, 37.42, -12.45

 

CMYK 0 / 4 / 39 / 21

HEX #CAC27B

RGB 202 194 123

HSL 53.92, 0.43%, 0.64%

LAB 77.62, -7.52, 36.71

 

CMYK 39 / 0 / 23 / 21

HEX #7BCA9B

RGB 123 202 155

HSL 144.3, 0.43%, 0.64%

LAB 75.34, -34.62, 15.96

 

Description

Color code: HEX #7B82CA | qconv.com Color code: HEX #7B82CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 130 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 130 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 36 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 36% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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