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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B098A it is the complementary color #84F675. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B098A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B098A shade: #800985, #911B98, #A22DAB, #B33FBE and #C451D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B098A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B098A shade: #7B098A, #6A0077, #590064, #480051 and #37003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B098A shade: #7B088B, #8B0877, #8B0853, #8B0830 and #8B080D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B098A shade: #7B088B, #58088B, #35088B, #12088B and #08088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B098A shade matches the following richer shades: #7B088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B098A shade: #7B088B, #72147F, #692073, #602C67 and #57385B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B098A shade: #36088B, #59088B, #7B088B, #8B0877 and #8B0854

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B098A shade: #36033D, #590664, #7B088B, #9E0BB1 and #C10DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B098A shade: #7B098A, #8B1308 and #088B47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B098A shade: #7B098A, #8B7B08 and #088B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B098A shade: #7B098A, #8B1308, #188B08 and #08808B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B098A shade: #7B098A, #8B3A08, #188B08 and #08598B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

Complementary color

CMYK 46 / 0 / 52 / 4

HEX #84F675

RGB 132 246 117

HSL 113.02, 0.88%, 0.71%

LAB 88.02, -56.69, 51.65

 

CMYK 4 / 93 / 0 / 48

HEX #800985

RGB 128 9 133

HSL 297.58, 0.87%, 0.28%

LAB 30.59, 58.34, -38.34

 

CMYK 5 / 82 / 0 / 40

HEX #911B98

RGB 145 27 152

HSL 296.64, 0.7%, 0.35%

LAB 36.12, 61.07, -41.03

 

CMYK 5 / 74 / 0 / 33

HEX #A22DAB

RGB 162 45 171

HSL 295.71, 0.58%, 0.42%

LAB 42, 62.44, -42.91

 

CMYK 6 / 67 / 0 / 25

HEX #B33FBE

RGB 179 63 190

HSL 294.8, 0.5%, 0.5%

LAB 48.08, 62.95, -44.24

 

CMYK 6 / 61 / 0 / 18

HEX #C451D1

RGB 196 81 209

HSL 293.91, 0.58%, 0.57%

LAB 54.26, 62.93, -45.2

 

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

CMYK 11 / 100 / 0 / 53

HEX #6A0077

RGB 106 0 119

HSL 293.45, 1%, 0.23%

LAB 24.94, 53.72, -38.8

 

CMYK 11 / 100 / 0 / 61

HEX #590064

RGB 89 0 100

HSL 293.4, 1%, 0.2%

LAB 20.22, 47.51, -34.25

 

CMYK 11 / 100 / 0 / 68

HEX #480051

RGB 72 0 81

HSL 293.33, 1%, 0.16%

LAB 15.34, 41.09, -29.55

 

CMYK 11 / 100 / 0 / 76

HEX #37003E

RGB 55 0 62

HSL 293.23, 1%, 0.12%

LAB 10.26, 34.41, -24.65

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 0 / 94 / 14 / 45

HEX #8B0877

RGB 139 8 119

HSL 309.16, 0.89%, 0.29%

LAB 31.79, 58.45, -27.49

 

CMYK 0 / 94 / 40 / 45

HEX #8B0853

RGB 139 8 83

HSL 325.65, 0.89%, 0.29%

LAB 30.13, 54.06, -6.78

 

CMYK 0 / 94 / 65 / 45

HEX #8B0830

RGB 139 8 48

HSL 341.68, 0.89%, 0.29%

LAB 29.1, 51.24, 15.17

 

CMYK 0 / 94 / 91 / 45

HEX #8B080D

RGB 139 8 13

HSL 357.71, 0.89%, 0.29%

LAB 28.62, 49.9, 36.33

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 37 / 94 / 0 / 45

HEX #58088B

RGB 88 8 139

HSL 276.64, 0.89%, 0.29%

LAB 24.04, 53.37, -53.04

 

CMYK 62 / 94 / 0 / 45

HEX #35088B

RGB 53 8 139

HSL 260.61, 0.89%, 0.29%

LAB 19.2, 49.71, -61.18

 

CMYK 87 / 94 / 0 / 45

HEX #12088B

RGB 18 8 139

HSL 244.58, 0.89%, 0.29%

LAB 16.34, 47.92, -66.03

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 10 / 84 / 0 / 50

HEX #72147F

RGB 114 20 127

HSL 292.71, 0.73%, 0.29%

LAB 28.41, 52.41, -38.22

 

