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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB7F4 it is the complementary color #85480B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB7F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AB7F4 shade: #7FB7EF, #90C9FF, #A1DBFF, #B2EDFF and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB7F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AB7F4 shade: #7AB7F4, #69A5E1, #5893CE, #4781BB and #366FA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AB7F4 shade: #7AB7F4, #7A96F4, #7F7AF4, #A07AF4 and #C17AF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AB7F4 shade: #7AB7F4, #7A96F4 and #7A7AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AB7F4 shade matches the following richer shades: #7AB7F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AB7F4 shade: #7AB7F4, #86B7E8, #92B7DD, #9DB7D1 and #A9B7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AB7F4 shade: #7AF4F0, #7AD7F4, #7AB7F4, #7A97F4 and #7E7AF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AB7F4 shade: #2E8EEE, #54A2F1, #7AB7F4, #A1CCF7 and #C7E0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AB7F4 shade: #7AB7F4, #CF7AF4 and #E8F47A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AB7F4 shade: #7AB7F4, #F47AB7 and #B7F47A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AB7F4 shade: #7AB7F4, #CF7AF4, #F4B77A and #9FF47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AB7F4 shade: #7AB7F4, #F47AF4, #F4B77A and #7AF47A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

Complementary color

CMYK 0 / 46 / 92 / 48

HEX #85480B

RGB 133 72 11

HSL 30, 0.85%, 0.28%

LAB 37.2, 21.88, 43.32

 

CMYK 47 / 23 / 0 / 6

HEX #7FB7EF

RGB 127 183 239

HSL 210, 0.78%, 0.72%

LAB 72.64, -3.44, -33.55

 

CMYK 44 / 21 / 0 / 0

HEX #90C9FF

RGB 144 201 255

HSL 209.19, 1%, 0.78%

LAB 79, -4.67, -32.26

 

CMYK 37 / 14 / 0 / 0

HEX #A1DBFF

RGB 161 219 255

HSL 202.98, 1%, 0.82%

LAB 84.72, -9.85, -23.42

 

CMYK 30 / 7 / 0 / 0

HEX #B2EDFF

RGB 178 237 255

HSL 194.03, 1%, 0.85%

LAB 90.44, -14.47, -14.71

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 53 / 27 / 0 / 12

HEX #69A5E1

RGB 105 165 225

HSL 210, 0.67%, 0.65%

LAB 66.02, -2.57, -36.25

 

CMYK 57 / 29 / 0 / 19

HEX #5893CE

RGB 88 147 206

HSL 210, 0.55%, 0.58%

LAB 59.34, -1.85, -36.17

 

CMYK 62 / 31 / 0 / 27

HEX #4781BB

RGB 71 129 187

HSL 210, 0.46%, 0.51%

LAB 52.54, -0.95, -36.1

 

CMYK 68 / 34 / 0 / 34

HEX #366FA8

RGB 54 111 168

HSL 210, 0.51%, 0.44%

LAB 45.61, 0.22, -36.04

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 50 / 39 / 0 / 4

HEX #7A96F4

RGB 122 150 244

HSL 226.23, 0.85%, 0.72%

LAB 63.74, 15.57, -50.22

 

CMYK 48 / 50 / 0 / 4

HEX #7F7AF4

RGB 127 122 244

HSL 242.46, 0.85%, 0.72%

LAB 57.04, 33.16, -60.87

 

CMYK 34 / 50 / 0 / 4

HEX #A07AF4

RGB 160 122 244

HSL 258.69, 0.85%, 0.72%

LAB 59.82, 40.84, -56.27

 

CMYK 21 / 50 / 0 / 4

HEX #C17AF4

RGB 193 122 244

HSL 274.92, 0.85%, 0.72%

LAB 63.17, 49.27, -50.74

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 50 / 39 / 0 / 4

HEX #7A96F4

RGB 122 150 244

HSL 226.23, 0.85%, 0.72%

LAB 63.74, 15.57, -50.22

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF4

RGB 122 122 244

HSL 240, 0.85%, 0.72%

LAB 56.67, 32.09, -61.48

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 42 / 21 / 0 / 9

HEX #86B7E8

RGB 134 183 232

HSL 210, 0.68%, 0.72%

LAB 72.73, -3.67, -29.57

 

