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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B7D9C it is the complementary color #848263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B7D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B7D9C shade: #807D97, #918FAA, #A2A1BD, #B3B3D0 and #C4C5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B7D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B7D9C shade: #7B7D9C, #6A6B89, #595976, #484763 and #373550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B7D9C shade: #7C7E9C, #827C9C, #8B7C9C, #947C9C and #9C7C9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B7D9C shade: #7C7E9C and #7C7C9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B7D9C shade matches the following richer shades: #7C7E9C, #696DAE, #575DC1, #444DD4 and #313CE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B7D9C shade: #7C7E9C, #8E8E89, #A19E77, #B3AF64 and #C6BF52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B7D9C shade: #7C8F9C, #7C869C, #7C7E9C, #827C9C and #8B7C9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B7D9C shade: #555670, #666888, #7C7E9C, #9395AE and #ABACBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B7D9C shade: #7B7D9C, #9C7C98 and #8B9C7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B7D9C shade: #7B7D9C, #9C7C7E and #7E9C7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B7D9C shade: #7B7D9C, #9C7C98, #9C9A7C and #7C9C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B7D9C shade: #7B7D9C, #9C7C8E, #9C9A7C and #7C9C8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

Complementary color

CMYK 0 / 2 / 25 / 48

HEX #848263

RGB 132 130 99

HSL 56.36, 0.14%, 0.45%

LAB 53.78, -4.64, 17.1

 

CMYK 15 / 17 / 0 / 41

HEX #807D97

RGB 128 125 151

HSL 246.92, 0.11%, 0.54%

LAB 53.48, 6.67, -13.56

 

CMYK 15 / 16 / 0 / 33

HEX #918FAA

RGB 145 143 170

HSL 244.44, 0.14%, 0.61%

LAB 60.4, 6.36, -13.9

 

CMYK 14 / 15 / 0 / 26

HEX #A2A1BD

RGB 162 161 189

HSL 242.14, 0.18%, 0.69%

LAB 67.16, 6.07, -14.26

 

CMYK 14 / 14 / 0 / 18

HEX #B3B3D0

RGB 179 179 208

HSL 240, 0.24%, 0.76%

LAB 73.79, 5.81, -14.62

 

CMYK 14 / 13 / 0 / 11

HEX #C4C5E3

RGB 196 197 227

HSL 238.06, 0.36%, 0.83%

LAB 80.3, 5.56, -14.99

 

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

CMYK 23 / 22 / 0 / 46

HEX #6A6B89

RGB 106 107 137

HSL 238.06, 0.13%, 0.48%

LAB 46.16, 6.52, -16.61

 

CMYK 25 / 25 / 0 / 54

HEX #595976

RGB 89 89 118

HSL 240, 0.14%, 0.41%

LAB 38.86, 6.93, -16.4

 

CMYK 27 / 28 / 0 / 61

HEX #484763

RGB 72 71 99

HSL 242.14, 0.16%, 0.33%

LAB 31.31, 7.41, -16.24

 

CMYK 31 / 34 / 0 / 69

HEX #373550

RGB 55 53 80

HSL 244.44, 0.2%, 0.26%

LAB 23.46, 8.01, -16.15

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 17 / 21 / 0 / 39

HEX #827C9C

RGB 130 124 156

HSL 251.25, 0.14%, 0.55%

LAB 53.56, 9.09, -16.33

 

CMYK 11 / 21 / 0 / 39

HEX #8B7C9C

RGB 139 124 156

HSL 268.13, 0.14%, 0.55%

LAB 54.35, 12.17, -15.06

 

CMYK 5 / 21 / 0 / 39

HEX #947C9C

RGB 148 124 156

HSL 285, 0.14%, 0.55%

LAB 55.19, 15.31, -13.71

 

CMYK 0 / 21 / 1 / 39

HEX #9C7C9B

RGB 156 124 155

HSL 301.88, 0.14%, 0.55%

LAB 55.94, 17.94, -11.92

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 21 / 21 / 0 / 39

HEX #7C7C9C

RGB 124 124 156

HSL 240, 0.14%, 0.55%

LAB 53.06, 7.08, -17.14

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 40 / 37 / 0 / 32

HEX #696DAE

RGB 105 109 174

HSL 236.52, 0.3%, 0.55%

LAB 48.26, 15.05, -35.18

 

CMYK 55 / 52 / 0 / 24

HEX #575DC1

RGB 87 93 193

HSL 236.6, 0.46%, 0.55%

LAB 43.81, 26.5, -53.39

 

CMYK 68 / 64 / 0 / 17

HEX #444DD4

RGB 68 77 212

HSL 236.25, 0.63%, 0.55%

LAB 40.06, 39.62, -70.5

 

