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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ABD59 it is the complementary color #8542A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ABD59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ABD59 shade: #7FBD54, #90CF67, #A1E17A, #B2F38D and #C3FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ABD59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ABD59 shade: #7ABD59, #69AB46, #589933, #478720 and #36750D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ABD59 shade: #7BBD5A, #96BD5A, #B0BD5A, #BDAF5A and #BD955A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ABD59 shade: #7BBD5A, #60BD5A, #5ABD6F, #5ABD8A and #5ABDA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ABD59 shade matches the following richer shades: #7BBD5A, #75D048, #6EE235 and #68F523

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ABD59 shade: #7BBD5A, #81AB6D, #889880, #8E8592 and #9473A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ABD59 shade: #B0BD5A, #96BD5A, #7BBD5A, #61BD5A and #5ABD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ABD59 shade: #548D38, #66AB44, #7BBD5A, #93C978 and #AAD595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ABD59 shade: #7ABD59, #5ABDB0 and #BD5AA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ABD59 shade: #7ABD59, #5A7BBD and #BD5A7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ABD59 shade: #7ABD59, #5ABDB0, #9C5ABD and #BD5A68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ABD59 shade: #7ABD59, #5AADBD, #9C5ABD and #BD6B5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

Complementary color

CMYK 20 / 60 / 0 / 35

HEX #8542A6

RGB 133 66 166

HSL 280.2, 0.43%, 0.45%

LAB 40.63, 45.68, -42.36

 

CMYK 33 / 0 / 56 / 26

HEX #7FBD54

RGB 127 189 84

HSL 95.43, 0.44%, 0.54%

LAB 70.56, -38.24, 46.17

 

CMYK 30 / 0 / 50 / 19

HEX #90CF67

RGB 144 207 103

HSL 96.35, 0.52%, 0.61%

LAB 77, -38.23, 45.04

 

CMYK 28 / 0 / 46 / 12

HEX #A1E17A

RGB 161 225 122

HSL 97.28, 0.63%, 0.68%

LAB 83.35, -38.16, 43.87

 

CMYK 27 / 0 / 42 / 5

HEX #B2F38D

RGB 178 243 141

HSL 98.24, 0.81%, 0.75%

LAB 89.62, -38.06, 42.72

 

CMYK 24 / 0 / 37 / 0

HEX #C3FFA0

RGB 195 255 160

HSL 97.89, 1%, 0.81%

LAB 94.17, -35.22, 39.45

 

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

CMYK 39 / 0 / 59 / 33

HEX #69AB46

RGB 105 171 70

HSL 99.21, 0.42%, 0.47%

LAB 63.81, -39.39, 44.61

 

CMYK 42 / 0 / 67 / 40

HEX #589933

RGB 88 153 51

HSL 98.24, 0.5%, 0.4%

LAB 57.17, -39.23, 45.53

 

CMYK 47 / 0 / 76 / 47

HEX #478720

RGB 71 135 32

HSL 97.28, 0.62%, 0.33%

LAB 50.42, -38.82, 45.97

 

CMYK 54 / 0 / 89 / 54

HEX #36750D

RGB 54 117 13

HSL 96.35, 0.8%, 0.25%

LAB 43.56, -38.01, 45.29

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 21 / 0 / 52 / 26

HEX #96BD5A

RGB 150 189 90

HSL 83.64, 0.43%, 0.55%

LAB 71.97, -29.12, 45.32

 

CMYK 7 / 0 / 52 / 26

HEX #B0BD5A

RGB 176 189 90

HSL 67.88, 0.43%, 0.55%

LAB 73.78, -18.81, 47.9

 

CMYK 0 / 7 / 52 / 26

HEX #BDAF5A

RGB 189 175 90

HSL 51.52, 0.43%, 0.55%

LAB 71.02, -6.22, 44.91

 

CMYK 0 / 21 / 52 / 26

HEX #BD955A

RGB 189 149 90

HSL 35.76, 0.43%, 0.55%

LAB 64.2, 7.76, 36.66

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 49 / 0 / 52 / 26

HEX #60BD5A

RGB 96 189 90

HSL 116.36, 0.43%, 0.55%

LAB 69.2, -47.44, 41.33

 

CMYK 52 / 0 / 41 / 26

HEX #5ABD6F

RGB 90 189 111

HSL 132.73, 0.43%, 0.55%

LAB 69.27, -45.97, 30.78

 

CMYK 52 / 0 / 27 / 26

HEX #5ABD8A

RGB 90 189 138

HSL 149.09, 0.43%, 0.55%

LAB 69.76, -40.95, 17.11

 

CMYK 52 / 0 / 13 / 26

HEX #5ABDA4

RGB 90 189 164

HSL 164.85, 0.43%, 0.55%

LAB 70.35, -35.15, 3.81

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 44 / 0 / 65 / 18

HEX #75D048

RGB 117 208 72

HSL 100.15, 0.59%, 0.55%

LAB 75.68, -50.75, 57.06

 

