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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B30F7 it is the complementary color #84CF08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B30F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B30F7 shade: #8030F2, #9142FF, #A254FF, #B366FF and #C478FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B30F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B30F7 shade: #7B30F7, #6A1EE4, #590CD1, #4800BE and #3700AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B30F7 shade: #7B30F7, #B130F7, #E630F7, #F730D2 and #F7309C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B30F7 shade: #7B30F7, #4530F7 and #3030F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B30F7 shade matches the following richer shades: #7B30F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B30F7 shade: #7B30F7, #7F41E6, #8352D4, #8864C3 and #8C75B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B30F7 shade: #3051F7, #4430F7, #7930F7, #AE30F7 and #E330F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B30F7 shade: #5207CD, #6208F5, #7B30F7, #9458F8 and #AE7FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B30F7 shade: #7B30F7, #F73086 and #36F730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B30F7 shade: #7B30F7, #F77930 and #30F779

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B30F7 shade: #7B30F7, #F73086, #AEF730 and #30F7A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B30F7 shade: #7B30F7, #F7304A, #AEF730 and #30F7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

Complementary color

CMYK 36 / 0 / 96 / 19

HEX #84CF08

RGB 132 207 8

HSL 82.61, 0.93%, 0.42%

LAB 75.79, -48.28, 74.1

 

CMYK 47 / 80 / 0 / 5

HEX #8030F2

RGB 128 48 242

HSL 264.74, 0.88%, 0.57%

LAB 42.93, 70.49, -82.66

 

CMYK 43 / 74 / 0 / 0

HEX #9142FF

RGB 145 66 255

HSL 265.08, 1%, 0.63%

LAB 48.43, 68.93, -80.85

 

CMYK 36 / 67 / 0 / 0

HEX #A254FF

RGB 162 84 255

HSL 267.37, 1%, 0.66%

LAB 53.21, 63.83, -72.98

 

CMYK 30 / 60 / 0 / 0

HEX #B366FF

RGB 179 102 255

HSL 270.2, 1%, 0.7%

LAB 58.33, 58.62, -64.63

 

CMYK 23 / 53 / 0 / 0

HEX #C478FF

RGB 196 120 255

HSL 273.78, 1%, 0.74%

LAB 63.66, 53.5, -55.98

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 54 / 87 / 0 / 11

HEX #6A1EE4

RGB 106 30 228

HSL 263.03, 0.79%, 0.51%

LAB 37.1, 70.53, -84.42

 

CMYK 57 / 94 / 0 / 18

HEX #590CD1

RGB 89 12 209

HSL 263.45, 0.89%, 0.43%

LAB 31.78, 68.72, -82.34

 

CMYK 62 / 100 / 0 / 25

HEX #4800BE

RGB 72 0 190

HSL 262.74, 1%, 0.37%

LAB 27, 65.23, -79.19

 

CMYK 68 / 100 / 0 / 33

HEX #3700AB

RGB 55 0 171

HSL 259.3, 1%, 0.34%

LAB 22.84, 59.88, -74.81

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 28 / 81 / 0 / 3

HEX #B130F7

RGB 177 48 247

HSL 278.89, 0.93%, 0.58%

LAB 49.71, 78.46, -74.13

 

CMYK 7 / 81 / 0 / 3

HEX #E630F7

RGB 230 48 247

HSL 294.87, 0.93%, 0.58%

LAB 57.71, 87.21, -60.82

 

CMYK 0 / 81 / 15 / 3

HEX #F730D2

RGB 247 48 210

HSL 311.16, 0.93%, 0.58%

LAB 58.55, 85.1, -38.48

 

CMYK 0 / 81 / 37 / 3

HEX #F7309C

RGB 247 48 156

HSL 327.44, 0.93%, 0.58%

LAB 56.38, 78.93, -10.56

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 72 / 81 / 0 / 3

HEX #4530F7

RGB 69 48 247

HSL 246.33, 0.93%, 0.58%

LAB 38.01, 66.06, -93.79

 

CMYK 81 / 81 / 0 / 3

HEX #3030F7

RGB 48 48 247

HSL 240, 0.93%, 0.58%

LAB 36.85, 64.88, -95.75

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 45 / 72 / 0 / 10

HEX #7F41E6

RGB 127 65 230

HSL 262.55, 0.77%, 0.58%

LAB 44.24, 60.38, -73.74

 

CMYK 38 / 61 / 0 / 17

HEX #8352D4

RGB 131 82 212

HSL 262.62, 0.6%, 0.58%

LAB 46.46, 47.93, -59.86

 