CMYK 34 / 17 / 0 / 13

HEX #92B7DD

RGB 146 183 221

HSL 210.4, 0.52%, 0.72%

LAB 73.02, -3.37, -23.08

 

CMYK 25 / 12 / 0 / 18

HEX #9DB7D1

RGB 157 183 209

HSL 210, 0.36%, 0.72%

LAB 73.31, -3.08, -16.04

 

CMYK 15 / 8 / 0 / 22

HEX #A9B7C6

RGB 169 183 198

HSL 211.03, 0.2%, 0.72%

LAB 73.79, -1.74, -9.23

 

CMYK 50 / 0 / 2 / 4

HEX #7AF4F0

RGB 122 244 240

HSL 178.03, 0.85%, 0.72%

LAB 89.45, -35.11, -8.61

 

CMYK 50 / 12 / 0 / 4

HEX #7AD7F4

RGB 122 215 244

HSL 194.26, 0.85%, 0.72%

LAB 81.44, -20.02, -22.75

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 50 / 38 / 0 / 4

HEX #7A97F4

RGB 122 151 244

HSL 225.74, 0.85%, 0.72%

LAB 64, 14.99, -49.8

 

CMYK 48 / 50 / 0 / 4

HEX #7E7AF4

RGB 126 122 244

HSL 241.97, 0.85%, 0.72%

LAB 56.96, 32.94, -61

 

CMYK 81 / 40 / 0 / 7

HEX #2E8EEE

RGB 46 142 238

HSL 210, 0.85%, 0.56%

LAB 58.13, 6.01, -56.01

 

CMYK 65 / 33 / 0 / 5

HEX #54A2F1

RGB 84 162 241

HSL 210.19, 0.85%, 0.64%

LAB 65.02, 0.23, -46.66

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 35 / 17 / 0 / 3

HEX #A1CCF7

RGB 161 204 247

HSL 210, 0.84%, 0.8%

LAB 80.45, -3.97, -25.68

 

CMYK 20 / 10 / 0 / 2

HEX #C7E0FA

RGB 199 224 250

HSL 210.59, 0.84%, 0.88%

LAB 88.14, -2.86, -15.41

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 5 / 0 / 50 / 4

HEX #E8F47A

RGB 232 244 122

HSL 65.9, 0.85%, 0.72%

LAB 93.13, -20.7, 56.81

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 0 / 50 / 25 / 4

HEX #F47AB7

RGB 244 122 183

HSL 330, 0.85%, 0.72%

LAB 66.95, 53.5, -10.32

 

CMYK 25 / 0 / 50 / 4

HEX #B7F47A

RGB 183 244 122

HSL 90, 0.85%, 0.72%

LAB 89.94, -38.99, 52.23

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 0 / 25 / 50 / 4

HEX #F4B77A

RGB 244 183 122

HSL 30, 0.85%, 0.72%

LAB 78.76, 15.07, 39.47

 

CMYK 35 / 0 / 50 / 4

HEX #9FF47A

RGB 159 244 122

HSL 101.8, 0.85%, 0.72%

LAB 88.67, -47.12, 50.4

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F4

RGB 122 183 244

HSL 210, 0.85%, 0.72%

LAB 72.59, -3.16, -36.35

 

CMYK 0 / 50 / 0 / 4

HEX #F47AF4

RGB 244 122 244

HSL 300, 0.85%, 0.72%

LAB 69.24, 62.91, -40.76

 

CMYK 0 / 25 / 50 / 4

HEX #F4B77A

RGB 244 183 122

HSL 30, 0.85%, 0.72%

LAB 78.76, 15.07, 39.47

 

CMYK 50 / 0 / 50 / 4

HEX #7AF47A

RGB 122 244 122

HSL 120, 0.85%, 0.72%

LAB 87.12, -58, 48.14

 

Description

Color code: HEX #7AB7F4 | qconv.com Color code: HEX #7AB7F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 183 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 183 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 25 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 25% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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