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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2DAD it is the complementary color #84D252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2DAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2DAD shade: #802DA8, #913FBB, #A251CE, #B363E1 and #C475F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2DAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2DAD shade: #7B2DAD, #6A1B9A, #590987, #480074 and #370061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2DAD shade: #7B2CAE, #9E2CAE, #AE2C9B, #AE2C78 and #AE2C55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2DAD shade: #7B2CAE, #582CAE, #362CAE and #2C2CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2DAD shade matches the following richer shades: #7B2CAE, #7F1BC0 and #8309D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2DAD shade: #7B2CAE, #773E9C, #74508A, #706279 and #6C7367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2DAD shade: #352CAE, #582CAE, #7A2CAE, #9D2CAE and #AE2C9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2DAD shade: #4D1C6C, #64248D, #7B2CAE, #9238CB and #A459D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2DAD shade: #7B2DAD, #AE2C46 and #2CAE46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2DAD shade: #7B2DAD, #AE7A2C and #2CAE7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2DAD shade: #7B2DAD, #AE2C46, #60AE2C and #2CAE94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2DAD shade: #7B2DAD, #AE392C, #60AE2C and #2CA1AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

Complementary color

CMYK 37 / 0 / 61 / 18

HEX #84D252

RGB 132 210 82

HSL 96.56, 0.59%, 0.57%

LAB 77.05, -45.83, 54.56

 

CMYK 24 / 73 / 0 / 34

HEX #802DA8

RGB 128 45 168

HSL 280.49, 0.58%, 0.42%

LAB 36.54, 54.73, -50.16

 

CMYK 22 / 66 / 0 / 27

HEX #913FBB

RGB 145 63 187

HSL 279.68, 0.5%, 0.49%

LAB 43.01, 54.61, -50.87

 

CMYK 21 / 61 / 0 / 19

HEX #A251CE

RGB 162 81 206

HSL 278.88, 0.56%, 0.56%

LAB 49.52, 54.11, -51.31

 

CMYK 20 / 56 / 0 / 12

HEX #B363E1

RGB 179 99 225

HSL 278.1, 0.68%, 0.64%

LAB 56.03, 53.42, -51.59

 

CMYK 20 / 52 / 0 / 4

HEX #C475F4

RGB 196 117 244

HSL 277.32, 0.85%, 0.71%

LAB 62.5, 52.65, -51.78

 

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

CMYK 31 / 82 / 0 / 40

HEX #6A1B9A

RGB 106 27 154

HSL 277.32, 0.7%, 0.35%

LAB 29.86, 54.31, -52.67

 

CMYK 34 / 93 / 0 / 47

HEX #590987

RGB 89 9 135

HSL 278.1, 0.88%, 0.28%

LAB 23.9, 52.42, -50.76

 

CMYK 38 / 100 / 0 / 55

HEX #480074

RGB 72 0 116

HSL 277.24, 1%, 0.23%

LAB 18.53, 48.27, -47.57

 

CMYK 43 / 100 / 0 / 62

HEX #370061

RGB 55 0 97

HSL 274.02, 1%, 0.19%

LAB 13.68, 42.02, -43.19

 

CMYK 29 / 75 / 0 / 32

HEX #7B2CAE

RGB 123 44 174

HSL 276.46, 0.6%, 0.43%

LAB 36.12, 55.46, -54.47

 

CMYK 9 / 75 / 0 / 32

HEX #9E2CAE

RGB 158 44 174

HSL 292.62, 0.6%, 0.43%

LAB 41.42, 62.46, -45.65

 

CMYK 0 / 75 / 11 / 32

HEX #AE2C9B

RGB 174 44 155

HSL 308.77, 0.6%, 0.43%

LAB 43.01, 62.85, -31.6

 

CMYK 0 / 75 / 31 / 32

HEX #AE2C78

RGB 174 44 120

HSL 324.92, 0.6%, 0.43%

LAB 41.46, 58.12, -12.63

 

CMYK 0 / 75 / 51 / 32

HEX #AE2C55

RGB 174 44 85

HSL 341.08, 0.6%, 0.43%

LAB 40.34, 54.54, 7.65

 

CMYK 29 / 75 / 0 / 32

HEX #7B2CAE

RGB 123 44 174

HSL 276.46, 0.6%, 0.43%

LAB 36.12, 55.46, -54.47

 

CMYK 49 / 75 / 0 / 32

HEX #582CAE

RGB 88 44 174

HSL 260.31, 0.6%, 0.43%

LAB 31.65, 49.31, -61.94

 

CMYK 69 / 75 / 0 / 32

HEX #362CAE

RGB 54 44 174

HSL 244.62, 0.6%, 0.43%

LAB 28.49, 44.76, -67.25

 

CMYK 75 / 75 / 0 / 32

HEX #2C2CAE

RGB 44 44 174

HSL 240, 0.6%, 0.43%

LAB 27.83, 43.78, -68.37

 

CMYK 29 / 75 / 0 / 32

HEX #7B2CAE

RGB 123 44 174

HSL 276.46, 0.6%, 0.43%

LAB 36.12, 55.46, -54.47

 

CMYK 34 / 86 / 0 / 25

HEX #7F1BC0

RGB 127 27 192

HSL 276.36, 0.75%, 0.43%

LAB 36.18, 65.68, -64.99

 

