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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2966 it is the complementary color #84D699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2966 shade: #802961, #913B74, #A24D87, #B35F9A and #C471AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2966 shade: #7B2966, #6A1753, #590540, #48002D and #37001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2966 shade: #7A2865, #7A284F, #7A2839 and #7A2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2966 shade: #7A2865, #79287A, #63287A, #4D287A and #37287A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2966 shade matches the following richer shades: #7A2865, #871B6B, #940E72 and #A20178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2966 shade: #7A2865, #6D365F, #5F4358, #525052 and #455D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2966 shade: #63287A, #79287A, #7A2866, #7A2850 and #7A283A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2966 shade: #3C1432, #5B1E4B, #7A2865, #99337F and #B83D98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2966 shade: #7B2966, #7A4D28 and #287A6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2966 shade: #7B2966, #667A28 and #28667A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2966 shade: #7B2966, #7A4D28, #287A3D and #28557A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2966 shade: #7B2966, #7A6628, #287A3D and #283D7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

Complementary color

CMYK 38 / 0 / 29 / 16

HEX #84D699

RGB 132 214 153

HSL 135.37, 0.5%, 0.68%

LAB 79.21, -37.87, 22.44

 

CMYK 0 / 68 / 24 / 50

HEX #802961

RGB 128 41 97

HSL 321.38, 0.51%, 0.33%

LAB 31.89, 43.36, -13.43

 

CMYK 0 / 59 / 20 / 43

HEX #913B74

RGB 145 59 116

HSL 320.23, 0.42%, 0.4%

LAB 38.57, 43.12, -15.01

 

CMYK 0 / 52 / 17 / 36

HEX #A24D87

RGB 162 77 135

HSL 319.06, 0.36%, 0.47%

LAB 45.27, 42.55, -16.18

 

CMYK 0 / 47 / 14 / 30

HEX #B35F9A

RGB 179 95 154

HSL 317.86, 0.36%, 0.54%

LAB 51.95, 41.83, -17.12

 

CMYK 0 / 42 / 12 / 23

HEX #C471AD

RGB 196 113 173

HSL 316.63, 0.41%, 0.61%

LAB 58.57, 41.06, -17.89

 

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

CMYK 0 / 78 / 22 / 58

HEX #6A1753

RGB 106 23 83

HSL 316.63, 0.64%, 0.25%

LAB 24.64, 42.2, -15.74

 

CMYK 0 / 94 / 28 / 65

HEX #590540

RGB 89 5 64

HSL 317.86, 0.89%, 0.18%

LAB 18.38, 40.41, -12.75

 

CMYK 0 / 100 / 38 / 72

HEX #48002D

RGB 72 0 45

HSL 322.5, 1%, 0.14%

LAB 13.03, 35.42, -7.69

 

CMYK 0 / 100 / 53 / 78

HEX #37001A

RGB 55 0 26

HSL 331.64, 1%, 0.11%

LAB 8.01, 28.84, -1.25

 

CMYK 0 / 67 / 17 / 52

HEX #7A2865

RGB 122 40 101

HSL 315.37, 0.51%, 0.32%

LAB 30.87, 42.64, -17.67

 

CMYK 0 / 67 / 35 / 52

HEX #7A284F

RGB 122 40 79

HSL 331.46, 0.51%, 0.32%

LAB 29.96, 39.47, -4.74

 

CMYK 0 / 67 / 53 / 52

HEX #7A2839

RGB 122 40 57

HSL 347.56, 0.51%, 0.32%

LAB 29.29, 37.03, 8.84

 

CMYK 0 / 67 / 67 / 52

HEX #7A2828

RGB 122 40 40

HSL 0, 0.51%, 0.32%

LAB 28.92, 35.67, 19.53

 

CMYK 0 / 67 / 17 / 52

HEX #7A2865

RGB 122 40 101

HSL 315.37, 0.51%, 0.32%

LAB 30.87, 42.64, -17.67

 

CMYK 1 / 67 / 0 / 52

HEX #79287A

RGB 121 40 122

HSL 299.27, 0.51%, 0.32%

LAB 31.78, 45.98, -29.62

 

CMYK 19 / 67 / 0 / 52

HEX #63287A

RGB 99 40 122

HSL 283.17, 0.51%, 0.32%

LAB 28.31, 40.35, -35.34

 

CMYK 37 / 67 / 0 / 52

HEX #4D287A

RGB 77 40 122

HSL 267.07, 0.51%, 0.32%

LAB 25.26, 35, -40.41

 

CMYK 55 / 67 / 0 / 52

HEX #37287A

RGB 55 40 122

HSL 250.98, 0.51%, 0.32%

LAB 22.78, 30.25, -44.56

 

CMYK 0 / 67 / 17 / 52

HEX #7A2865

RGB 122 40 101

HSL 315.37, 0.51%, 0.32%

LAB 30.87, 42.64, -17.67

 

CMYK 0 / 80 / 21 / 47

HEX #871B6B

RGB 135 27 107

HSL 315.56, 0.67%, 0.32%

LAB 31.8, 51.83, -19.89

 

CMYK 0 / 91 / 23 / 42

HEX #940E72

RGB 148 14 114

HSL 315.22, 0.83%, 0.32%

LAB 33.62, 58.76, -21.34

 

