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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AFA7C it is the complementary color #850583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AFA7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AFA7C shade: #7FFA77, #90FF8A, #A1FF9D, #B2FFB0 and #C3FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AFA7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AFA7C shade: #7AFA7C, #69E869, #58D656, #47C443 and #36B230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AFA7C shade: #7AFA7C, #9AFA7A, #BDFA7A, #DFFA7A and #FAF27A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AFA7C shade: #7AFA7C, #7AFA9E, #7AFAC1, #7AFAE3 and #7AEEFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AFA7C shade matches the following richer shades: #7AFA7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AFA7C shade: #7AFA7C, #85EF86, #90E391, #9BD89C and #A6CDA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AFA7C shade: #BEFA7A, #9CFA7A, #7AFA7A, #7AFA9C and #7AFABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AFA7C shade: #2AF72D, #52F854, #7AFA7C, #A1FBA3 and #C9FDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AFA7C shade: #7AFA7C, #7AE0FA and #FA7AAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AFA7C shade: #7AFA7C, #7A7AFA and #FA7A7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AFA7C shade: #7AFA7C, #7AE0FA, #FA7AFA and #FA937A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AFA7C shade: #7AFA7C, #7ABAFA, #FA7AFA and #FABA7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

Complementary color

CMYK 0 / 96 / 2 / 48

HEX #850583

RGB 133 5 131

HSL 300.94, 0.93%, 0.27%

LAB 31.19, 59.53, -36.07

 

CMYK 49 / 0 / 52 / 2

HEX #7FFA77

RGB 127 250 119

HSL 116.34, 0.93%, 0.72%

LAB 89.02, -59.37, 51.9

 

CMYK 44 / 0 / 46 / 0

HEX #90FF8A

RGB 144 255 138

HSL 116.92, 1%, 0.77%

LAB 91.36, -54.23, 46.03

 

CMYK 37 / 0 / 38 / 0

HEX #A1FF9D

RGB 161 255 157

HSL 117.55, 1%, 0.81%

LAB 92.37, -46.58, 38.25

 

CMYK 30 / 0 / 31 / 0

HEX #B2FFB0

RGB 178 255 176

HSL 118.48, 1%, 0.85%

LAB 93.5, -38.46, 30.44

 

CMYK 24 / 0 / 24 / 0

HEX #C3FFC3

RGB 195 255 195

HSL 120, 1%, 0.88%

LAB 94.76, -29.99, 22.71

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 55 / 0 / 55 / 9

HEX #69E869

RGB 105 232 105

HSL 120, 0.73%, 0.66%

LAB 82.77, -59.9, 50.64

 

CMYK 59 / 0 / 60 / 16

HEX #58D656

RGB 88 214 86

HSL 119.06, 0.61%, 0.59%

LAB 76.58, -59.57, 51.83

 

CMYK 64 / 0 / 66 / 23

HEX #47C443

RGB 71 196 67

HSL 118.14, 0.52%, 0.52%

LAB 70.33, -58.97, 52.86

 

CMYK 70 / 0 / 73 / 30

HEX #36B230

RGB 54 178 48

HSL 117.23, 0.58%, 0.44%

LAB 64.03, -57.96, 53.57

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 38 / 0 / 51 / 2

HEX #9AFA7A

RGB 154 250 122

HSL 105, 0.93%, 0.73%

LAB 90.16, -51.21, 52.15

 

CMYK 24 / 0 / 51 / 2

HEX #BDFA7A

RGB 189 250 122

HSL 88.59, 0.93%, 0.73%

LAB 91.95, -39.55, 54.73

 

CMYK 11 / 0 / 51 / 2

HEX #DFFA7A

RGB 223 250 122

HSL 72.66, 0.93%, 0.73%

LAB 94.08, -27.02, 57.78

 

CMYK 0 / 3 / 51 / 2

HEX #FAF27A

RGB 250 242 122

HSL 56.25, 0.93%, 0.73%

LAB 93.98, -12.67, 58.16

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 0 / 37 / 2

HEX #7AFA9E

RGB 122 250 158

HSL 136.88, 0.93%, 0.73%

LAB 89.38, -55.01, 33.53

 

CMYK 51 / 0 / 23 / 2

HEX #7AFAC1

RGB 122 250 193

HSL 153.28, 0.93%, 0.73%

LAB 90.03, -48.5, 16.62

 

CMYK 51 / 0 / 9 / 2

HEX #7AFAE3

RGB 122 250 227

HSL 169.22, 0.93%, 0.73%

LAB 90.8, -41.01, 0.15

 

