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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B6FF9 it is the complementary color #849006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B6FF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B6FF9 shade: #806FF4, #9181FF, #A293FF, #B3A5FF and #C4B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B6FF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B6FF9 shade: #7B6FF9, #6A5DE6, #594BD3, #4839C0 and #3727AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B6FF9 shade: #7C71F9, #A171F9, #C671F9, #EA71F9 and #F971E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B6FF9 shade: #7C71F9 and #7171F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B6FF9 shade matches the following richer shades: #7C71F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B6FF9 shade: #7C71F9, #867CED, #9088E1, #9A94D5 and #A4A0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B6FF9 shade: #71AEF9, #7189F9, #7C71F9, #A071F9 and #C471F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B6FF9 shade: #3421F5, #5849F7, #7C71F9, #A198FA and #C5C0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B6FF9 shade: #7B6FF9, #F971D2 and #9CF971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B6FF9 shade: #7B6FF9, #F97C71 and #71F97C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B6FF9 shade: #7B6FF9, #F971D2, #EDF971 and #71F997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B6FF9 shade: #7B6FF9, #F971A9, #EDF971 and #71F9C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

Complementary color

CMYK 8 / 0 / 96 / 44

HEX #849006

RGB 132 144 6

HSL 65.22, 0.92%, 0.29%

LAB 56.94, -19.41, 59.6

 

CMYK 48 / 55 / 0 / 4

HEX #806FF4

RGB 128 111 244

HSL 247.67, 0.86%, 0.7%

LAB 54.54, 39.8, -64.88

 

CMYK 43 / 49 / 0 / 0

HEX #9181FF

RGB 145 129 255

HSL 247.62, 1%, 0.75%

LAB 60.73, 36.24, -60.95

 

CMYK 36 / 42 / 0 / 0

HEX #A293FF

RGB 162 147 255

HSL 248.33, 1%, 0.79%

LAB 66.34, 30.05, -51.93

 

CMYK 30 / 35 / 0 / 0

HEX #B3A5FF

RGB 179 165 255

HSL 249.33, 1%, 0.82%

LAB 72.04, 24.41, -42.88

 

CMYK 23 / 28 / 0 / 0

HEX #C4B7FF

RGB 196 183 255

HSL 250.83, 1%, 0.86%

LAB 77.77, 19.3, -33.87

 

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

CMYK 54 / 60 / 0 / 10

HEX #6A5DE6

RGB 106 93 230

HSL 245.69, 0.73%, 0.63%

LAB 47.76, 41.82, -68.1

 

CMYK 58 / 64 / 0 / 17

HEX #594BD3

RGB 89 75 211

HSL 246.18, 0.61%, 0.56%

LAB 40.99, 43.56, -68.35

 

CMYK 63 / 70 / 0 / 25

HEX #4839C0

RGB 72 57 192

HSL 246.67, 0.54%, 0.49%

LAB 34.21, 45.42, -68.46

 

CMYK 68 / 77 / 0 / 32

HEX #3727AD

RGB 55 39 173

HSL 247.16, 0.63%, 0.42%

LAB 27.52, 47.23, -68.25

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 35 / 55 / 0 / 2

HEX #A171F9

RGB 161 113 249

HSL 261.18, 0.92%, 0.71%

LAB 58.25, 47.33, -61.53

 

CMYK 20 / 55 / 0 / 2

HEX #C671F9

RGB 198 113 249

HSL 277.5, 0.92%, 0.71%

LAB 62.22, 56.26, -54.97

 

CMYK 6 / 55 / 0 / 2

HEX #EA71F9

RGB 234 113 249

HSL 293.38, 0.92%, 0.71%

LAB 66.63, 65.33, -47.7

 

CMYK 0 / 55 / 9 / 2

HEX #F971E2

RGB 249 113 226

HSL 310.15, 0.92%, 0.71%

LAB 67.61, 65.42, -33.33

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 55 / 55 / 0 / 2

HEX #7171F9

RGB 113 113 249

HSL 240, 0.92%, 0.71%

LAB 54.2, 37.15, -68.27

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 43 / 48 / 0 / 7

HEX #867CED

RGB 134 124 237

HSL 245.31, 0.76%, 0.71%

LAB 57.65, 31.54, -55.97

 

CMYK 36 / 40 / 0 / 12

HEX #9088E1

RGB 144 136 225

HSL 245.39, 0.6%, 0.71%

LAB 60.76, 23.72, -44.32

 

