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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2DA9 it is the complementary color #84D256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2DA9 shade: #802DA4, #913FB7, #A251CA, #B363DD and #C475F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2DA9 shade: #7B2DA9, #6A1B96, #590983, #480070 and #37005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2DA9 shade: #7B2CA9, #9C2CA9, #A92C94, #A92C72 and #A92C51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2DA9 shade: #7B2CA9, #592CA9, #382CA9 and #2C2CA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2DA9 shade matches the following richer shades: #7B2CA9, #7F1BBA and #840ACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2DA9 shade: #7B2CA9, #763E97, #724F86, #6D6075 and #697263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2DA9 shade: #372CA9, #582CA9, #792CA9, #9A2CA9 and #A92C96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2DA9 shade: #4B1B68, #632488, #7B2CA9, #9235C9 and #A456D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2DA9 shade: #7B2DA9, #A92C43 and #2CA947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2DA9 shade: #7B2DA9, #A9792C and #2CA979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2DA9 shade: #7B2DA9, #A92C43, #5CA92C and #2CA992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2DA9 shade: #7B2DA9, #A93B2C, #5CA92C and #2C9AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

Complementary color

CMYK 37 / 0 / 59 / 18

HEX #84D256

RGB 132 210 86

HSL 97.74, 0.58%, 0.58%

LAB 77.08, -45.45, 52.85

 

CMYK 22 / 73 / 0 / 36

HEX #802DA4

RGB 128 45 164

HSL 281.85, 0.57%, 0.41%

LAB 36.26, 53.88, -48.21

 

CMYK 21 / 66 / 0 / 28

HEX #913FB7

RGB 145 63 183

HSL 281, 0.49%, 0.48%

LAB 42.75, 53.75, -48.93

 

CMYK 20 / 60 / 0 / 21

HEX #A251CA

RGB 162 81 202

HSL 280.17, 0.53%, 0.55%

LAB 49.29, 53.25, -49.39

 

CMYK 19 / 55 / 0 / 13

HEX #B363DD

RGB 179 99 221

HSL 279.34, 0.64%, 0.63%

LAB 55.81, 52.57, -49.68

 

CMYK 18 / 51 / 0 / 6

HEX #C475F0

RGB 196 117 240

HSL 278.54, 0.8%, 0.7%

LAB 62.3, 51.8, -49.89

 

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

CMYK 29 / 82 / 0 / 41

HEX #6A1B96

RGB 106 27 150

HSL 278.54, 0.69%, 0.35%

LAB 29.54, 53.43, -50.75

 

CMYK 32 / 93 / 0 / 49

HEX #590983

RGB 89 9 131

HSL 279.34, 0.87%, 0.27%

LAB 23.53, 51.56, -48.84

 

CMYK 36 / 100 / 0 / 56

HEX #480070

RGB 72 0 112

HSL 278.57, 1%, 0.22%

LAB 18.13, 47.4, -45.64

 

CMYK 41 / 100 / 0 / 64

HEX #37005D

RGB 55 0 93

HSL 275.48, 1%, 0.18%

LAB 13.25, 41.1, -41.23

 

CMYK 27 / 74 / 0 / 34

HEX #7B2CA9

RGB 123 44 169

HSL 277.92, 0.59%, 0.42%

LAB 35.75, 54.35, -52.08

 

CMYK 8 / 74 / 0 / 34

HEX #9C2CA9

RGB 156 44 169

HSL 293.76, 0.59%, 0.42%

LAB 40.79, 61.15, -43.7

 

CMYK 0 / 74 / 12 / 34

HEX #A92C94

RGB 169 44 148

HSL 310.08, 0.59%, 0.42%

LAB 41.81, 60.64, -29.33

 

CMYK 0 / 74 / 33 / 34

HEX #A92C72

RGB 169 44 114

HSL 326.4, 0.59%, 0.42%

LAB 40.33, 56.07, -10.7

 

CMYK 0 / 74 / 52 / 34

HEX #A92C51

RGB 169 44 81

HSL 342.24, 0.59%, 0.42%

LAB 39.29, 52.72, 8.58

 

CMYK 27 / 74 / 0 / 34

HEX #7B2CA9

RGB 123 44 169

HSL 277.92, 0.59%, 0.42%

LAB 35.75, 54.35, -52.08

 

CMYK 47 / 74 / 0 / 34

HEX #592CA9

RGB 89 44 169

HSL 261.6, 0.59%, 0.42%

LAB 31.32, 48.11, -59.47

 

CMYK 67 / 74 / 0 / 34

HEX #382CA9

RGB 56 44 169

HSL 245.76, 0.59%, 0.42%

LAB 28.13, 43.38, -64.83

 

CMYK 74 / 74 / 0 / 34

HEX #2C2CA9

RGB 44 44 169

HSL 240, 0.59%, 0.42%

LAB 27.3, 42.1, -66.23

 

CMYK 27 / 74 / 0 / 34

HEX #7B2CA9

RGB 123 44 169

HSL 277.92, 0.59%, 0.42%

LAB 35.75, 54.35, -52.08

 

CMYK 32 / 85 / 0 / 27

HEX #7F1BBA

RGB 127 27 186

HSL 277.74, 0.75%, 0.42%

LAB 35.68, 64.43, -62.28

 

