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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AA1CC it is the complementary color #855E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AA1CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AA1CC shade: #7FA1C7, #90B3DA, #A1C5ED, #B2D7FF and #C3E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AA1CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AA1CC shade: #7AA1CC, #698FB9, #587DA6, #476B93 and #365980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AA1CC shade: #79A1CC, #798ACC, #7F79CC, #9579CC and #AB79CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AA1CC shade: #79A1CC, #798ACC and #7979CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AA1CC shade matches the following richer shades: #79A1CC, #6BA0DB, #5C9FEA and #4D9FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AA1CC shade: #79A1CC, #88A1BD, #97A2AE, #A6A39F and #B5A491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AA1CC shade: #79CCCB, #79B7CC, #79A1CC, #798BCC and #7E79CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AA1CC shade: #4377B0, #5B8CC1, #79A1CC, #97B6D7 and #B5CBE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AA1CC shade: #7AA1CC, #B579CC and #C2CC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AA1CC shade: #7AA1CC, #CC79A1 and #A1CC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AA1CC shade: #7AA1CC, #B579CC, #CCA479 and #91CC79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AA1CC shade: #7AA1CC, #CC79CB, #CCA479 and #79CC7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

Complementary color

CMYK 0 / 29 / 62 / 48

HEX #855E33

RGB 133 94 51

HSL 31.46, 0.45%, 0.36%

LAB 43.11, 10.98, 30.61

 

CMYK 36 / 19 / 0 / 22

HEX #7FA1C7

RGB 127 161 199

HSL 211.67, 0.39%, 0.64%

LAB 65.06, -2.27, -23.24

 

CMYK 34 / 18 / 0 / 15

HEX #90B3DA

RGB 144 179 218

HSL 211.62, 0.5%, 0.71%

LAB 71.71, -2.51, -23.46

 

CMYK 32 / 17 / 0 / 7

HEX #A1C5ED

RGB 161 197 237

HSL 211.58, 0.68%, 0.78%

LAB 78.24, -2.72, -23.7

 

CMYK 30 / 16 / 0 / 0

HEX #B2D7FF

RGB 178 215 255

HSL 211.17, 1%, 0.85%

LAB 84.63, -3.15, -23.47

 

CMYK 24 / 9 / 0 / 0

HEX #C3E9FF

RGB 195 233 255

HSL 202, 1%, 0.88%

LAB 90.37, -7.61, -14.71

 

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

CMYK 43 / 23 / 0 / 27

HEX #698FB9

RGB 105 143 185

HSL 211.5, 0.36%, 0.57%

LAB 58.18, -1.94, -26.05

 

CMYK 47 / 25 / 0 / 35

HEX #587DA6

RGB 88 125 166

HSL 211.54, 0.31%, 0.5%

LAB 51.26, -1.51, -25.92

 

CMYK 52 / 27 / 0 / 42

HEX #476B93

RGB 71 107 147

HSL 211.58, 0.35%, 0.43%

LAB 44.18, -0.96, -25.82

 

CMYK 58 / 30 / 0 / 50

HEX #365980

RGB 54 89 128

HSL 211.62, 0.41%, 0.36%

LAB 36.91, -0.23, -25.75

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 41 / 32 / 0 / 20

HEX #798ACC

RGB 121 138 204

HSL 227.71, 0.45%, 0.64%

LAB 58.6, 10.62, -36.06

 

CMYK 38 / 41 / 0 / 20

HEX #7F79CC

RGB 127 121 204

HSL 244.34, 0.45%, 0.64%

LAB 54.6, 22.28, -42.32

 

CMYK 27 / 41 / 0 / 20

HEX #9579CC

RGB 149 121 204

HSL 260.24, 0.45%, 0.64%

LAB 56.51, 28.38, -39.18

 

CMYK 16 / 41 / 0 / 20

HEX #AB79CC

RGB 171 121 204

HSL 276.14, 0.45%, 0.64%

LAB 58.69, 34.84, -35.61

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 41 / 32 / 0 / 20

HEX #798ACC

RGB 121 138 204

HSL 227.71, 0.45%, 0.64%

LAB 58.6, 10.62, -36.06

 

CMYK 41 / 41 / 0 / 20

HEX #7979CC

RGB 121 121 204

HSL 240, 0.45%, 0.64%

LAB 54.13, 20.7, -43.09

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 51 / 27 / 0 / 14

HEX #6BA0DB

RGB 107 160 219

HSL 211.61, 0.61%, 0.64%

LAB 64.47, -1.13, -35.35

 

CMYK 61 / 32 / 0 / 8

HEX #5C9FEA

RGB 92 159 234

HSL 211.69, 0.77%, 0.64%

LAB 64.17, 1.05, -44.14

 

