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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AAD42 it is the complementary color #8552BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AAD42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AAD42 shade: #7FAD3D, #90BF50, #A1D163, #B2E376 and #C3F589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AAD42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AAD42 shade: #7AAD42, #699B2F, #58891C, #477709 and #366500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AAD42 shade: #7AAD41, #97AD41, #ADA741, #AD8941 and #AD6C41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AAD42 shade: #7AAD41, #5DAD41, #41AD43, #41AD60 and #41AD7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AAD42 shade matches the following richer shades: #7AAD41, #7BC12E, #7CD41B and #7DE707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AAD42 shade: #7AAD41, #799A55, #788668, #77737C and #76608F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AAD42 shade: #ADA641, #98AD41, #7BAD41, #5EAD41 and #41AD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AAD42 shade: #50712B, #658F36, #7AAD41, #8EC058 and #A3CB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AAD42 shade: #7AAD42, #41AD89 and #AD41A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AAD42 shade: #7AAD42, #417BAD and #AD417B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AAD42 shade: #7AAD42, #41AD89, #7441AD and #AD4165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AAD42 shade: #7AAD42, #41ADAA, #7441AD and #AD4145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

Complementary color

CMYK 30 / 57 / 0 / 26

HEX #8552BD

RGB 133 82 189

HSL 268.6, 0.45%, 0.53%

LAB 45.21, 42.56, -48.58

 

CMYK 27 / 0 / 65 / 32

HEX #7FAD3D

RGB 127 173 61

HSL 84.64, 0.48%, 0.46%

LAB 65.54, -33.1, 50.88

 

CMYK 25 / 0 / 58 / 25

HEX #90BF50

RGB 144 191 80

HSL 85.41, 0.46%, 0.53%

LAB 72.07, -33.32, 50.02

 

CMYK 23 / 0 / 53 / 18

HEX #A1D163

RGB 161 209 99

HSL 86.18, 0.54%, 0.6%

LAB 78.51, -33.45, 48.98

 

CMYK 22 / 0 / 48 / 11

HEX #B2E376

RGB 178 227 118

HSL 86.97, 0.66%, 0.68%

LAB 84.85, -33.5, 47.86

 

CMYK 20 / 0 / 44 / 4

HEX #C3F589

RGB 195 245 137

HSL 87.78, 0.84%, 0.75%

LAB 91.1, -33.52, 46.73

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

CMYK 32 / 0 / 70 / 39

HEX #699B2F

RGB 105 155 47

HSL 87.78, 0.53%, 0.4%

LAB 58.65, -34.32, 49.04

 

CMYK 36 / 0 / 80 / 46

HEX #58891C

RGB 88 137 28

HSL 86.97, 0.66%, 0.32%

LAB 51.89, -33.85, 49.09

 

CMYK 40 / 0 / 92 / 53

HEX #477709

RGB 71 119 9

HSL 86.18, 0.86%, 0.25%

LAB 45.02, -33.06, 47.75

 

CMYK 47 / 0 / 100 / 60

HEX #366500

RGB 54 101 0

HSL 87.92, 1%, 0.2%

LAB 38.01, -31.78, 43.9

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD41

RGB 122 173 65

HSL 88.33, 0.45%, 0.47%

LAB 65.28, -34.67, 48.78

 

CMYK 13 / 0 / 62 / 32

HEX #97AD41

RGB 151 173 65

HSL 72.22, 0.45%, 0.47%

LAB 67.16, -23.17, 51.37

 

CMYK 0 / 3 / 62 / 32

HEX #ADA741

RGB 173 167 65

HSL 56.67, 0.45%, 0.47%

LAB 67.2, -10.78, 51.92

 

CMYK 0 / 21 / 62 / 32

HEX #AD8941

RGB 173 137 65

HSL 40, 0.45%, 0.47%

LAB 59.12, 5.43, 43

 

CMYK 0 / 38 / 62 / 32

HEX #AD6C41

RGB 173 108 65

HSL 23.89, 0.45%, 0.47%

LAB 51.83, 21.69, 34.53

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD41

RGB 122 173 65

HSL 88.33, 0.45%, 0.47%

LAB 65.28, -34.67, 48.78

 

CMYK 46 / 0 / 62 / 32

HEX #5DAD41

RGB 93 173 65

HSL 104.44, 0.45%, 0.47%

LAB 63.83, -44.68, 46.76

 

CMYK 62 / 0 / 61 / 32

HEX #41AD43

RGB 65 173 67

HSL 121.11, 0.45%, 0.47%

LAB 62.86, -52.05, 44.48

 

CMYK 62 / 0 / 45 / 32

HEX #41AD60

RGB 65 173 96

HSL 137.22, 0.45%, 0.47%

LAB 63.22, -47.93, 30.61

 

CMYK 62 / 0 / 28 / 32

HEX #41AD7D

RGB 65 173 125

HSL 153.33, 0.45%, 0.47%

LAB 63.75, -42.31, 15.72

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD41

RGB 122 173 65

HSL 88.33, 0.45%, 0.47%

LAB 65.28, -34.67, 48.78

 