CMYK 51 / 5 / 0 / 2

HEX #7AEEFA

RGB 122 238 250

HSL 185.63, 0.93%, 0.73%

LAB 88.06, -29.73, -15.92

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 44 / 0 / 44 / 6

HEX #85EF86

RGB 133 239 134

HSL 120.57, 0.77%, 0.73%

LAB 86.23, -51.39, 41.37

 

CMYK 37 / 0 / 36 / 11

HEX #90E391

RGB 144 227 145

HSL 120.72, 0.6%, 0.73%

LAB 83.4, -41.4, 32.3

 

CMYK 28 / 0 / 28 / 15

HEX #9BD89C

RGB 155 216 156

HSL 120.98, 0.44%, 0.73%

LAB 81.01, -31.12, 23.51

 

CMYK 19 / 0 / 19 / 20

HEX #A6CDA7

RGB 166 205 167

HSL 121.54, 0.28%, 0.73%

LAB 78.79, -20.22, 14.73

 

CMYK 24 / 0 / 51 / 2

HEX #BEFA7A

RGB 190 250 122

HSL 88.13, 0.93%, 0.73%

LAB 92.01, -39.19, 54.81

 

CMYK 38 / 0 / 51 / 2

HEX #9CFA7A

RGB 156 250 122

HSL 104.06, 0.93%, 0.73%

LAB 90.25, -50.59, 52.28

 

CMYK 51 / 0 / 51 / 2

HEX #7AFA7A

RGB 122 250 122

HSL 120, 0.93%, 0.73%

LAB 88.88, -60.3, 50.3

 

CMYK 51 / 0 / 38 / 2

HEX #7AFA9C

RGB 122 250 156

HSL 135.94, 0.93%, 0.73%

LAB 89.35, -55.34, 34.48

 

CMYK 51 / 0 / 24 / 2

HEX #7AFABE

RGB 122 250 190

HSL 151.88, 0.93%, 0.73%

LAB 89.96, -49.1, 18.08

 

CMYK 83 / 0 / 82 / 3

HEX #2AF72D

RGB 42 247 45

HSL 120.88, 0.93%, 0.57%

LAB 85.61, -80.64, 75.15

 

CMYK 67 / 0 / 66 / 3

HEX #52F854

RGB 82 248 84

HSL 120.72, 0.92%, 0.65%

LAB 86.78, -72.62, 63.95

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 36 / 0 / 35 / 2

HEX #A1FBA3

RGB 161 251 163

HSL 121.33, 0.92%, 0.81%

LAB 91.33, -43.96, 33.91

 

CMYK 21 / 0 / 20 / 1

HEX #C9FDCA

RGB 201 253 202

HSL 121.15, 0.93%, 0.89%

LAB 94.71, -25.94, 19.11

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 10 / 0 / 2

HEX #7AE0FA

RGB 122 224 250

HSL 192.19, 0.93%, 0.73%

LAB 84.15, -22.9, -21.82

 

CMYK 0 / 51 / 31 / 2

HEX #FA7AAD

RGB 250 122 173

HSL 336.09, 0.93%, 0.73%

LAB 67.47, 54.14, -3.82

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 0 / 51 / 51 / 2

HEX #FA7A7A

RGB 250 122 122

HSL 0, 0.93%, 0.73%

LAB 66.25, 48.82, 23.28

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 10 / 0 / 2

HEX #7AE0FA

RGB 122 224 250

HSL 192.19, 0.93%, 0.73%

LAB 84.15, -22.9, -21.82

 

CMYK 0 / 51 / 0 / 2

HEX #FA7AFA

RGB 250 122 250

HSL 300, 0.93%, 0.73%

LAB 70.28, 65.53, -42.38

 

CMYK 0 / 41 / 51 / 2

HEX #FA937A

RGB 250 147 122

HSL 11.72, 0.93%, 0.73%

LAB 71.28, 36.29, 29.97

 

CMYK 51 / 0 / 50 / 2

HEX #7AFA7C

RGB 122 250 124

HSL 120.94, 0.93%, 0.73%

LAB 88.91, -60.04, 49.4

 

CMYK 51 / 26 / 0 / 2

HEX #7ABAFA

RGB 122 186 250

HSL 210, 0.93%, 0.73%

LAB 73.65, -3.05, -37.94

 

CMYK 0 / 51 / 0 / 2

HEX #FA7AFA

RGB 250 122 250

HSL 300, 0.93%, 0.73%

LAB 70.28, 65.53, -42.38

 

CMYK 0 / 26 / 51 / 2

HEX #FABA7A

RGB 250 186 122

HSL 30, 0.93%, 0.73%

LAB 80.09, 15.9, 41.29

 

Description

Color code: HEX #7AFA7C | qconv.com Color code: HEX #7AFA7C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 250 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 250 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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