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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AE23F it is the complementary color #851DC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AE23F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AE23F shade: #7FE23A, #90F44D, #A1FF60, #B2FF73 and #C3FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AE23F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AE23F shade: #7AE23F, #69D02C, #58BE19, #47AC06 and #369A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AE23F shade: #7AE240, #A6E240, #D2E240, #E2C640 and #E29A40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AE23F shade: #7AE240, #4FE240, #40E25C, #40E288 and #40E2B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AE23F shade matches the following richer shades: #7AE240 and #76F42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AE23F shade: #7AE240, #7FD051, #84BF63, #89AD75 and #8E9B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AE23F shade: #D2E240, #A6E240, #7BE240, #50E240 and #40E25B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AE23F shade: #52B51B, #63D920, #7AE240, #93E764 and #ACED87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AE23F shade: #7AE23F, #40E2C7 and #E240BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AE23F shade: #7AE23F, #407BE2 and #E2407B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AE23F shade: #7AE23F, #40E2C7, #A640E2 and #E2405B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AE23F shade: #7AE23F, #40CCE2, #A640E2 and #E25540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

Complementary color

CMYK 31 / 85 / 0 / 25

HEX #851DC0

RGB 133 29 192

HSL 278.28, 0.74%, 0.43%

LAB 37.25, 66.03, -63.22

 

CMYK 44 / 0 / 74 / 11

HEX #7FE23A

RGB 127 226 58

HSL 95.36, 0.74%, 0.56%

LAB 81.41, -55.72, 68.22

 

CMYK 41 / 0 / 68 / 4

HEX #90F44D

RGB 144 244 77

HSL 95.93, 0.88%, 0.63%

LAB 87.57, -56.15, 68.04

 

CMYK 37 / 0 / 62 / 0

HEX #A1FF60

RGB 161 255 96

HSL 95.47, 1%, 0.69%

LAB 91.66, -53.62, 65.27

 

CMYK 30 / 0 / 55 / 0

HEX #B2FF73

RGB 178 255 115

HSL 93, 1%, 0.73%

LAB 92.67, -46.24, 58.58

 

CMYK 24 / 0 / 47 / 0

HEX #C3FF86

RGB 195 255 134

HSL 89.75, 1%, 0.76%

LAB 93.82, -38.39, 51.51

 

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

CMYK 50 / 0 / 79 / 18

HEX #69D02C

RGB 105 208 44

HSL 97.68, 0.65%, 0.49%

LAB 75.01, -56.32, 66.13

 

CMYK 54 / 0 / 87 / 25

HEX #58BE19

RGB 88 190 25

HSL 97.09, 0.77%, 0.42%

LAB 68.73, -55.4, 65.02

 

CMYK 59 / 0 / 97 / 33

HEX #47AC06

RGB 71 172 6

HSL 96.51, 0.93%, 0.35%

LAB 62.39, -54.06, 62.53

 

CMYK 65 / 0 / 100 / 40

HEX #369A00

RGB 54 154 0

HSL 98.96, 1%, 0.3%

LAB 55.98, -52.15, 58.05

 

CMYK 46 / 0 / 72 / 11

HEX #7AE240

RGB 122 226 64

HSL 98.52, 0.74%, 0.57%

LAB 81.24, -56.87, 65.95

 

CMYK 27 / 0 / 72 / 11

HEX #A6E240

RGB 166 226 64

HSL 82.22, 0.74%, 0.57%

LAB 83.37, -41.99, 68.79

 

CMYK 7 / 0 / 72 / 11

HEX #D2E240

RGB 210 226 64

HSL 65.93, 0.74%, 0.57%

LAB 86.24, -24.78, 72.56

 

CMYK 0 / 12 / 72 / 11

HEX #E2C640

RGB 226 198 64

HSL 49.63, 0.74%, 0.57%

LAB 80.14, -4.19, 67.09

 

CMYK 0 / 32 / 72 / 11

HEX #E29A40

RGB 226 154 64

HSL 33.33, 0.74%, 0.57%

LAB 69.22, 19.01, 56.12

 

CMYK 46 / 0 / 72 / 11

HEX #7AE240

RGB 122 226 64

HSL 98.52, 0.74%, 0.57%

LAB 81.24, -56.87, 65.95

 

CMYK 65 / 0 / 72 / 11

HEX #4FE240

RGB 79 226 64

HSL 114.44, 0.74%, 0.57%

LAB 79.86, -67.72, 64.11

 

CMYK 72 / 0 / 59 / 11

HEX #40E25C

RGB 64 226 92

HSL 130.37, 0.74%, 0.57%

LAB 79.76, -67.69, 52.68

 

CMYK 72 / 0 / 40 / 11

HEX #40E288

RGB 64 226 136

HSL 146.67, 0.74%, 0.57%

LAB 80.33, -61.12, 32.33

 

CMYK 72 / 0 / 20 / 11

HEX #40E2B4

RGB 64 226 180

HSL 162.96, 0.74%, 0.57%

LAB 81.17, -51.95, 10.66

 

CMYK 46 / 0 / 72 / 11

HEX #7AE240

RGB 122 226 64

HSL 98.52, 0.74%, 0.57%

LAB 81.24, -56.87, 65.95

 