CMYK 30 / 49 / 0 / 24

HEX #8864C3

RGB 136 100 195

HSL 262.74, 0.44%, 0.58%

LAB 49.84, 34.66, -44.65

 

CMYK 21 / 34 / 0 / 30

HEX #8C75B2

RGB 140 117 178

HSL 262.62, 0.28%, 0.58%

LAB 53.51, 21.67, -29.07

 

CMYK 81 / 67 / 0 / 3

HEX #3051F7

RGB 48 81 247

HSL 230.05, 0.93%, 0.58%

LAB 43.11, 47.26, -85.4

 

CMYK 72 / 81 / 0 / 3

HEX #4430F7

RGB 68 48 247

HSL 246.03, 0.93%, 0.58%

LAB 37.95, 66, -93.9

 

CMYK 51 / 81 / 0 / 3

HEX #7930F7

RGB 121 48 247

HSL 262.01, 0.93%, 0.58%

LAB 42.6, 70.85, -86.05

 

CMYK 30 / 81 / 0 / 3

HEX #AE30F7

RGB 174 48 247

HSL 277.99, 0.93%, 0.58%

LAB 49.29, 78, -74.84

 

CMYK 8 / 81 / 0 / 3

HEX #E330F7

RGB 227 48 247

HSL 293.97, 0.93%, 0.58%

LAB 57.23, 86.69, -61.6

 

CMYK 60 / 97 / 0 / 20

HEX #5207CD

RGB 82 7 205

HSL 262.73, 0.93%, 0.42%

LAB 30.29, 68.11, -82.52

 

CMYK 60 / 97 / 0 / 4

HEX #6208F5

RGB 98 8 245

HSL 262.78, 0.94%, 0.5%

LAB 36.67, 78.11, -94.81

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 40 / 65 / 0 / 3

HEX #9458F8

RGB 148 88 248

HSL 262.5, 0.92%, 0.66%

LAB 51.9, 57.5, -71.3

 

CMYK 30 / 49 / 0 / 2

HEX #AE7FFA

RGB 174 127 250

HSL 262.93, 0.92%, 0.74%

LAB 62.57, 43.06, -55.11

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 0 / 81 / 46 / 3

HEX #F73086

RGB 247 48 134

HSL 334.07, 0.93%, 0.58%

LAB 55.69, 76.93, 1.46

 

CMYK 78 / 0 / 81 / 3

HEX #36F730

RGB 54 247 48

HSL 118.19, 0.93%, 0.58%

LAB 85.77, -79.19, 74.59

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 0 / 51 / 81 / 3

HEX #F77930

RGB 247 121 48

HSL 22.01, 0.93%, 0.58%

LAB 64.69, 43.97, 59.45

 

CMYK 81 / 0 / 51 / 3

HEX #30F779

RGB 48 247 121

HSL 142.01, 0.93%, 0.58%

LAB 86.27, -72.7, 47.18

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 0 / 81 / 46 / 3

HEX #F73086

RGB 247 48 134

HSL 334.07, 0.93%, 0.58%

LAB 55.69, 76.93, 1.46

 

CMYK 30 / 0 / 81 / 3

HEX #AEF730

RGB 174 247 48

HSL 82.01, 0.93%, 0.58%

LAB 89.74, -48.79, 79.67

 

CMYK 81 / 0 / 35 / 3

HEX #30F7A1

RGB 48 247 161

HSL 154.07, 0.93%, 0.58%

LAB 86.86, -65.84, 28.35

 

CMYK 50 / 81 / 0 / 3

HEX #7B30F7

RGB 123 48 247

HSL 262.61, 0.93%, 0.58%

LAB 42.82, 71.08, -85.68

 

CMYK 0 / 81 / 70 / 3

HEX #F7304A

RGB 247 48 74

HSL 352.16, 0.93%, 0.58%

LAB 54.43, 73.14, 35.43

 

CMYK 30 / 0 / 81 / 3

HEX #AEF730

RGB 174 247 48

HSL 82.01, 0.93%, 0.58%

LAB 89.74, -48.79, 79.67

 

CMYK 81 / 0 / 11 / 3

HEX #30F7DC

RGB 48 247 220

HSL 171.86, 0.93%, 0.58%

LAB 88.12, -52.3, -0.33

 

Description

Color code: HEX #7B30F7 | qconv.com Color code: HEX #7B30F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 48 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 48 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 81 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 81% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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