CMYK 9 / 72 / 0 / 55

HEX #692073

RGB 105 32 115

HSL 292.77, 0.56%, 0.29%

LAB 27.5, 44.02, -32.14

 

CMYK 7 / 57 / 0 / 60

HEX #602C67

RGB 96 44 103

HSL 292.88, 0.4%, 0.29%

LAB 27.48, 33.26, -24.55

 

CMYK 4 / 38 / 0 / 64

HEX #57385B

RGB 87 56 91

HSL 293.14, 0.24%, 0.29%

LAB 28.41, 20.48, -15.44

 

CMYK 61 / 94 / 0 / 45

HEX #36088B

RGB 54 8 139

HSL 261.07, 0.89%, 0.29%

LAB 19.32, 49.78, -60.99

 

CMYK 36 / 94 / 0 / 45

HEX #59088B

RGB 89 8 139

HSL 277.1, 0.89%, 0.29%

LAB 24.2, 53.5, -52.77

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 0 / 94 / 14 / 45

HEX #8B0877

RGB 139 8 119

HSL 309.16, 0.89%, 0.29%

LAB 31.79, 58.45, -27.49

 

CMYK 0 / 94 / 40 / 45

HEX #8B0854

RGB 139 8 84

HSL 325.19, 0.89%, 0.29%

LAB 30.16, 54.16, -7.38

 

CMYK 11 / 95 / 0 / 76

HEX #36033D

RGB 54 3 61

HSL 292.76, 0.91%, 0.13%

LAB 10.46, 32.58, -23.62

 

CMYK 11 / 94 / 0 / 61

HEX #590664

RGB 89 6 100

HSL 292.98, 0.89%, 0.21%

LAB 20.73, 46, -33.43

 

CMYK 12 / 94 / 0 / 45

HEX #7B088B

RGB 123 8 139

HSL 292.67, 0.89%, 0.29%

LAB 30.03, 58.64, -43.02

 

CMYK 11 / 94 / 0 / 31

HEX #9E0BB1

RGB 158 11 177

HSL 293.13, 0.88%, 0.37%

LAB 39.04, 70.47, -51.25

 

CMYK 11 / 94 / 0 / 15

HEX #C10DD8

RGB 193 13 216

HSL 293.2, 0.89%, 0.45%

LAB 47.73, 82.07, -59.68

 

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

CMYK 0 / 86 / 94 / 45

HEX #8B1308

RGB 139 19 8

HSL 5.04, 0.89%, 0.29%

LAB 29.34, 47.66, 39.05

 

CMYK 94 / 0 / 49 / 45

HEX #088B47

RGB 8 139 71

HSL 148.85, 0.89%, 0.29%

LAB 50.65, -47.62, 27.57

 

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

CMYK 0 / 12 / 94 / 45

HEX #8B7B08

RGB 139 123 8

HSL 52.67, 0.89%, 0.29%

LAB 51.46, -4.87, 55.31

 

CMYK 94 / 0 / 12 / 45

HEX #088B7B

RGB 8 139 123

HSL 172.67, 0.89%, 0.29%

LAB 51.78, -35.14, -0.34

 

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

CMYK 0 / 86 / 94 / 45

HEX #8B1308

RGB 139 19 8

HSL 5.04, 0.89%, 0.29%

LAB 29.34, 47.66, 39.05

 

CMYK 83 / 0 / 94 / 45

HEX #188B08

RGB 24 139 8

HSL 112.67, 0.89%, 0.29%

LAB 50.31, -52.53, 51.8

 

CMYK 94 / 8 / 0 / 45

HEX #08808B

RGB 8 128 139

HSL 185.04, 0.89%, 0.29%

LAB 48.7, -24.76, -14.28

 

CMYK 11 / 93 / 0 / 46

HEX #7B098A

RGB 123 9 138

HSL 293.02, 0.88%, 0.29%

LAB 30.01, 58.31, -42.43

 

CMYK 0 / 58 / 94 / 45

HEX #8B3A08

RGB 139 58 8

HSL 22.9, 0.89%, 0.29%

LAB 35.07, 32.13, 43.13

 

CMYK 83 / 0 / 94 / 45

HEX #188B08

RGB 24 139 8

HSL 112.67, 0.89%, 0.29%

LAB 50.31, -52.53, 51.8

 

CMYK 94 / 36 / 0 / 45

HEX #08598B

RGB 8 89 139

HSL 202.9, 0.89%, 0.29%

LAB 36.1, -2.45, -33.83

 

Description

Color code: HEX #7B098A | qconv.com Color code: HEX #7B098A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 9 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 9 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 93 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 93% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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