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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5827 it is the complementary color #84A7D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5827. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B5827 shade: #805822, #916A35, #A27C48, #B38E5B and #C4A06E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5827. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B5827 shade: #7B5827, #6A4614, #593401, #482200 and #371000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B5827 shade: #7C5827, #7C4127, #7C2A27 and #7C2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B5827 shade: #7C5827, #7C6F27, #717C27, #5A7C27 and #437C27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B5827 shade matches the following richer shades: #7C5827, #895A19 and #965D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B5827 shade: #7C5827, #6E5634, #615441, #54524E and #474F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B5827 shade: #7C2B27, #7C4227, #7C5827, #7C6F27 and #727C27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B5827 shade: #3D2B13, #5C421D, #7C5827, #9B6F31 and #BA853A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B5827 shade: #7B5827, #397C27 and #36277C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B5827 shade: #7B5827, #277C58 and #58277C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B5827 shade: #7B5827, #397C27, #274A7C and #69277C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B5827 shade: #7B5827, #277C2E, #274A7C and #7C2774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

Complementary color

CMYK 39 / 23 / 0 / 15

HEX #84A7D8

RGB 132 167 216

HSL 215, 0.52%, 0.68%

LAB 67.65, 0.29, -28.65

 

CMYK 0 / 31 / 73 / 50

HEX #805822

RGB 128 88 34

HSL 34.47, 0.58%, 0.32%

LAB 40.71, 11.05, 36.7

 

CMYK 0 / 27 / 63 / 43

HEX #916A35

RGB 145 106 53

HSL 34.57, 0.46%, 0.39%

LAB 47.73, 9.6, 35.29

 

CMYK 0 / 23 / 56 / 36

HEX #A27C48

RGB 162 124 72

HSL 34.67, 0.38%, 0.46%

LAB 54.62, 8.43, 33.81

 

CMYK 0 / 21 / 49 / 30

HEX #B38E5B

RGB 179 142 91

HSL 34.77, 0.37%, 0.53%

LAB 61.38, 7.46, 32.38

 

CMYK 0 / 18 / 44 / 23

HEX #C4A06E

RGB 196 160 110

HSL 34.88, 0.42%, 0.6%

LAB 68.02, 6.66, 31.03

 

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

CMYK 0 / 34 / 81 / 58

HEX #6A4614

RGB 106 70 20

HSL 34.88, 0.68%, 0.25%

LAB 32.91, 10.66, 34.6

 

CMYK 0 / 42 / 99 / 65

HEX #593401

RGB 89 52 1

HSL 34.77, 0.98%, 0.18%

LAB 25.51, 12.74, 34.96

 

CMYK 0 / 53 / 100 / 72

HEX #482200

RGB 72 34 0

HSL 28.33, 1%, 0.14%

LAB 18.02, 15.57, 26.55

 

CMYK 0 / 71 / 100 / 78

HEX #371000

RGB 55 16 0

HSL 17.45, 1%, 0.11%

LAB 10.43, 18.38, 16.04

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 48 / 69 / 51

HEX #7C4127

RGB 124 65 39

HSL 18.35, 0.52%, 0.32%

LAB 34.42, 23.1, 26.88

 

CMYK 0 / 66 / 69 / 51

HEX #7C2A27

RGB 124 42 39

HSL 2.12, 0.52%, 0.32%

LAB 29.63, 35.4, 21.13

 

CMYK 0 / 69 / 69 / 51

HEX #7C2727

RGB 124 39 39

HSL 0, 0.52%, 0.32%

LAB 29.11, 36.8, 20.49

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 10 / 69 / 51

HEX #7C6F27

RGB 124 111 39

HSL 50.82, 0.52%, 0.32%

LAB 46.71, -3.99, 40.48

 

CMYK 9 / 0 / 69 / 51

HEX #717C27

RGB 113 124 39

HSL 67.76, 0.52%, 0.32%

LAB 49.58, -16.24, 43.17

 

CMYK 27 / 0 / 69 / 51

HEX #5A7C27

RGB 90 124 39

HSL 84, 0.52%, 0.32%

LAB 47.92, -26.18, 40.92

 

CMYK 46 / 0 / 69 / 51

HEX #437C27

RGB 67 124 39

HSL 100.24, 0.52%, 0.32%

LAB 46.65, -34.89, 39.18

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 34 / 82 / 46

HEX #895A19

RGB 137 90 25

HSL 34.82, 0.69%, 0.32%

LAB 42.31, 13.65, 42.75

 

CMYK 0 / 38 / 92 / 41

HEX #965D0C

RGB 150 93 12

HSL 35.22, 0.85%, 0.32%

LAB 44.72, 17.55, 49.86

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 22 / 53 / 57

HEX #6E5634

RGB 110 86 52

HSL 35.17, 0.36%, 0.32%

LAB 38.23, 5.22, 23.47

 

