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Color name
HEX #7B251C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B251C it is the complementary color #84DAE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B251C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B251C shade: #802517, #91372A, #A2493D, #B35B50 and #C46D63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B251C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B251C shade: #7B251C, #6A1309, #590100, #480000 and #370000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B251C shade: #7C251C and #7C1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B251C shade: #7C251C, #7C3F1C, #7C591C, #7C731C and #6B7C1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B251C shade matches the following richer shades: #7C251C, #891B0F and #951103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B251C shade: #7C251C, #702F28, #633935, #574341 and #4B4D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B251C shade: #7C1C47, #7C1C2D, #7C241C, #7C3E1C and #7C571C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B251C shade: #39110D, #5B1B14, #7C251C, #9E2F23 and #BF392B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B251C shade: #7B251C, #617C1C and #1C3A7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B251C shade: #7B251C, #1C7C24 and #241C7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B251C shade: #7B251C, #617C1C, #1C747C and #371C7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B251C shade: #7B251C, #447C1C, #1C747C and #541C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

Complementary color

CMYK 42 / 4 / 0 / 11

HEX #84DAE3

RGB 132 218 227

HSL 185.68, 0.63%, 0.7%

LAB 82.16, -23.69, -12.58

 

CMYK 0 / 71 / 82 / 50

HEX #802517

RGB 128 37 23

HSL 8, 0.7%, 0.3%

LAB 29.35, 38.34, 30.76

 

CMYK 0 / 62 / 71 / 43

HEX #91372A

RGB 145 55 42

HSL 7.57, 0.55%, 0.37%

LAB 35.83, 37.23, 27.62

 

CMYK 0 / 55 / 62 / 36

HEX #A2493D

RGB 162 73 61

HSL 7.13, 0.45%, 0.44%

LAB 42.44, 35.92, 24.95

 

CMYK 0 / 49 / 55 / 30

HEX #B35B50

RGB 179 91 80

HSL 6.67, 0.39%, 0.51%

LAB 49.06, 34.62, 22.72

 

CMYK 0 / 44 / 49 / 23

HEX #C46D63

RGB 196 109 99

HSL 6.19, 0.45%, 0.58%

LAB 55.66, 33.39, 20.84

 

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

CMYK 0 / 82 / 92 / 58

HEX #6A1309

RGB 106 19 9

HSL 6.19, 0.84%, 0.23%

LAB 22.12, 37.23, 29.34

 

CMYK 0 / 99 / 100 / 65

HEX #590100

RGB 89 1 0

HSL 0.67, 1%, 0.17%

LAB 16.23, 36.85, 25.18

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 70 / 77 / 51

HEX #7C251C

RGB 124 37 28

HSL 5.63, 0.63%, 0.3%

LAB 28.62, 37.1, 26.82

 

CMYK 0 / 77 / 77 / 51

HEX #7C1C1C

RGB 124 28 28

HSL 0, 0.63%, 0.3%

LAB 27.3, 40.75, 25.34

 

CMYK 0 / 70 / 77 / 51

HEX #7C251C

RGB 124 37 28

HSL 5.63, 0.63%, 0.3%

LAB 28.62, 37.1, 26.82

 

CMYK 0 / 49 / 77 / 51

HEX #7C3F1C

RGB 124 63 28

HSL 21.88, 0.63%, 0.3%

LAB 33.82, 23.62, 32.39

 

CMYK 0 / 28 / 77 / 51

HEX #7C591C

RGB 124 89 28

HSL 38.13, 0.63%, 0.3%

LAB 40.43, 8.24, 39.09

 

CMYK 0 / 7 / 77 / 51

HEX #7C731C

RGB 124 115 28

HSL 54.38, 0.63%, 0.3%

LAB 47.79, -6.86, 46.17

 

CMYK 14 / 0 / 77 / 51

HEX #6B7C1C

RGB 107 124 28

HSL 70.63, 0.63%, 0.3%

LAB 49.04, -19.58, 46.83

 

CMYK 0 / 70 / 77 / 51

HEX #7C251C

RGB 124 37 28

HSL 5.63, 0.63%, 0.3%

LAB 28.62, 37.1, 26.82

 

CMYK 0 / 80 / 89 / 46

HEX #891B0F

RGB 137 27 15

HSL 5.9, 0.8%, 0.3%

LAB 29.75, 44.92, 36.08

 

CMYK 0 / 89 / 98 / 42

HEX #951103

RGB 149 17 3

HSL 5.75, 0.96%, 0.3%

LAB 31.34, 50.97, 43.54

 

CMYK 0 / 70 / 77 / 51

HEX #7C251C

RGB 124 37 28

HSL 5.63, 0.63%, 0.3%

LAB 28.62, 37.1, 26.82

 

CMYK 0 / 58 / 64 / 56

HEX #702F28

RGB 112 47 40

HSL 5.83, 0.47%, 0.3%

LAB 28.46, 28.22, 18.56

 