CMYK 51 / 0 / 77 / 11

HEX #6EE235

RGB 110 226 53

HSL 100.23, 0.75%, 0.55%

LAB 80.72, -61.02, 68.91

 

CMYK 58 / 0 / 86 / 4

HEX #68F523

RGB 104 245 35

HSL 100.29, 0.91%, 0.55%

LAB 86.19, -70, 78.35

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 25 / 0 / 36 / 33

HEX #81AB6D

RGB 129 171 109

HSL 100.65, 0.27%, 0.55%

LAB 65.67, -25.89, 27.47

 

CMYK 11 / 0 / 16 / 40

HEX #889880

RGB 136 152 128

HSL 100, 0.1%, 0.55%

LAB 61, -10.36, 10.73

 

CMYK 3 / 9 / 0 / 43

HEX #8E8592

RGB 142 133 146

HSL 281.54, 0.06%, 0.55%

LAB 56.68, 5.91, -5.74

 

CMYK 10 / 30 / 0 / 35

HEX #9473A5

RGB 148 115 165

HSL 279.6, 0.22%, 0.55%

LAB 53.25, 22.45, -21.88

 

CMYK 7 / 0 / 52 / 26

HEX #B0BD5A

RGB 176 189 90

HSL 67.88, 0.43%, 0.55%

LAB 73.78, -18.81, 47.9

 

CMYK 21 / 0 / 52 / 26

HEX #96BD5A

RGB 150 189 90

HSL 83.64, 0.43%, 0.55%

LAB 71.97, -29.12, 45.32

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 49 / 0 / 52 / 26

HEX #61BD5A

RGB 97 189 90

HSL 115.76, 0.43%, 0.55%

LAB 69.24, -47.16, 41.39

 

CMYK 52 / 0 / 42 / 26

HEX #5ABD6E

RGB 90 189 110

HSL 132.12, 0.43%, 0.55%

LAB 69.25, -46.13, 31.28

 

CMYK 40 / 0 / 60 / 45

HEX #548D38

RGB 84 141 56

HSL 100.24, 0.43%, 0.39%

LAB 53.19, -34.84, 38.77

 

CMYK 40 / 0 / 60 / 33

HEX #66AB44

RGB 102 171 68

HSL 100.19, 0.43%, 0.47%

LAB 63.65, -40.62, 45.3

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 27 / 0 / 40 / 21

HEX #93C978

RGB 147 201 120

HSL 100, 0.43%, 0.63%

LAB 75.66, -32.28, 34.95

 

CMYK 20 / 0 / 30 / 16

HEX #AAD595

RGB 170 213 149

HSL 100.31, 0.43%, 0.71%

LAB 80.91, -25.72, 27.17

 

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

CMYK 52 / 0 / 7 / 26

HEX #5ABDB0

RGB 90 189 176

HSL 172.12, 0.43%, 0.55%

LAB 70.67, -32.18, -2.29

 

CMYK 0 / 52 / 14 / 26

HEX #BD5AA3

RGB 189 90 163

HSL 315.76, 0.43%, 0.55%

LAB 52.7, 48.98, -21.13

 

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

CMYK 52 / 35 / 0 / 26

HEX #5A7BBD

RGB 90 123 189

HSL 220, 0.43%, 0.55%

LAB 51.85, 7.31, -38.26

 

CMYK 0 / 52 / 35 / 26

HEX #BD5A7B

RGB 189 90 123

HSL 340, 0.43%, 0.55%

LAB 51.34, 43.3, 0.5

 

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

CMYK 52 / 0 / 7 / 26

HEX #5ABDB0

RGB 90 189 176

HSL 172.12, 0.43%, 0.55%

LAB 70.67, -32.18, -2.29

 

CMYK 17 / 52 / 0 / 26

HEX #9C5ABD

RGB 156 90 189

HSL 280, 0.43%, 0.55%

LAB 49.56, 44.26, -41.5

 

CMYK 0 / 52 / 45 / 26

HEX #BD5A68

RGB 189 90 104

HSL 351.52, 0.43%, 0.55%

LAB 50.84, 41.15, 11.13

 

CMYK 35 / 0 / 53 / 26

HEX #7ABD59

RGB 122 189 89

HSL 100.2, 0.43%, 0.55%

LAB 70.35, -39.41, 43.48

 

CMYK 52 / 8 / 0 / 26

HEX #5AADBD

RGB 90 173 189

HSL 189.7, 0.43%, 0.55%

LAB 66.32, -20.76, -15.94

 

CMYK 17 / 52 / 0 / 26

HEX #9C5ABD

RGB 156 90 189

HSL 280, 0.43%, 0.55%

LAB 49.56, 44.26, -41.5

 

CMYK 0 / 43 / 52 / 26

HEX #BD6B5A

RGB 189 107 90

HSL 10.3, 0.43%, 0.55%

LAB 54.1, 30.88, 23.79

 

Description

Color code: HEX #7ABD59 | qconv.com Color code: HEX #7ABD59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 189 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 189 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 53 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 53% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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