CMYK 69 / 36 / 0 / 2

HEX #4D9FF9

RGB 77 159 249

HSL 211.4, 0.93%, 0.64%

LAB 64.33, 3.58, -52.15

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 28 / 15 / 0 / 26

HEX #88A1BD

RGB 136 161 189

HSL 211.7, 0.29%, 0.64%

LAB 65.28, -2.2, -17.28

 

CMYK 13 / 7 / 0 / 32

HEX #97A2AE

RGB 151 162 174

HSL 211.3, 0.12%, 0.64%

LAB 66.12, -1.39, -7.54

 

CMYK 0 / 2 / 4 / 35

HEX #A6A39F

RGB 166 163 159

HSL 34.29, 0.04%, 0.64%

LAB 67.13, 0.34, 2.45

 

CMYK 0 / 9 / 20 / 29

HEX #B5A491

RGB 181 164 145

HSL 31.67, 0.2%, 0.64%

LAB 68.33, 3.05, 12.1

 

CMYK 41 / 0 / 0 / 20

HEX #79CCCB

RGB 121 204 203

HSL 179.28, 0.45%, 0.64%

LAB 77.02, -25.44, -7.45

 

CMYK 41 / 10 / 0 / 20

HEX #79B7CC

RGB 121 183 204

HSL 195.18, 0.45%, 0.64%

LAB 71.07, -14.49, -16.89

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 41 / 32 / 0 / 20

HEX #798BCC

RGB 121 139 204

HSL 226.99, 0.45%, 0.64%

LAB 58.87, 10.03, -35.64

 

CMYK 38 / 41 / 0 / 20

HEX #7E79CC

RGB 126 121 204

HSL 243.61, 0.45%, 0.64%

LAB 54.52, 22.01, -42.45

 

CMYK 62 / 32 / 0 / 31

HEX #4377B0

RGB 67 119 176

HSL 211.38, 0.45%, 0.48%

LAB 48.91, 0.53, -35.47

 

CMYK 53 / 27 / 0 / 24

HEX #5B8CC1

RGB 91 140 193

HSL 211.18, 0.45%, 0.56%

LAB 56.91, -1.26, -32.62

 

CMYK 41 / 21 / 0 / 20

HEX #79A1CC

RGB 121 161 204

HSL 211.08, 0.45%, 0.64%

LAB 64.89, -2.56, -26.31

 

CMYK 30 / 15 / 0 / 16

HEX #97B6D7

RGB 151 182 215

HSL 210.94, 0.44%, 0.72%

LAB 72.85, -2.89, -20.04

 

CMYK 20 / 11 / 0 / 11

HEX #B5CBE3

RGB 181 203 227

HSL 211.3, 0.45%, 0.8%

LAB 80.78, -2.35, -14.37

 

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

CMYK 11 / 41 / 0 / 20

HEX #B579CC

RGB 181 121 204

HSL 283.37, 0.45%, 0.64%

LAB 59.76, 37.85, -33.86

 

CMYK 5 / 0 / 41 / 20

HEX #C2CC79

RGB 194 204 121

HSL 67.23, 0.45%, 0.64%

LAB 79.63, -16.01, 40.15

 

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

CMYK 0 / 41 / 21 / 20

HEX #CC79A1

RGB 204 121 161

HSL 331.08, 0.45%, 0.64%

LAB 60.86, 37.62, -7.46

 

CMYK 21 / 0 / 41 / 20

HEX #A1CC79

RGB 161 204 121

HSL 91.08, 0.45%, 0.64%

LAB 77.37, -28.55, 36.8

 

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

CMYK 11 / 41 / 0 / 20

HEX #B579CC

RGB 181 121 204

HSL 283.37, 0.45%, 0.64%

LAB 59.76, 37.85, -33.86

 

CMYK 0 / 20 / 41 / 20

HEX #CCA479

RGB 204 164 121

HSL 31.08, 0.45%, 0.64%

LAB 70.01, 8.96, 27.88

 

CMYK 29 / 0 / 41 / 20

HEX #91CC79

RGB 145 204 121

HSL 102.65, 0.45%, 0.64%

LAB 76.43, -34.23, 35.41

 

CMYK 40 / 21 / 0 / 20

HEX #7AA1CC

RGB 122 161 204

HSL 211.46, 0.45%, 0.64%

LAB 64.95, -2.3, -26.21

 

CMYK 0 / 41 / 0 / 20

HEX #CC79CB

RGB 204 121 203

HSL 300.72, 0.45%, 0.64%

LAB 62.36, 44.65, -29.06

 

CMYK 0 / 20 / 41 / 20

HEX #CCA479

RGB 204 164 121

HSL 31.08, 0.45%, 0.64%

LAB 70.01, 8.96, 27.88

 

CMYK 41 / 0 / 40 / 20

HEX #79CC7B

RGB 121 204 123

HSL 121.45, 0.45%, 0.64%

LAB 75.25, -41.72, 32.63

 

Description

Color code: HEX #7AA1CC | qconv.com Color code: HEX #7AA1CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 161 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 161 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 21 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 21% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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