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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5DBE it is the complementary color #84A241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5DBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B5DBE shade: #805DB9, #916FCC, #A281DF, #B393F2 and #C4A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5DBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B5DBE shade: #7B5DBE, #6A4BAB, #593998, #482785 and #371572

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B5DBE shade: #795ABD, #945ABD, #AE5ABD, #BD5AB1 and #BD5A97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B5DBE shade: #795ABD, #5E5ABD and #5A5ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B5DBE shade matches the following richer shades: #795ABD, #7248D0, #6B35E2 and #6423F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B5DBE shade: #795ABD, #806DAB, #878098, #8E9285 and #95A573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B5DBE shade: #5A71BD, #5E5ABD, #785ABD, #925ABD and #AD5ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B5DBE shade: #52388D, #6444AB, #795ABD, #9178C9 and #A995D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B5DBE shade: #7B5DBE, #BD5A8C and #64BD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B5DBE shade: #7B5DBE, #BD785A and #5ABD78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B5DBE shade: #7B5DBE, #BD5A8C, #9FBD5A and #5ABD8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B5DBE shade: #7B5DBE, #BD5A6E, #9FBD5A and #5ABDA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

Complementary color

CMYK 19 / 0 / 60 / 36

HEX #84A241

RGB 132 162 65

HSL 78.56, 0.43%, 0.45%

LAB 62.62, -25.53, 45.99

 

CMYK 31 / 50 / 0 / 27

HEX #805DB9

RGB 128 93 185

HSL 262.83, 0.4%, 0.55%

LAB 46.87, 34.01, -43.64

 

CMYK 29 / 46 / 0 / 20

HEX #916FCC

RGB 145 111 204

HSL 261.94, 0.48%, 0.62%

LAB 53.76, 33.04, -43.54

 

CMYK 27 / 42 / 0 / 13

HEX #A281DF

RGB 162 129 223

HSL 261.06, 0.59%, 0.69%

LAB 60.52, 32.15, -43.47

 

CMYK 26 / 39 / 0 / 5

HEX #B393F2

RGB 179 147 242

HSL 260.21, 0.79%, 0.76%

LAB 67.17, 31.34, -43.42

 

CMYK 23 / 35 / 0 / 0

HEX #C4A5FF

RGB 196 165 255

HSL 260.67, 1%, 0.82%

LAB 73.46, 29.21, -40.56

 

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

CMYK 38 / 56 / 0 / 33

HEX #6A4BAB

RGB 106 75 171

HSL 259.38, 0.39%, 0.48%

LAB 39.64, 35.15, -47.1

 

CMYK 41 / 63 / 0 / 40

HEX #593998

RGB 89 57 152

HSL 260.21, 0.45%, 0.41%

LAB 32.52, 36.37, -47.24

 

CMYK 46 / 71 / 0 / 48

HEX #482785

RGB 72 39 133

HSL 261.06, 0.55%, 0.34%

LAB 25.33, 37.57, -47.27

 

CMYK 52 / 82 / 0 / 55

HEX #371572

RGB 55 21 114

HSL 261.94, 0.69%, 0.26%

LAB 18.2, 38.42, -46.91

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 8 / 52 / 0 / 26

HEX #AE5ABD

RGB 174 90 189

HSL 290.91, 0.43%, 0.55%

LAB 51.82, 49.22, -37.78

 

CMYK 0 / 52 / 6 / 26

HEX #BD5AB1

RGB 189 90 177

HSL 307.27, 0.43%, 0.55%

LAB 53.28, 51.29, -28.4

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 50 / 52 / 0 / 26

HEX #5E5ABD

RGB 94 90 189

HSL 242.42, 0.43%, 0.55%

LAB 43.31, 28.57, -51.84

 

CMYK 52 / 52 / 0 / 26

HEX #5A5ABD

RGB 90 90 189

HSL 240, 0.43%, 0.55%

LAB 43, 27.71, -52.35

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 45 / 65 / 0 / 18

HEX #7248D0

RGB 114 72 208

HSL 258.53, 0.59%, 0.55%

LAB 42.41, 48.78, -64.22

 

