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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B75B3 it is the complementary color #848A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B75B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B75B3 shade: #8075AE, #9187C1, #A299D4, #B3ABE7 and #C4BDFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B75B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B75B3 shade: #7B75B3, #6A63A0, #59518D, #483F7A and #372D67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B75B3 shade: #7A74B2, #8B74B2, #9C74B2, #AD74B2 and #B274A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B75B3 shade: #7A74B2 and #7474B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B75B3 shade matches the following richer shades: #7A74B2, #6C63C4, #5E52D5, #5040E6 and #422FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B75B3 shade: #7A74B2, #8886A1, #969790, #A4A87E and #B2BA6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B75B3 shade: #7490B2, #7480B2, #7A74B2, #8A74B2 and #9B74B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B75B3 shade: #514B89, #615AA4, #7A74B2, #948FC1 and #ADAAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B75B3 shade: #7B75B3, #B274A1 and #88B274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B75B3 shade: #7B75B3, #B27A74 and #74B27A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B75B3 shade: #7B75B3, #B274A1, #ADB274 and #74B286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B75B3 shade: #7B75B3, #B2748E, #ADB274 and #74B299

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

Complementary color

CMYK 4 / 0 / 45 / 46

HEX #848A4C

RGB 132 138 76

HSL 65.81, 0.29%, 0.42%

LAB 55.69, -12.06, 32.34

 

CMYK 26 / 33 / 0 / 32

HEX #8075AE

RGB 128 117 174

HSL 251.58, 0.26%, 0.57%

LAB 52.25, 16.96, -28.8

 

CMYK 25 / 30 / 0 / 24

HEX #9187C1

RGB 145 135 193

HSL 250.34, 0.32%, 0.64%

LAB 59.16, 16.35, -28.85

 

CMYK 24 / 28 / 0 / 17

HEX #A299D4

RGB 162 153 212

HSL 249.15, 0.41%, 0.72%

LAB 65.92, 15.81, -28.94

 

CMYK 23 / 26 / 0 / 9

HEX #B3ABE7

RGB 179 171 231

HSL 248, 0.56%, 0.79%

LAB 72.55, 15.33, -29.06

 

CMYK 22 / 24 / 0 / 2

HEX #C4BDFA

RGB 196 189 250

HSL 246.89, 0.86%, 0.86%

LAB 79.06, 14.89, -29.2

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 34 / 38 / 0 / 37

HEX #6A63A0

RGB 106 99 160

HSL 246.89, 0.24%, 0.51%

LAB 44.98, 17.49, -32.1

 

CMYK 37 / 43 / 0 / 45

HEX #59518D

RGB 89 81 141

HSL 248, 0.27%, 0.44%

LAB 37.72, 18.37, -32.24

 

CMYK 41 / 48 / 0 / 52

HEX #483F7A

RGB 72 63 122

HSL 249.15, 0.32%, 0.36%

LAB 30.25, 19.43, -32.44

 

CMYK 47 / 56 / 0 / 60

HEX #372D67

RGB 55 45 103

HSL 250.34, 0.39%, 0.29%

LAB 22.54, 20.74, -32.73

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 22 / 35 / 0 / 30

HEX #8B74B2

RGB 139 116 178

HSL 262.26, 0.29%, 0.58%

LAB 53.16, 21.95, -29.62

 

CMYK 12 / 35 / 0 / 30

HEX #9C74B2

RGB 156 116 178

HSL 278.71, 0.29%, 0.58%

LAB 54.84, 27.32, -26.89

 

CMYK 3 / 35 / 0 / 30

HEX #AD74B2

RGB 173 116 178

HSL 295.16, 0.29%, 0.58%

LAB 56.67, 32.82, -23.9

 

CMYK 0 / 35 / 6 / 30

HEX #B274A8

RGB 178 116 168

HSL 309.68, 0.29%, 0.58%

LAB 56.86, 32.58, -17.8

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 35 / 35 / 0 / 30

HEX #7474B2

RGB 116 116 178

HSL 240, 0.29%, 0.58%

LAB 51.17, 15.04, -32.87

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 45 / 49 / 0 / 23

HEX #6C63C4

RGB 108 99 196

HSL 245.57, 0.45%, 0.58%

LAB 47.1, 28.4, -49.75

 

CMYK 56 / 62 / 0 / 16

HEX #5E52D5

RGB 94 82 213

HSL 245.5, 0.61%, 0.58%

LAB 43.09, 40.92, -66.06

 

CMYK 65 / 72 / 0 / 10

HEX #5040E6

RGB 80 64 230

HSL 245.78, 0.77%, 0.58%

LAB 39.72, 54.33, -81.32

 