CMYK 36 / 0 / 76 / 24

HEX #7BC12E

RGB 123 193 46

HSL 88.57, 0.62%, 0.47%

LAB 71.25, -44.44, 62.23

 

CMYK 42 / 0 / 87 / 17

HEX #7CD41B

RGB 124 212 27

HSL 88.54, 0.77%, 0.47%

LAB 76.95, -52.62, 72.25

 

CMYK 46 / 0 / 97 / 9

HEX #7DE707

RGB 125 231 7

HSL 88.39, 0.94%, 0.47%

LAB 82.66, -59.95, 79.5

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD41

RGB 122 173 65

HSL 88.33, 0.45%, 0.47%

LAB 65.28, -34.67, 48.78

 

CMYK 21 / 0 / 45 / 40

HEX #799A55

RGB 121 154 85

HSL 88.7, 0.29%, 0.47%

LAB 59.74, -23.79, 32.46

 

CMYK 10 / 0 / 22 / 47

HEX #788668

RGB 120 134 104

HSL 88, 0.13%, 0.47%

LAB 54.07, -10.87, 14.48

 

CMYK 4 / 7 / 0 / 51

HEX #77737C

RGB 119 115 124

HSL 266.67, 0.04%, 0.47%

LAB 49.05, 3.37, -4.4

 

CMYK 17 / 33 / 0 / 44

HEX #76608F

RGB 118 96 143

HSL 268.09, 0.2%, 0.47%

LAB 44.52, 18.7, -22.62

 

CMYK 0 / 4 / 62 / 32

HEX #ADA641

RGB 173 166 65

HSL 56.11, 0.45%, 0.47%

LAB 66.93, -10.26, 51.63

 

CMYK 12 / 0 / 62 / 32

HEX #98AD41

RGB 152 173 65

HSL 71.67, 0.45%, 0.47%

LAB 67.24, -22.76, 51.47

 

CMYK 29 / 0 / 62 / 32

HEX #7BAD41

RGB 123 173 65

HSL 87.78, 0.45%, 0.47%

LAB 65.34, -34.29, 48.86

 

CMYK 46 / 0 / 62 / 32

HEX #5EAD41

RGB 94 173 65

HSL 103.89, 0.45%, 0.47%

LAB 63.88, -44.37, 46.82

 

CMYK 62 / 0 / 62 / 32

HEX #41AD41

RGB 65 173 65

HSL 120, 0.45%, 0.47%

LAB 62.84, -52.27, 45.37

 

CMYK 29 / 0 / 62 / 56

HEX #50712B

RGB 80 113 43

HSL 88.29, 0.45%, 0.31%

LAB 43.79, -24.44, 34.35

 

CMYK 29 / 0 / 62 / 44

HEX #658F36

RGB 101 143 54

HSL 88.31, 0.45%, 0.39%

LAB 54.74, -29.67, 41.72

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD41

RGB 122 173 65

HSL 88.33, 0.45%, 0.47%

LAB 65.28, -34.67, 48.78

 

CMYK 26 / 0 / 54 / 25

HEX #8EC058

RGB 142 192 88

HSL 88.85, 0.45%, 0.55%

LAB 72.33, -33.75, 46.58

 

CMYK 20 / 0 / 42 / 20

HEX #A3CB76

RGB 163 203 118

HSL 88.24, 0.45%, 0.63%

LAB 77.16, -27.72, 38.09

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 0 / 62 / 4 / 32

HEX #AD41A6

RGB 173 65 166

HSL 303.89, 0.45%, 0.47%

LAB 46.2, 56.49, -33.17

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

CMYK 62 / 29 / 0 / 32

HEX #417BAD

RGB 65 123 173

HSL 207.78, 0.45%, 0.47%

LAB 49.87, -3.27, -32.24

 

CMYK 0 / 62 / 29 / 32

HEX #AD417B

RGB 173 65 123

HSL 327.78, 0.45%, 0.47%

LAB 44.37, 50, -10.1

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 33 / 62 / 0 / 32

HEX #7441AD

RGB 116 65 173

HSL 268.33, 0.45%, 0.47%

LAB 38.74, 43.72, -49.67

 

CMYK 0 / 62 / 42 / 32

HEX #AD4165

RGB 173 65 101

HSL 340, 0.45%, 0.47%

LAB 43.66, 47.37, 2.39

 

CMYK 29 / 0 / 62 / 32

HEX #7AAD42

RGB 122 173 66

HSL 88.6, 0.45%, 0.47%

LAB 65.29, -34.58, 48.34

 

CMYK 62 / 0 / 2 / 32

HEX #41ADAA

RGB 65 173 170

HSL 178.33, 0.45%, 0.47%

LAB 64.89, -30.99, -7.59

 

CMYK 33 / 62 / 0 / 32

HEX #7441AD

RGB 116 65 173

HSL 268.33, 0.45%, 0.47%

LAB 38.74, 43.72, -49.67

 

CMYK 0 / 62 / 60 / 32

HEX #AD4145

RGB 173 65 69

HSL 357.78, 0.45%, 0.47%

LAB 42.91, 44.47, 21.09

 

Description

Color code: HEX #7AAD42 | qconv.com Color code: HEX #7AAD42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 173 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 173 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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