CMYK 52 / 0 / 81 / 4

HEX #76F42E

RGB 118 244 46

HSL 98.18, 0.9%, 0.57%

LAB 86.38, -65.62, 76.23

 

CMYK 46 / 0 / 72 / 11

HEX #7AE240

RGB 122 226 64

HSL 98.52, 0.74%, 0.57%

LAB 81.24, -56.87, 65.95

 

CMYK 39 / 0 / 61 / 18

HEX #7FD051

RGB 127 208 81

HSL 98.27, 0.57%, 0.57%

LAB 76.2, -46.74, 53.98

 

CMYK 31 / 0 / 48 / 25

HEX #84BF63

RGB 132 191 99

HSL 98.48, 0.42%, 0.57%

LAB 71.6, -35.66, 40.23

 

CMYK 21 / 0 / 32 / 32

HEX #89AD75

RGB 137 173 117

HSL 98.57, 0.25%, 0.57%

LAB 66.89, -22.75, 24.9

 

CMYK 8 / 0 / 13 / 39

HEX #8E9B87

RGB 142 155 135

HSL 99, 0.09%, 0.57%

LAB 62.46, -8.49, 8.92

 

CMYK 7 / 0 / 72 / 11

HEX #D2E240

RGB 210 226 64

HSL 65.93, 0.74%, 0.57%

LAB 86.24, -24.78, 72.56

 

CMYK 27 / 0 / 72 / 11

HEX #A6E240

RGB 166 226 64

HSL 82.22, 0.74%, 0.57%

LAB 83.37, -41.99, 68.79

 

CMYK 46 / 0 / 72 / 11

HEX #7BE240

RGB 123 226 64

HSL 98.15, 0.74%, 0.57%

LAB 81.28, -56.57, 66.01

 

CMYK 65 / 0 / 72 / 11

HEX #50E240

RGB 80 226 64

HSL 114.07, 0.74%, 0.57%

LAB 79.88, -67.52, 64.14

 

CMYK 72 / 0 / 60 / 11

HEX #40E25B

RGB 64 226 91

HSL 130, 0.74%, 0.57%

LAB 79.75, -67.8, 53.11

 

CMYK 55 / 0 / 85 / 29

HEX #52B51B

RGB 82 181 27

HSL 98.57, 0.74%, 0.41%

LAB 65.69, -53.71, 61.83

 

CMYK 54 / 0 / 85 / 15

HEX #63D920

RGB 99 217 32

HSL 98.27, 0.74%, 0.49%

LAB 77.51, -61.8, 71.34

 

CMYK 46 / 0 / 72 / 11

HEX #7AE240

RGB 122 226 64

HSL 98.52, 0.74%, 0.57%

LAB 81.24, -56.87, 65.95

 

CMYK 36 / 0 / 57 / 9

HEX #93E764

RGB 147 231 100

HSL 98.47, 0.73%, 0.65%

LAB 84.11, -47.94, 54.88

 

CMYK 27 / 0 / 43 / 7

HEX #ACED87

RGB 172 237 135

HSL 98.24, 0.74%, 0.73%

LAB 87.53, -38.17, 42.92

 

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

CMYK 72 / 0 / 12 / 11

HEX #40E2C7

RGB 64 226 199

HSL 170, 0.74%, 0.57%

LAB 81.62, -47.29, 1.26

 

CMYK 0 / 72 / 17 / 11

HEX #E240BC

RGB 226 64 188

HSL 314.07, 0.74%, 0.57%

LAB 55.55, 73.26, -30.81

 

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

CMYK 72 / 46 / 0 / 11

HEX #407BE2

RGB 64 123 226

HSL 218.15, 0.74%, 0.57%

LAB 52.67, 15.24, -58.03

 

CMYK 0 / 72 / 46 / 11

HEX #E2407B

RGB 226 64 123

HSL 338.15, 0.74%, 0.57%

LAB 53.24, 65.89, 4

 

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

CMYK 72 / 0 / 12 / 11

HEX #40E2C7

RGB 64 226 199

HSL 170, 0.74%, 0.57%

LAB 81.62, -47.29, 1.26

 

CMYK 27 / 72 / 0 / 11

HEX #A640E2

RGB 166 64 226

HSL 277.78, 0.74%, 0.57%

LAB 48.59, 66.82, -64.19

 

CMYK 0 / 72 / 60 / 11

HEX #E2405B

RGB 226 64 91

HSL 350, 0.74%, 0.57%

LAB 52.5, 63.42, 22.15

 

CMYK 46 / 0 / 72 / 11

HEX #7AE23F

RGB 122 226 63

HSL 98.28, 0.74%, 0.57%

LAB 81.23, -56.93, 66.3

 

CMYK 72 / 10 / 0 / 11

HEX #40CCE2

RGB 64 204 226

HSL 188.15, 0.74%, 0.57%

LAB 75.93, -29.73, -21.66

 

CMYK 27 / 72 / 0 / 11

HEX #A640E2

RGB 166 64 226

HSL 277.78, 0.74%, 0.57%

LAB 48.59, 66.82, -64.19

 

CMYK 0 / 62 / 72 / 11

HEX #E25540

RGB 226 85 64

HSL 7.78, 0.74%, 0.57%

LAB 55.11, 53.7, 40.9

 

Description

Color code: HEX #7AE23F | qconv.com Color code: HEX #7AE23F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 226 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 226 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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