CMYK 53 / 77 / 0 / 11

HEX #6B35E2

RGB 107 53 226

HSL 258.73, 0.75%, 0.55%

LAB 39.85, 61.83, -78.74

 

CMYK 59 / 86 / 0 / 4

HEX #6423F5

RGB 100 35 245

HSL 258.57, 0.91%, 0.55%

LAB 38.73, 72.64, -91.39

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 25 / 36 / 0 / 33

HEX #806DAB

RGB 128 109 171

HSL 258.39, 0.27%, 0.55%

LAB 50.06, 20.96, -30.47

 

CMYK 11 / 16 / 0 / 40

HEX #878098

RGB 135 128 152

HSL 257.5, 0.1%, 0.55%

LAB 54.92, 7.57, -11.9

 

CMYK 3 / 0 / 9 / 43

HEX #8E9285

RGB 142 146 133

HSL 78.46, 0.06%, 0.55%

LAB 59.89, -3.93, 6.38

 

CMYK 10 / 0 / 30 / 35

HEX #95A573

RGB 149 165 115

HSL 79.2, 0.22%, 0.55%

LAB 65.39, -14.42, 24.11

 

CMYK 52 / 40 / 0 / 26

HEX #5A71BD

RGB 90 113 189

HSL 226.06, 0.43%, 0.55%

LAB 49.08, 13.41, -42.64

 

CMYK 50 / 52 / 0 / 26

HEX #5E5ABD

RGB 94 90 189

HSL 242.42, 0.43%, 0.55%

LAB 43.31, 28.57, -51.84

 

CMYK 37 / 52 / 0 / 26

HEX #785ABD

RGB 120 90 189

HSL 258.18, 0.43%, 0.55%

LAB 45.61, 34.73, -48.03

 

CMYK 23 / 52 / 0 / 26

HEX #925ABD

RGB 146 90 189

HSL 273.94, 0.43%, 0.55%

LAB 48.38, 41.54, -43.44

 

CMYK 8 / 52 / 0 / 26

HEX #AD5ABD

RGB 173 90 189

HSL 290.3, 0.43%, 0.55%

LAB 51.69, 48.95, -38

 

CMYK 42 / 60 / 0 / 45

HEX #52388D

RGB 82 56 141

HSL 258.35, 0.43%, 0.39%

LAB 30.75, 32.17, -43.4

 

CMYK 42 / 60 / 0 / 33

HEX #6444AB

RGB 100 68 171

HSL 258.64, 0.43%, 0.47%

LAB 37.45, 37.83, -50.65

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 28 / 40 / 0 / 21

HEX #9178C9

RGB 145 120 201

HSL 258.52, 0.43%, 0.63%

LAB 55.76, 27.07, -38.69

 

CMYK 21 / 30 / 0 / 16

HEX #A995D5

RGB 169 149 213

HSL 258.75, 0.43%, 0.71%

LAB 65.54, 20.46, -30.02

 

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 47 / 0 / 52 / 26

HEX #64BD5A

RGB 100 189 90

HSL 113.94, 0.43%, 0.55%

LAB 69.36, -46.29, 41.56

 

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

CMYK 0 / 37 / 52 / 26

HEX #BD785A

RGB 189 120 90

HSL 18.18, 0.43%, 0.55%

LAB 57.07, 23.78, 27.65

 

CMYK 52 / 0 / 37 / 26

HEX #5ABD78

RGB 90 189 120

HSL 138.18, 0.43%, 0.55%

LAB 69.42, -44.41, 26.26

 

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 52 / 0 / 26 / 26

HEX #5ABD8C

RGB 90 189 140

HSL 150.3, 0.43%, 0.55%

LAB 69.8, -40.53, 16.09

 

CMYK 35 / 51 / 0 / 25

HEX #7B5DBE

RGB 123 93 190

HSL 258.56, 0.43%, 0.55%

LAB 46.65, 34.01, -46.92

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 52 / 0 / 11 / 26

HEX #5ABDA9

RGB 90 189 169

HSL 167.88, 0.43%, 0.55%

LAB 70.48, -33.93, 1.27

 

Description

Color code: HEX #7B5DBE | qconv.com Color code: HEX #7B5DBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 93 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 93 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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