CMYK 37 / 96 / 0 / 18

HEX #8309D1

RGB 131 9 209

HSL 276.6, 0.92%, 0.43%

LAB 37.16, 72.98, -73.29

 

CMYK 29 / 75 / 0 / 32

HEX #7B2CAE

RGB 123 44 174

HSL 276.46, 0.6%, 0.43%

LAB 36.12, 55.46, -54.47

 

CMYK 24 / 60 / 0 / 39

HEX #773E9C

RGB 119 62 156

HSL 276.38, 0.43%, 0.43%

LAB 37.42, 41.91, -41.6

 

CMYK 16 / 42 / 0 / 46

HEX #74508A

RGB 116 80 138

HSL 277.24, 0.27%, 0.43%

LAB 40.06, 26.51, -26.55

 

CMYK 7 / 19 / 0 / 53

HEX #706279

RGB 112 98 121

HSL 276.52, 0.11%, 0.43%

LAB 43.6, 10.29, -10.83

 

CMYK 6 / 0 / 10 / 55

HEX #6C7367

RGB 108 115 103

HSL 95, 0.06%, 0.43%

LAB 47.53, -5.07, 5.73

 

CMYK 70 / 75 / 0 / 32

HEX #352CAE

RGB 53 44 174

HSL 244.15, 0.6%, 0.43%

LAB 28.42, 44.66, -67.37

 

CMYK 49 / 75 / 0 / 32

HEX #582CAE

RGB 88 44 174

HSL 260.31, 0.6%, 0.43%

LAB 31.65, 49.31, -61.94

 

CMYK 30 / 75 / 0 / 32

HEX #7A2CAE

RGB 122 44 174

HSL 276, 0.6%, 0.43%

LAB 35.97, 55.27, -54.7

 

CMYK 10 / 75 / 0 / 32

HEX #9D2CAE

RGB 157 44 174

HSL 292.15, 0.6%, 0.43%

LAB 41.26, 62.26, -45.92

 

CMYK 0 / 75 / 10 / 32

HEX #AE2C9D

RGB 174 44 157

HSL 307.85, 0.6%, 0.43%

LAB 43.11, 63.16, -32.64

 

CMYK 29 / 74 / 0 / 58

HEX #4D1C6C

RGB 77 28 108

HSL 276.75, 0.59%, 0.27%

LAB 21.91, 37.67, -36.85

 

CMYK 29 / 74 / 0 / 45

HEX #64248D

RGB 100 36 141

HSL 276.57, 0.59%, 0.35%

LAB 29.14, 46.8, -45.88

 

CMYK 29 / 75 / 0 / 32

HEX #7B2CAE

RGB 123 44 174

HSL 276.46, 0.6%, 0.43%

LAB 36.12, 55.46, -54.47

 

CMYK 28 / 72 / 0 / 20

HEX #9238CB

RGB 146 56 203

HSL 276.73, 0.59%, 0.51%

LAB 43.14, 61.33, -59.97

 

CMYK 23 / 58 / 0 / 17

HEX #A459D4

RGB 164 89 212

HSL 276.59, 0.59%, 0.59%

LAB 51.6, 51.93, -51.41

 

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

CMYK 0 / 75 / 60 / 32

HEX #AE2C46

RGB 174 44 70

HSL 348, 0.6%, 0.43%

LAB 39.99, 53.39, 16.64

 

CMYK 75 / 0 / 60 / 32

HEX #2CAE46

RGB 44 174 70

HSL 132, 0.6%, 0.43%

LAB 62.72, -56.05, 42.81

 

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

CMYK 0 / 30 / 75 / 32

HEX #AE7A2C

RGB 174 122 44

HSL 36, 0.6%, 0.43%

LAB 55.17, 13.01, 48.65

 

CMYK 75 / 0 / 30 / 32

HEX #2CAE7A

RGB 44 174 122

HSL 156, 0.6%, 0.43%

LAB 63.52, -46.91, 16.98

 

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

CMYK 0 / 75 / 60 / 32

HEX #AE2C46

RGB 174 44 70

HSL 348, 0.6%, 0.43%

LAB 39.99, 53.39, 16.64

 

CMYK 45 / 0 / 75 / 32

HEX #60AE2C

RGB 96 174 44

HSL 96, 0.6%, 0.43%

LAB 64.11, -45.88, 55.54

 

CMYK 75 / 0 / 15 / 32

HEX #2CAE94

RGB 44 174 148

HSL 168, 0.6%, 0.43%

LAB 64.12, -40.59, 3.46

 

CMYK 29 / 74 / 0 / 32

HEX #7B2DAD

RGB 123 45 173

HSL 276.56, 0.59%, 0.43%

LAB 36.19, 54.83, -53.76

 

CMYK 0 / 67 / 75 / 32

HEX #AE392C

RGB 174 57 44

HSL 6, 0.6%, 0.43%

LAB 41.39, 46.91, 34.17

 

CMYK 45 / 0 / 75 / 32

HEX #60AE2C

RGB 96 174 44

HSL 96, 0.6%, 0.43%

LAB 64.11, -45.88, 55.54

 

CMYK 75 / 7 / 0 / 32

HEX #2CA1AE

RGB 44 161 174

HSL 186, 0.6%, 0.43%

LAB 60.85, -26.97, -15.95

 

Description

Color code: HEX #7B2DAD | qconv.com Color code: HEX #7B2DAD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 45 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 45 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 74 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 74% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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