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Color name
HEX #7A7D2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A7D2B it is the complementary color #8582D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A7D2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A7D2B shade: #7F7D26, #908F39, #A1A14C, #B2B35F and #C3C572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A7D2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A7D2B shade: #7A7D2B, #696B18, #585905, #474700 and #363500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A7D2B shade: #7A7D2A, #7D6A2A, #7D532A, #7D3D2A and #7D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A7D2B shade: #7A7D2A, #647D2A, #4D7D2A, #377D2A and #2A7D34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A7D2B shade matches the following richer shades: #7A7D2A, #868A1D, #93980F and #A0A602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A7D2B shade: #7A7D2A, #6D6F38, #616246, #545453 and #474661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A7D2B shade: #7D542A, #7D6A2A, #7A7D2A, #647D2A and #4E7D2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A7D2B shade: #3E3F15, #5C5E20, #7A7D2A, #989C35 and #B6BA3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A7D2B shade: #7A7D2B, #2A7D3E and #5F2A7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A7D2B shade: #7A7D2B, #2A7A7D and #7D2A7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A7D2B shade: #7A7D2B, #2A7D3E, #2D2A7D and #7D2A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A7D2B shade: #7A7D2B, #2A7D56, #2D2A7D and #7D2A51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

Complementary color

CMYK 37 / 39 / 0 / 17

HEX #8582D4

RGB 133 130 212

HSL 242.2, 0.49%, 0.67%

LAB 57.76, 20.77, -41.83

 

CMYK 0 / 2 / 70 / 50

HEX #7F7D26

RGB 127 125 38

HSL 58.65, 0.54%, 0.32%

LAB 51.06, -10.48, 45.48

 

CMYK 0 / 1 / 60 / 44

HEX #908F39

RGB 144 143 57

HSL 59.31, 0.43%, 0.39%

LAB 57.91, -11.3, 44.72

 

CMYK 0 / 0 / 53 / 37

HEX #A1A14C

RGB 161 161 76

HSL 60, 0.36%, 0.46%

LAB 64.63, -11.94, 43.66

 

CMYK 1 / 0 / 47 / 30

HEX #B2B35F

RGB 178 179 95

HSL 60.71, 0.36%, 0.54%

LAB 71.24, -12.43, 42.48

 

CMYK 1 / 0 / 42 / 23

HEX #C3C572

RGB 195 197 114

HSL 61.45, 0.42%, 0.61%

LAB 77.73, -12.83, 41.29

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 2 / 0 / 78 / 58

HEX #696B18

RGB 105 107 24

HSL 61.45, 0.63%, 0.26%

LAB 43.63, -11.55, 43.13

 

CMYK 1 / 0 / 94 / 65

HEX #585905

RGB 88 89 5

HSL 60.71, 0.89%, 0.18%

LAB 36.42, -10.33, 42.19

 

CMYK 0 / 0 / 100 / 72

HEX #474700

RGB 71 71 0

HSL 60, 1%, 0.14%

LAB 29.02, -8.58, 37.55

 

CMYK 0 / 2 / 100 / 79

HEX #363500

RGB 54 53 0

HSL 58.89, 1%, 0.11%

LAB 21.32, -6.55, 29.67

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 0 / 15 / 66 / 51

HEX #7D6A2A

RGB 125 106 42

HSL 46.27, 0.5%, 0.33%

LAB 45.41, -0.45, 37.69

 

CMYK 0 / 34 / 66 / 51

HEX #7D532A

RGB 125 83 42

HSL 29.64, 0.5%, 0.33%

LAB 39.09, 13.14, 30.63

 

CMYK 0 / 51 / 66 / 51

HEX #7D3D2A

RGB 125 61 42

HSL 13.73, 0.5%, 0.33%

LAB 33.7, 26.03, 24.27

 

CMYK 0 / 66 / 66 / 51

HEX #7D2A2A

RGB 125 42 42

HSL 0, 0.5%, 0.33%

LAB 29.87, 35.97, 19.55

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 20 / 0 / 66 / 51

HEX #647D2A

RGB 100 125 42

HSL 78.07, 0.5%, 0.33%

LAB 48.94, -22.24, 40.87

 

CMYK 38 / 0 / 66 / 51

HEX #4D7D2A

RGB 77 125 42

HSL 94.7, 0.5%, 0.33%

LAB 47.51, -31.49, 38.91

 