CMYK 0 / 99 / 26 / 36

HEX #A20178

RGB 162 1 120

HSL 315.65, 0.99%, 0.32%

LAB 36.1, 64.17, -21.06

 

CMYK 0 / 67 / 17 / 52

HEX #7A2865

RGB 122 40 101

HSL 315.37, 0.51%, 0.32%

LAB 30.87, 42.64, -17.67

 

CMYK 0 / 50 / 13 / 57

HEX #6D365F

RGB 109 54 95

HSL 315.27, 0.34%, 0.32%

LAB 31.15, 30.35, -13.55

 

CMYK 0 / 29 / 7 / 63

HEX #5F4358

RGB 95 67 88

HSL 315, 0.17%, 0.32%

LAB 32.15, 15.95, -7.71

 

CMYK 0 / 2 / 0 / 68

HEX #525052

RGB 82 80 82

HSL 300, 0.01%, 0.32%

LAB 34.27, 1.25, -0.89

 

CMYK 26 / 0 / 19 / 64

HEX #455D4B

RGB 69 93 75

HSL 135, 0.15%, 0.32%

LAB 37.12, -13.19, 7.44

 

CMYK 19 / 67 / 0 / 52

HEX #63287A

RGB 99 40 122

HSL 283.17, 0.51%, 0.32%

LAB 28.31, 40.35, -35.34

 

CMYK 1 / 67 / 0 / 52

HEX #79287A

RGB 121 40 122

HSL 299.27, 0.51%, 0.32%

LAB 31.78, 45.98, -29.62

 

CMYK 0 / 67 / 16 / 52

HEX #7A2866

RGB 122 40 102

HSL 314.63, 0.51%, 0.32%

LAB 30.91, 42.8, -18.24

 

CMYK 0 / 67 / 34 / 52

HEX #7A2850

RGB 122 40 80

HSL 330.73, 0.51%, 0.32%

LAB 30, 39.6, -5.34

 

CMYK 0 / 67 / 52 / 52

HEX #7A283A

RGB 122 40 58

HSL 346.83, 0.51%, 0.32%

LAB 29.31, 37.12, 8.22

 

CMYK 0 / 67 / 17 / 76

HEX #3C1432

RGB 60 20 50

HSL 315, 0.5%, 0.16%

LAB 13.78, 24.02, -10.4

 

CMYK 0 / 67 / 18 / 64

HEX #5B1E4B

RGB 91 30 75

HSL 315.74, 0.5%, 0.24%

LAB 22.52, 33.6, -13.88

 

CMYK 0 / 67 / 17 / 52

HEX #7A2865

RGB 122 40 101

HSL 315.37, 0.51%, 0.32%

LAB 30.87, 42.64, -17.67

 

CMYK 0 / 67 / 17 / 40

HEX #99337F

RGB 153 51 127

HSL 315.29, 0.5%, 0.4%

LAB 39.02, 50.77, -21.02

 

CMYK 0 / 67 / 17 / 28

HEX #B83D98

RGB 184 61 152

HSL 315.61, 0.5%, 0.48%

LAB 46.7, 58.83, -23.92

 

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

CMYK 0 / 37 / 67 / 52

HEX #7A4D28

RGB 122 77 40

HSL 27.07, 0.51%, 0.32%

LAB 37.11, 15.19, 29.36

 

CMYK 67 / 0 / 10 / 52

HEX #287A6E

RGB 40 122 110

HSL 171.22, 0.51%, 0.32%

LAB 46.31, -27.52, -0.65

 

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

CMYK 16 / 0 / 67 / 52

HEX #667A28

RGB 102 122 40

HSL 74.63, 0.51%, 0.32%

LAB 48.13, -19.99, 40.95

 

CMYK 67 / 16 / 0 / 52

HEX #28667A

RGB 40 102 122

HSL 194.63, 0.51%, 0.32%

LAB 40.18, -13.08, -17.06

 

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

CMYK 0 / 37 / 67 / 52

HEX #7A4D28

RGB 122 77 40

HSL 27.07, 0.51%, 0.32%

LAB 37.11, 15.19, 29.36

 

CMYK 67 / 0 / 50 / 52

HEX #287A3D

RGB 40 122 61

HSL 135.37, 0.51%, 0.32%

LAB 45.23, -38.79, 26.23

 

CMYK 67 / 30 / 0 / 52

HEX #28557A

RGB 40 85 122

HSL 207.07, 0.51%, 0.32%

LAB 34.71, -2.82, -25.54

 

CMYK 0 / 67 / 17 / 52

HEX #7B2966

RGB 123 41 102

HSL 315.37, 0.5%, 0.32%

LAB 31.25, 42.65, -17.72

 

CMYK 0 / 16 / 67 / 52

HEX #7A6628

RGB 122 102 40

HSL 45.37, 0.51%, 0.32%

LAB 43.94, 0.33, 36.98

 

CMYK 67 / 0 / 50 / 52

HEX #287A3D

RGB 40 122 61

HSL 135.37, 0.51%, 0.32%

LAB 45.23, -38.79, 26.23

 

CMYK 67 / 50 / 0 / 52

HEX #283D7A

RGB 40 61 122

HSL 224.63, 0.51%, 0.32%

LAB 27.28, 13.16, -37.33

 

Description

Color code: HEX #7B2966 | qconv.com Color code: HEX #7B2966 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 41 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 41 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 17 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 17% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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