CMYK 73 / 81 / 0 / 3

HEX #422FF8

RGB 66 47 248

HSL 245.67, 0.93%, 0.58%

LAB 37.79, 66.58, -94.73

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 16 / 17 / 0 / 37

HEX #8886A1

RGB 136 134 161

HSL 244.44, 0.13%, 0.58%

LAB 56.94, 6.45, -14.05

 

CMYK 1 / 0 / 5 / 41

HEX #969790

RGB 150 151 144

HSL 68.57, 0.03%, 0.58%

LAB 62.19, -1.69, 3.55

 

CMYK 2 / 0 / 25 / 34

HEX #A4A87E

RGB 164 168 126

HSL 65.71, 0.19%, 0.58%

LAB 67.58, -8.56, 21.28

 

CMYK 4 / 0 / 41 / 27

HEX #B2BA6D

RGB 178 186 109

HSL 66.23, 0.36%, 0.58%

LAB 73.34, -14.57, 38.03

 

CMYK 35 / 19 / 0 / 30

HEX #7490B2

RGB 116 144 178

HSL 212.9, 0.29%, 0.58%

LAB 58.86, -1.4, -20.98

 

CMYK 35 / 28 / 0 / 30

HEX #7480B2

RGB 116 128 178

HSL 228.39, 0.29%, 0.58%

LAB 54.41, 7.88, -27.82

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 22 / 35 / 0 / 30

HEX #8A74B2

RGB 138 116 178

HSL 261.29, 0.29%, 0.58%

LAB 53.07, 21.63, -29.77

 

CMYK 13 / 35 / 0 / 30

HEX #9B74B2

RGB 155 116 178

HSL 277.74, 0.29%, 0.58%

LAB 54.73, 27, -27.05

 

CMYK 41 / 45 / 0 / 46

HEX #514B89

RGB 81 75 137

HSL 245.81, 0.29%, 0.42%

LAB 35.18, 18.74, -33.86

 

CMYK 41 / 45 / 0 / 36

HEX #615AA4

RGB 97 90 164

HSL 245.68, 0.29%, 0.5%

LAB 42.05, 21.69, -39.14

 

CMYK 31 / 35 / 0 / 30

HEX #7A74B2

RGB 122 116 178

HSL 245.81, 0.29%, 0.58%

LAB 51.66, 16.78, -32.07

 

CMYK 23 / 26 / 0 / 24

HEX #948FC1

RGB 148 143 193

HSL 246, 0.29%, 0.66%

LAB 61.47, 12.66, -25.25

 

CMYK 17 / 18 / 0 / 18

HEX #ADAAD0

RGB 173 170 208

HSL 244.74, 0.29%, 0.74%

LAB 71, 8.82, -18.88

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 0 / 35 / 10 / 30

HEX #B274A1

RGB 178 116 161

HSL 316.45, 0.29%, 0.58%

LAB 56.61, 31.33, -14.14

 

CMYK 24 / 0 / 35 / 30

HEX #88B274

RGB 136 178 116

HSL 100.65, 0.29%, 0.58%

LAB 68.27, -25.74, 27.25

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 0 / 31 / 35 / 30

HEX #B27A74

RGB 178 122 116

HSL 5.81, 0.29%, 0.58%

LAB 56.73, 21.07, 12.12

 

CMYK 35 / 0 / 31 / 30

HEX #74B27A

RGB 116 178 122

HSL 125.81, 0.29%, 0.58%

LAB 67.25, -31.62, 22.48

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 0 / 35 / 10 / 30

HEX #B274A1

RGB 178 116 161

HSL 316.45, 0.29%, 0.58%

LAB 56.61, 31.33, -14.14

 

CMYK 3 / 0 / 35 / 30

HEX #ADB274

RGB 173 178 116

HSL 64.84, 0.29%, 0.58%

LAB 70.86, -11.62, 31.15

 

CMYK 35 / 0 / 25 / 30

HEX #74B286

RGB 116 178 134

HSL 137.42, 0.29%, 0.58%

LAB 67.48, -29.44, 16.29

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 0 / 35 / 20 / 30

HEX #B2748E

RGB 178 116 142

HSL 334.84, 0.29%, 0.58%

LAB 56, 28.16, -4.03

 

CMYK 3 / 0 / 35 / 30

HEX #ADB274

RGB 173 178 116

HSL 64.84, 0.29%, 0.58%

LAB 70.86, -11.62, 31.15

 

CMYK 35 / 0 / 14 / 30

HEX #74B299

RGB 116 178 153

HSL 155.81, 0.29%, 0.58%

LAB 67.91, -25.58, 6.48

 

Description

Color code: HEX #7B75B3 | qconv.com Color code: HEX #7B75B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 117 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 117 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 35 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 35% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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