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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8FDF it is the complementary color #857020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8FDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8FDF shade: #7F8FDA, #90A1ED, #A1B3FF, #B2C5FF and #C3D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8FDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8FDF shade: #7A8FDF, #697DCC, #586BB9, #4759A6 and #364793

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8FDF shade: #7B90DF, #817BDF, #9C7BDF, #B77BDF and #D27BDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8FDF shade: #7B90DF and #7B7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8FDF shade matches the following richer shades: #7B90DF, #6E88EC and #6180F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8FDF shade: #7B90DF, #8898D1, #969FC4, #A3A7B7 and #B0AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8FDF shade: #7BC6DF, #7BABDF, #7B91DF, #807BDF and #9B7BDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8FDF shade: #3958CF, #5A74D7, #7B90DF, #9CACE7 and #BEC8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8FDF shade: #7A8FDF, #DD7BDF and #B9DF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8FDF shade: #7A8FDF, #DF7B91 and #91DF7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8FDF shade: #7A8FDF, #DD7BDF, #DFC97B and #7DDF7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8FDF shade: #7A8FDF, #DF7BC2, #DFC97B and #7BDF97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

Complementary color

CMYK 0 / 16 / 76 / 48

HEX #857020

RGB 133 112 32

HSL 47.52, 0.61%, 0.32%

LAB 47.85, -0.73, 44.98

 

CMYK 42 / 34 / 0 / 15

HEX #7F8FDA

RGB 127 143 218

HSL 229.45, 0.55%, 0.68%

LAB 60.97, 13.24, -40.17

 

CMYK 39 / 32 / 0 / 7

HEX #90A1ED

RGB 144 161 237

HSL 229.03, 0.72%, 0.75%

LAB 67.68, 12.56, -40.09

 

CMYK 37 / 30 / 0 / 0

HEX #A1B3FF

RGB 161 179 255

HSL 228.51, 1%, 0.82%

LAB 74.21, 11.71, -39.58

 

CMYK 30 / 23 / 0 / 0

HEX #B2C5FF

RGB 178 197 255

HSL 225.19, 1%, 0.85%

LAB 79.96, 6.47, -30.6

 

CMYK 24 / 16 / 0 / 0

HEX #C3D7FF

RGB 195 215 255

HSL 220, 1%, 0.88%

LAB 85.72, 1.75, -21.72

 

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

CMYK 49 / 39 / 0 / 20

HEX #697DCC

RGB 105 125 204

HSL 227.88, 0.49%, 0.61%

LAB 54.06, 14.31, -43.28

 

CMYK 52 / 42 / 0 / 27

HEX #586BB9

RGB 88 107 185

HSL 228.25, 0.41%, 0.54%

LAB 47.1, 15.37, -43.49

 

CMYK 57 / 46 / 0 / 35

HEX #4759A6

RGB 71 89 166

HSL 228.63, 0.4%, 0.46%

LAB 39.98, 16.69, -43.75

 

CMYK 63 / 52 / 0 / 42

HEX #364793

RGB 54 71 147

HSL 229.03, 0.46%, 0.39%

LAB 32.69, 18.35, -44.06

 

CMYK 45 / 35 / 0 / 13

HEX #7B90DF

RGB 123 144 223

HSL 227.4, 0.61%, 0.68%

LAB 61.21, 13.08, -42.6

 

CMYK 42 / 45 / 0 / 13

HEX #817BDF

RGB 129 123 223

HSL 243.6, 0.61%, 0.68%

LAB 56.25, 26.94, -50.42

 

CMYK 30 / 45 / 0 / 13

HEX #9C7BDF

RGB 156 123 223

HSL 259.8, 0.61%, 0.68%

LAB 58.57, 33.92, -46.6

 

CMYK 18 / 45 / 0 / 13

HEX #B77BDF

RGB 183 123 223

HSL 276, 0.61%, 0.68%

LAB 61.27, 41.4, -42.15

 

CMYK 6 / 45 / 0 / 13

HEX #D27BDF

RGB 210 123 223

HSL 292.2, 0.61%, 0.68%

LAB 64.32, 49.13, -37.16

 

CMYK 45 / 35 / 0 / 13

HEX #7B90DF

RGB 123 144 223

HSL 227.4, 0.61%, 0.68%

LAB 61.21, 13.08, -42.6

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 45 / 35 / 0 / 13

HEX #7B90DF

RGB 123 144 223

HSL 227.4, 0.61%, 0.68%

LAB 61.21, 13.08, -42.6

 

CMYK 53 / 42 / 0 / 7

HEX #6E88EC

RGB 110 136 236

HSL 227.62, 0.77%, 0.68%

LAB 58.96, 18.76, -53.44

 

CMYK 61 / 49 / 0 / 2

HEX #6180F9

RGB 97 128 249

HSL 227.76, 0.93%, 0.68%

LAB 56.9, 25.26, -63.97

 

CMYK 45 / 35 / 0 / 13

HEX #7B90DF

RGB 123 144 223

HSL 227.4, 0.61%, 0.68%

LAB 61.21, 13.08, -42.6

 