CMYK 0 / 13 / 33 / 62

HEX #615441

RGB 97 84 65

HSL 35.63, 0.2%, 0.32%

LAB 36.49, 2.12, 13.09

 

CMYK 0 / 2 / 7 / 67

HEX #54524E

RGB 84 82 78

HSL 40, 0.04%, 0.32%

LAB 34.94, -0.01, 2.63

 

CMYK 22 / 13 / 0 / 64

HEX #474F5B

RGB 71 79 91

HSL 216, 0.12%, 0.32%

LAB 33.32, -0.23, -8.1

 

CMYK 0 / 65 / 69 / 51

HEX #7C2B27

RGB 124 43 39

HSL 2.82, 0.52%, 0.32%

LAB 29.81, 34.92, 21.35

 

CMYK 0 / 47 / 69 / 51

HEX #7C4227

RGB 124 66 39

HSL 19.06, 0.52%, 0.32%

LAB 34.66, 22.52, 27.16

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 10 / 69 / 51

HEX #7C6F27

RGB 124 111 39

HSL 50.82, 0.52%, 0.32%

LAB 46.71, -3.99, 40.48

 

CMYK 8 / 0 / 69 / 51

HEX #727C27

RGB 114 124 39

HSL 67.06, 0.52%, 0.32%

LAB 49.66, -15.79, 43.28

 

CMYK 0 / 30 / 69 / 76

HEX #3D2B13

RGB 61 43 19

HSL 34.29, 0.53%, 0.16%

LAB 19.08, 5.12, 18.65

 

CMYK 0 / 28 / 68 / 64

HEX #5C421D

RGB 92 66 29

HSL 35.24, 0.52%, 0.24%

LAB 30.06, 6.81, 26.44

 

CMYK 0 / 29 / 69 / 51

HEX #7C5827

RGB 124 88 39

HSL 34.59, 0.52%, 0.32%

LAB 40.26, 9.48, 33.53

 

CMYK 0 / 28 / 68 / 39

HEX #9B6F31

RGB 155 111 49

HSL 35.09, 0.52%, 0.4%

LAB 50.17, 10.98, 40.39

 

CMYK 0 / 28 / 69 / 27

HEX #BA853A

RGB 186 133 58

HSL 35.16, 0.52%, 0.48%

LAB 59.45, 12.93, 47.15

 

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

CMYK 54 / 0 / 69 / 51

HEX #397C27

RGB 57 124 39

HSL 107.29, 0.52%, 0.32%

LAB 46.22, -38.11, 38.59

 

CMYK 56 / 69 / 0 / 51

HEX #36277C

RGB 54 39 124

HSL 250.59, 0.52%, 0.32%

LAB 22.62, 31.34, -46.09

 

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

CMYK 69 / 0 / 29 / 51

HEX #277C58

RGB 39 124 88

HSL 154.59, 0.52%, 0.32%

LAB 46.38, -34.38, 12.42

 

CMYK 29 / 69 / 0 / 51

HEX #58277C

RGB 88 39 124

HSL 274.59, 0.52%, 0.32%

LAB 26.68, 38.64, -39.32

 

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

CMYK 54 / 0 / 69 / 51

HEX #397C27

RGB 57 124 39

HSL 107.29, 0.52%, 0.32%

LAB 46.22, -38.11, 38.59

 

CMYK 69 / 40 / 0 / 51

HEX #274A7C

RGB 39 74 124

HSL 215.29, 0.52%, 0.32%

LAB 31.31, 4.89, -32.15

 

CMYK 15 / 69 / 0 / 51

HEX #69277C

RGB 105 39 124

HSL 286.59, 0.52%, 0.32%

LAB 29.18, 42.77, -35.16

 

CMYK 0 / 28 / 68 / 52

HEX #7B5827

RGB 123 88 39

HSL 35, 0.52%, 0.32%

LAB 40.14, 9.01, 33.36

 

CMYK 69 / 0 / 63 / 51

HEX #277C2E

RGB 39 124 46

HSL 124.94, 0.52%, 0.32%

LAB 45.69, -42, 34.57

 

CMYK 69 / 40 / 0 / 51

HEX #274A7C

RGB 39 74 124

HSL 215.29, 0.52%, 0.32%

LAB 31.31, 4.89, -32.15

 

CMYK 0 / 69 / 6 / 51

HEX #7C2774

RGB 124 39 116

HSL 305.65, 0.52%, 0.32%

LAB 31.8, 46.11, -25.77

 

Description

Color code: HEX #7B5827 | qconv.com Color code: HEX #7B5827 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 88 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 88 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 68 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 68% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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