CMYK 35 / 95 / 0 / 20

HEX #840ACB

RGB 132 10 203

HSL 277.93, 0.91%, 0.42%

LAB 36.81, 71.76, -70.37

 

CMYK 27 / 74 / 0 / 34

HEX #7B2CA9

RGB 123 44 169

HSL 277.92, 0.59%, 0.42%

LAB 35.75, 54.35, -52.08

 

CMYK 22 / 59 / 0 / 41

HEX #763E97

RGB 118 62 151

HSL 277.75, 0.42%, 0.42%

LAB 36.99, 40.48, -39.27

 

CMYK 15 / 41 / 0 / 47

HEX #724F86

RGB 114 79 134

HSL 278.18, 0.26%, 0.42%

LAB 39.4, 25.53, -25.16

 

CMYK 7 / 18 / 0 / 54

HEX #6D6075

RGB 109 96 117

HSL 277.14, 0.1%, 0.42%

LAB 42.61, 9.51, -9.91

 

CMYK 8 / 0 / 13 / 55

HEX #697263

RGB 105 114 99

HSL 96, 0.07%, 0.42%

LAB 46.89, -6.44, 7.16

 

CMYK 67 / 74 / 0 / 34

HEX #372CA9

RGB 55 44 169

HSL 245.28, 0.59%, 0.42%

LAB 28.06, 43.26, -64.96

 

CMYK 48 / 74 / 0 / 34

HEX #582CA9

RGB 88 44 169

HSL 261.12, 0.59%, 0.42%

LAB 31.21, 47.95, -59.66

 

CMYK 28 / 74 / 0 / 34

HEX #792CA9

RGB 121 44 169

HSL 276.96, 0.59%, 0.42%

LAB 35.46, 53.96, -52.55

 

CMYK 9 / 74 / 0 / 34

HEX #9A2CA9

RGB 154 44 169

HSL 292.8, 0.59%, 0.42%

LAB 40.47, 60.72, -44.23

 

CMYK 0 / 74 / 11 / 34

HEX #A92C96

RGB 169 44 150

HSL 309.12, 0.59%, 0.42%

LAB 41.9, 60.94, -30.39

 

CMYK 28 / 74 / 0 / 59

HEX #4B1B68

RGB 75 27 104

HSL 277.4, 0.59%, 0.26%

LAB 21.13, 36.72, -35.53

 

CMYK 27 / 74 / 0 / 47

HEX #632488

RGB 99 36 136

HSL 277.8, 0.58%, 0.34%

LAB 28.62, 45.43, -43.63

 

CMYK 27 / 74 / 0 / 34

HEX #7B2CA9

RGB 123 44 169

HSL 277.92, 0.59%, 0.42%

LAB 35.75, 54.35, -52.08

 

CMYK 27 / 74 / 0 / 21

HEX #9235C9

RGB 146 53 201

HSL 277.7, 0.58%, 0.5%

LAB 42.57, 62.1, -59.72

 

CMYK 22 / 59 / 0 / 18

HEX #A456D2

RGB 164 86 210

HSL 277.74, 0.58%, 0.58%

LAB 50.92, 53, -51.35

 

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

CMYK 0 / 74 / 60 / 34

HEX #A92C43

RGB 169 44 67

HSL 348.96, 0.59%, 0.42%

LAB 38.97, 51.65, 17.01

 

CMYK 74 / 0 / 58 / 34

HEX #2CA947

RGB 44 169 71

HSL 132.96, 0.59%, 0.42%

LAB 61.1, -54.19, 40.45

 

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

CMYK 0 / 28 / 74 / 34

HEX #A9792C

RGB 169 121 44

HSL 36.96, 0.59%, 0.42%

LAB 54.34, 11.34, 47.61

 

CMYK 74 / 0 / 28 / 34

HEX #2CA979

RGB 44 169 121

HSL 156.96, 0.59%, 0.42%

LAB 61.91, -45.11, 15.29

 

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

CMYK 0 / 74 / 60 / 34

HEX #A92C43

RGB 169 44 67

HSL 348.96, 0.59%, 0.42%

LAB 38.97, 51.65, 17.01

 

CMYK 46 / 0 / 74 / 34

HEX #5CA92C

RGB 92 169 44

HSL 96.96, 0.59%, 0.42%

LAB 62.37, -45.14, 53.75

 

CMYK 74 / 0 / 14 / 34

HEX #2CA992

RGB 44 169 146

HSL 168.96, 0.59%, 0.42%

LAB 62.5, -38.91, 2.23

 

CMYK 27 / 73 / 0 / 34

HEX #7B2DA9

RGB 123 45 169

HSL 277.74, 0.58%, 0.42%

LAB 35.89, 53.94, -51.84

 

CMYK 0 / 65 / 74 / 34

HEX #A93B2C

RGB 169 59 44

HSL 7.2, 0.59%, 0.42%

LAB 40.81, 44.28, 33.27

 

CMYK 46 / 0 / 74 / 34

HEX #5CA92C

RGB 92 169 44

HSL 96.96, 0.59%, 0.42%

LAB 62.37, -45.14, 53.75

 

CMYK 74 / 9 / 0 / 34

HEX #2C9AA9

RGB 44 154 169

HSL 187.2, 0.59%, 0.42%

LAB 58.52, -25.02, -16.66

 

Description

Color code: HEX #7B2DA9 | qconv.com Color code: HEX #7B2DA9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 45 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 45 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 73 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 73% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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