CMYK 28 / 31 / 0 / 16

HEX #9A94D5

RGB 154 148 213

HSL 245.54, 0.44%, 0.71%

LAB 64.04, 16.51, -32.44

 

CMYK 18 / 20 / 0 / 21

HEX #A4A0C9

RGB 164 160 201

HSL 245.85, 0.28%, 0.71%

LAB 67.47, 9.94, -20.45

 

CMYK 55 / 30 / 0 / 2

HEX #71AEF9

RGB 113 174 249

HSL 213.09, 0.92%, 0.71%

LAB 69.91, 1.38, -43.26

 

CMYK 55 / 45 / 0 / 2

HEX #7189F9

RGB 113 137 249

HSL 229.41, 0.92%, 0.71%

LAB 60.11, 22.86, -58.77

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 36 / 55 / 0 / 2

HEX #A071F9

RGB 160 113 249

HSL 260.74, 0.92%, 0.71%

LAB 58.15, 47.09, -61.7

 

CMYK 21 / 55 / 0 / 2

HEX #C471F9

RGB 196 113 249

HSL 276.62, 0.92%, 0.71%

LAB 61.99, 55.76, -55.35

 

CMYK 79 / 87 / 0 / 4

HEX #3421F5

RGB 52 33 245

HSL 245.38, 0.91%, 0.55%

LAB 34.82, 70.39, -97.99

 

CMYK 64 / 70 / 0 / 3

HEX #5849F7

RGB 88 73 247

HSL 245.17, 0.92%, 0.63%

LAB 43.59, 55.61, -84.53

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 36 / 39 / 0 / 2

HEX #A198FA

RGB 161 152 250

HSL 245.51, 0.91%, 0.79%

LAB 67.23, 25.63, -47.81

 

CMYK 22 / 24 / 0 / 1

HEX #C5C0FC

RGB 197 192 252

HSL 245, 0.91%, 0.87%

LAB 79.95, 14, -28.9

 

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

CMYK 0 / 55 / 16 / 2

HEX #F971D2

RGB 249 113 210

HSL 317.21, 0.92%, 0.71%

LAB 66.98, 63.01, -25.38

 

CMYK 37 / 0 / 55 / 2

HEX #9CF971

RGB 156 249 113

HSL 101.03, 0.92%, 0.71%

LAB 89.86, -51.17, 55.91

 

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

CMYK 0 / 50 / 55 / 2

HEX #F97C71

RGB 249 124 113

HSL 4.85, 0.92%, 0.71%

LAB 66.33, 46.76, 28.39

 

CMYK 55 / 0 / 50 / 2

HEX #71F97C

RGB 113 249 124

HSL 124.85, 0.92%, 0.71%

LAB 88.31, -61.89, 48.61

 

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

CMYK 0 / 55 / 16 / 2

HEX #F971D2

RGB 249 113 210

HSL 317.21, 0.92%, 0.71%

LAB 66.98, 63.01, -25.38

 

CMYK 5 / 0 / 55 / 2

HEX #EDF971

RGB 237 249 113

HSL 65.29, 0.92%, 0.71%

LAB 94.72, -21.89, 62.77

 

CMYK 55 / 0 / 39 / 2

HEX #71F997

RGB 113 249 151

HSL 136.76, 0.92%, 0.71%

LAB 88.68, -57.89, 36.04

 

CMYK 51 / 55 / 0 / 2

HEX #7B6FF9

RGB 123 111 249

HSL 245.22, 0.92%, 0.71%

LAB 54.47, 40.25, -67.8

 

CMYK 0 / 55 / 32 / 2

HEX #F971A9

RGB 249 113 169

HSL 335.29, 0.92%, 0.71%

LAB 65.6, 57.55, -4.32

 

CMYK 5 / 0 / 55 / 2

HEX #EDF971

RGB 237 249 113

HSL 65.29, 0.92%, 0.71%

LAB 94.72, -21.89, 62.77

 

CMYK 55 / 0 / 23 / 2

HEX #71F9C0

RGB 113 249 192

HSL 154.85, 0.92%, 0.71%

LAB 89.42, -50.25, 16.25

 

Description

Color code: HEX #7B6FF9 | qconv.com Color code: HEX #7B6FF9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 111 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 111 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 55 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 55% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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