CMYK 35 / 27 / 0 / 18

HEX #8898D1

RGB 136 152 209

HSL 226.85, 0.44%, 0.68%

LAB 63.59, 7.99, -31.03

 

CMYK 23 / 19 / 0 / 23

HEX #969FC4

RGB 150 159 196

HSL 228.26, 0.28%, 0.68%

LAB 65.96, 4.92, -20.07

 

CMYK 11 / 9 / 0 / 28

HEX #A3A7B7

RGB 163 167 183

HSL 228, 0.12%, 0.68%

LAB 68.64, 1.81, -8.7

 

CMYK 0 / 1 / 3 / 31

HEX #B0AFAA

RGB 176 175 170

HSL 50, 0.04%, 0.68%

LAB 71.41, -0.56, 2.68

 

CMYK 45 / 11 / 0 / 13

HEX #7BC6DF

RGB 123 198 223

HSL 195, 0.61%, 0.68%

LAB 76.02, -16.78, -19.72

 

CMYK 45 / 23 / 0 / 13

HEX #7BABDF

RGB 123 171 223

HSL 211.2, 0.61%, 0.68%

LAB 68.51, -2.32, -31.22

 

CMYK 45 / 35 / 0 / 13

HEX #7B91DF

RGB 123 145 223

HSL 226.8, 0.61%, 0.68%

LAB 61.47, 12.5, -42.19

 

CMYK 43 / 45 / 0 / 13

HEX #807BDF

RGB 128 123 223

HSL 243, 0.61%, 0.68%

LAB 56.17, 26.7, -50.55

 

CMYK 30 / 45 / 0 / 13

HEX #9B7BDF

RGB 155 123 223

HSL 259.2, 0.61%, 0.68%

LAB 58.47, 33.65, -46.75

 

CMYK 72 / 57 / 0 / 19

HEX #3958CF

RGB 57 88 207

HSL 227.6, 0.61%, 0.52%

LAB 41.77, 29.56, -64.86

 

CMYK 58 / 46 / 0 / 16

HEX #5A74D7

RGB 90 116 215

HSL 227.52, 0.61%, 0.6%

LAB 51.35, 20.05, -53.88

 

CMYK 45 / 35 / 0 / 13

HEX #7B90DF

RGB 123 144 223

HSL 227.4, 0.61%, 0.68%

LAB 61.21, 13.08, -42.6

 

CMYK 32 / 26 / 0 / 9

HEX #9CACE7

RGB 156 172 231

HSL 227.2, 0.61%, 0.76%

LAB 71.11, 8.04, -31.42

 

CMYK 21 / 16 / 0 / 6

HEX #BEC8EF

RGB 190 200 239

HSL 227.76, 0.6%, 0.84%

LAB 81.01, 4.66, -20.39

 

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

CMYK 1 / 45 / 0 / 13

HEX #DD7BDF

RGB 221 123 223

HSL 298.8, 0.61%, 0.68%

LAB 65.64, 52.31, -34.99

 

CMYK 17 / 0 / 45 / 13

HEX #B9DF7B

RGB 185 223 123

HSL 82.8, 0.61%, 0.68%

LAB 84.24, -28.5, 44.8

 

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

CMYK 0 / 45 / 35 / 13

HEX #DF7B91

RGB 223 123 145

HSL 346.8, 0.61%, 0.68%

LAB 63.26, 41.09, 5.51

 

CMYK 35 / 0 / 45 / 13

HEX #91DF7B

RGB 145 223 123

HSL 106.8, 0.61%, 0.68%

LAB 81.96, -42.5, 41.46

 

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

CMYK 1 / 45 / 0 / 13

HEX #DD7BDF

RGB 221 123 223

HSL 298.8, 0.61%, 0.68%

LAB 65.64, 52.31, -34.99

 

CMYK 0 / 10 / 45 / 13

HEX #DFC97B

RGB 223 201 123

HSL 46.8, 0.61%, 0.68%

LAB 81.23, -2.72, 41.66

 

CMYK 44 / 0 / 45 / 13

HEX #7DDF7B

RGB 125 223 123

HSL 118.8, 0.61%, 0.68%

LAB 81.05, -48.63, 40.12

 

CMYK 45 / 36 / 0 / 13

HEX #7A8FDF

RGB 122 143 223

HSL 227.52, 0.61%, 0.68%

LAB 60.88, 13.42, -43.12

 

CMYK 0 / 45 / 13 / 13

HEX #DF7BC2

RGB 223 123 194

HSL 317.4, 0.61%, 0.68%

LAB 64.76, 47.98, -20.1

 

CMYK 0 / 10 / 45 / 13

HEX #DFC97B

RGB 223 201 123

HSL 46.8, 0.61%, 0.68%

LAB 81.23, -2.72, 41.66

 

CMYK 45 / 0 / 32 / 13

HEX #7BDF97

RGB 123 223 151

HSL 136.8, 0.61%, 0.68%

LAB 81.41, -44.75, 26.41

 

Description

Color code: HEX #7A8FDF | qconv.com Color code: HEX #7A8FDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 143 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 143 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 36 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 36% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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