CMYK 0 / 42 / 46 / 61

HEX #633935

RGB 99 57 53

HSL 5.22, 0.3%, 0.3%

LAB 28.99, 18.12, 10.47

 

CMYK 0 / 23 / 25 / 66

HEX #574341

RGB 87 67 65

HSL 5.45, 0.14%, 0.3%

LAB 30.45, 8.27, 4.51

 

CMYK 3 / 0 / 0 / 70

HEX #4B4D4D

RGB 75 77 77

HSL 180, 0.01%, 0.3%

LAB 32.57, -0.81, -0.29

 

CMYK 0 / 77 / 43 / 51

HEX #7C1C47

RGB 124 28 71

HSL 333.13, 0.63%, 0.3%

LAB 28.3, 44.02, -1.85

 

CMYK 0 / 77 / 64 / 51

HEX #7C1C2D

RGB 124 28 45

HSL 349.38, 0.63%, 0.3%

LAB 27.59, 41.71, 14.6

 

CMYK 0 / 71 / 77 / 51

HEX #7C241C

RGB 124 36 28

HSL 5, 0.63%, 0.3%

LAB 28.46, 37.54, 26.64

 

CMYK 0 / 50 / 77 / 51

HEX #7C3E1C

RGB 124 62 28

HSL 21.25, 0.63%, 0.3%

LAB 33.59, 24.19, 32.15

 

CMYK 0 / 30 / 77 / 51

HEX #7C571C

RGB 124 87 28

HSL 36.88, 0.63%, 0.3%

LAB 39.89, 9.44, 38.56

 

CMYK 0 / 70 / 77 / 78

HEX #39110D

RGB 57 17 13

HSL 5.45, 0.63%, 0.14%

LAB 11.27, 19.56, 11.88

 

CMYK 0 / 70 / 78 / 64

HEX #5B1B14

RGB 91 27 20

HSL 5.92, 0.64%, 0.22%

LAB 20.28, 28.87, 20.7

 

CMYK 0 / 70 / 77 / 51

HEX #7C251C

RGB 124 37 28

HSL 5.63, 0.63%, 0.3%

LAB 28.62, 37.1, 26.82

 

CMYK 0 / 70 / 78 / 38

HEX #9E2F23

RGB 158 47 35

HSL 5.85, 0.64%, 0.38%

LAB 36.79, 45.17, 33.45

 

CMYK 0 / 70 / 77 / 25

HEX #BF392B

RGB 191 57 43

HSL 5.68, 0.63%, 0.46%

LAB 44.49, 52.59, 38.99

 

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

CMYK 22 / 0 / 77 / 51

HEX #617C1C

RGB 97 124 28

HSL 76.88, 0.63%, 0.3%

LAB 48.31, -23.98, 45.89

 

CMYK 77 / 53 / 0 / 51

HEX #1C3A7C

RGB 28 58 124

HSL 221.25, 0.63%, 0.3%

LAB 25.95, 14.11, -40.77

 

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

CMYK 77 / 0 / 71 / 51

HEX #1C7C24

RGB 28 124 36

HSL 125, 0.63%, 0.3%

LAB 45.34, -45.25, 38.72

 

CMYK 71 / 77 / 0 / 51

HEX #241C7C

RGB 36 28 124

HSL 245, 0.63%, 0.3%

LAB 18.63, 35.3, -52.7

 

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

CMYK 22 / 0 / 77 / 51

HEX #617C1C

RGB 97 124 28

HSL 76.88, 0.63%, 0.3%

LAB 48.31, -23.98, 45.89

 

CMYK 77 / 6 / 0 / 51

HEX #1C747C

RGB 28 116 124

HSL 185, 0.63%, 0.3%

LAB 44.51, -21.95, -11.71

 

CMYK 56 / 77 / 0 / 51

HEX #371C7C

RGB 55 28 124

HSL 256.88, 0.63%, 0.3%

LAB 20.43, 37.86, -49.67

 

CMYK 0 / 70 / 77 / 52

HEX #7B251C

RGB 123 37 28

HSL 5.68, 0.63%, 0.3%

LAB 28.43, 36.73, 26.55

 

CMYK 45 / 0 / 77 / 51

HEX #447C1C

RGB 68 124 28

HSL 95, 0.63%, 0.3%

LAB 46.62, -35.43, 43.66

 

CMYK 77 / 6 / 0 / 51

HEX #1C747C

RGB 28 116 124

HSL 185, 0.63%, 0.3%

LAB 44.51, -21.95, -11.71

 

CMYK 32 / 77 / 0 / 51

HEX #541C7C

RGB 84 28 124

HSL 275, 0.63%, 0.3%

LAB 24.23, 43.04, -43.31

 

Description

Color code: HEX #7B251C | qconv.com Color code: HEX #7B251C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 37 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 37 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 77 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 77% 52% C M Y K

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Provide designers and agencies with accurate color values.

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