CMYK 79 / 74 / 0 / 10

HEX #313CE6

RGB 49 60 230

HSL 236.35, 0.78%, 0.55%

LAB 37.11, 53.7, -85.69

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 0 / 0 / 4 / 44

HEX #8E8E89

RGB 142 142 137

HSL 60, 0.02%, 0.55%

LAB 58.88, -0.96, 2.65

 

CMYK 0 / 2 / 26 / 37

HEX #A19E77

RGB 161 158 119

HSL 55.71, 0.18%, 0.55%

LAB 64.45, -5.39, 20.83

 

CMYK 0 / 2 / 44 / 30

HEX #B3AF64

RGB 179 175 100

HSL 56.96, 0.34%, 0.55%

LAB 70.29, -9.44, 38.82

 

CMYK 0 / 4 / 59 / 22

HEX #C6BF52

RGB 198 191 82

HSL 56.38, 0.5%, 0.55%

LAB 75.99, -11.37, 54.59

 

CMYK 21 / 8 / 0 / 39

HEX #7C8F9C

RGB 124 143 156

HSL 204.38, 0.14%, 0.55%

LAB 58.35, -3.85, -9.16

 

CMYK 21 / 14 / 0 / 39

HEX #7C869C

RGB 124 134 156

HSL 221.25, 0.14%, 0.55%

LAB 55.82, 1.27, -12.95

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 17 / 21 / 0 / 39

HEX #827C9C

RGB 130 124 156

HSL 251.25, 0.14%, 0.55%

LAB 53.56, 9.09, -16.33

 

CMYK 11 / 21 / 0 / 39

HEX #8B7C9C

RGB 139 124 156

HSL 268.13, 0.14%, 0.55%

LAB 54.35, 12.17, -15.06

 

CMYK 24 / 23 / 0 / 56

HEX #555670

RGB 85 86 112

HSL 237.78, 0.14%, 0.39%

LAB 37.4, 5.85, -14.95

 

CMYK 25 / 24 / 0 / 47

HEX #666888

RGB 102 104 136

HSL 236.47, 0.14%, 0.47%

LAB 44.95, 6.74, -17.89

 

CMYK 21 / 19 / 0 / 39

HEX #7C7E9C

RGB 124 126 156

HSL 236.25, 0.14%, 0.55%

LAB 53.61, 5.91, -16.3

 

CMYK 16 / 14 / 0 / 32

HEX #9395AE

RGB 147 149 174

HSL 235.56, 0.14%, 0.63%

LAB 62.3, 4.52, -13.29

 

CMYK 10 / 10 / 0 / 25

HEX #ABACBF

RGB 171 172 191

HSL 237, 0.14%, 0.71%

LAB 70.82, 3.42, -9.81

 

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

CMYK 0 / 21 / 3 / 39

HEX #9C7C98

RGB 156 124 152

HSL 307.5, 0.14%, 0.55%

LAB 55.84, 17.35, -10.34

 

CMYK 11 / 0 / 21 / 39

HEX #8B9C7C

RGB 139 156 124

HSL 91.88, 0.14%, 0.55%

LAB 62.27, -12.08, 14.78

 

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

CMYK 0 / 21 / 19 / 39

HEX #9C7C7E

RGB 156 124 126

HSL 356.25, 0.14%, 0.55%

LAB 55.06, 12.7, 3.62

 

CMYK 19 / 0 / 21 / 39

HEX #7E9C7C

RGB 126 156 124

HSL 116.25, 0.14%, 0.55%

LAB 61.37, -16.87, 13.38

 

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

CMYK 0 / 21 / 3 / 39

HEX #9C7C98

RGB 156 124 152

HSL 307.5, 0.14%, 0.55%

LAB 55.84, 17.35, -10.34

 

CMYK 0 / 1 / 21 / 39

HEX #9C9A7C

RGB 156 154 124

HSL 56.25, 0.14%, 0.55%

LAB 63.04, -4.45, 16.05

 

CMYK 21 / 0 / 18 / 39

HEX #7C9C80

RGB 124 156 128

HSL 127.5, 0.14%, 0.55%

LAB 61.33, -16.84, 11.07

 

CMYK 21 / 20 / 0 / 39

HEX #7B7D9C

RGB 123 125 156

HSL 236.36, 0.14%, 0.55%

LAB 53.25, 6.16, -16.85

 

CMYK 0 / 21 / 9 / 39

HEX #9C7C8E

RGB 156 124 142

HSL 326.25, 0.14%, 0.55%

LAB 55.52, 15.47, -5.01

 

CMYK 0 / 1 / 21 / 39

HEX #9C9A7C

RGB 156 154 124

HSL 56.25, 0.14%, 0.55%

LAB 63.04, -4.45, 16.05

 

CMYK 21 / 0 / 12 / 39

HEX #7C9C8A

RGB 124 156 138

HSL 146.25, 0.14%, 0.55%

LAB 61.57, -14.88, 5.78

 

Description

Color code: HEX #7B7D9C | qconv.com Color code: HEX #7B7D9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 125 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 125 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 20 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 20% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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