CMYK 56 / 0 / 66 / 51

HEX #377D2A

RGB 55 125 42

HSL 110.6, 0.5%, 0.33%

LAB 46.51, -38.8, 37.52

 

CMYK 66 / 0 / 58 / 51

HEX #2A7D34

RGB 42 125 52

HSL 127.23, 0.5%, 0.33%

LAB 46.19, -40.93, 32.17

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 3 / 0 / 79 / 46

HEX #868A1D

RGB 134 138 29

HSL 62.2, 0.65%, 0.33%

LAB 55.41, -14.74, 53.18

 

CMYK 3 / 0 / 90 / 40

HEX #93980F

RGB 147 152 15

HSL 62.19, 0.82%, 0.33%

LAB 60.51, -16.65, 61.46

 

CMYK 4 / 0 / 99 / 35

HEX #A0A602

RGB 160 166 2

HSL 62.2, 0.98%, 0.33%

LAB 65.55, -18.26, 67.67

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 2 / 0 / 50 / 56

HEX #6D6F38

RGB 109 111 56

HSL 62.18, 0.33%, 0.33%

LAB 45.5, -9.46, 30.15

 

CMYK 1 / 0 / 29 / 62

HEX #616246

RGB 97 98 70

HSL 62.14, 0.17%, 0.33%

LAB 40.77, -5.51, 15.86

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 27 / 28 / 0 / 62

HEX #474661

RGB 71 70 97

HSL 242.22, 0.16%, 0.33%

LAB 30.84, 7.16, -15.7

 

CMYK 0 / 33 / 66 / 51

HEX #7D542A

RGB 125 84 42

HSL 30.36, 0.5%, 0.33%

LAB 39.36, 12.54, 30.94

 

CMYK 0 / 15 / 66 / 51

HEX #7D6A2A

RGB 125 106 42

HSL 46.27, 0.5%, 0.33%

LAB 45.41, -0.45, 37.69

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 20 / 0 / 66 / 51

HEX #647D2A

RGB 100 125 42

HSL 78.07, 0.5%, 0.33%

LAB 48.94, -22.24, 40.87

 

CMYK 38 / 0 / 66 / 51

HEX #4E7D2A

RGB 78 125 42

HSL 93.98, 0.5%, 0.33%

LAB 47.56, -31.11, 38.98

 

CMYK 2 / 0 / 67 / 75

HEX #3E3F15

RGB 62 63 21

HSL 61.43, 0.5%, 0.16%

LAB 25.66, -7.14, 25

 

CMYK 2 / 0 / 66 / 63

HEX #5C5E20

RGB 92 94 32

HSL 61.94, 0.49%, 0.25%

LAB 38.52, -9.88, 34.19

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2A

RGB 122 125 42

HSL 62.17, 0.5%, 0.33%

LAB 50.65, -12.51, 43.2

 

CMYK 3 / 0 / 66 / 39

HEX #989C35

RGB 152 156 53

HSL 62.33, 0.49%, 0.41%

LAB 62.26, -14.94, 51.33

 

CMYK 2 / 0 / 66 / 27

HEX #B6BA3F

RGB 182 186 63

HSL 61.95, 0.49%, 0.49%

LAB 73.17, -16.82, 59.25

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 66 / 0 / 50 / 51

HEX #2A7D3E

RGB 42 125 62

HSL 134.46, 0.5%, 0.33%

LAB 46.32, -39.4, 27.07

 

CMYK 24 / 66 / 0 / 51

HEX #5F2A7D

RGB 95 42 125

HSL 278.31, 0.5%, 0.33%

LAB 28.3, 39.03, -37.29

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 66 / 2 / 0 / 51

HEX #2A7A7D

RGB 42 122 125

HSL 182.17, 0.5%, 0.33%

LAB 46.83, -22.7, -8.77

 

CMYK 0 / 66 / 2 / 51

HEX #7D2A7A

RGB 125 42 122

HSL 302.17, 0.5%, 0.33%

LAB 32.75, 46.16, -28.05

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 66 / 0 / 50 / 51

HEX #2A7D3E

RGB 42 125 62

HSL 134.46, 0.5%, 0.33%

LAB 46.32, -39.4, 27.07

 

CMYK 64 / 66 / 0 / 51

HEX #2D2A7D

RGB 45 42 125

HSL 242.17, 0.5%, 0.33%

LAB 22.63, 28.17, -46.73

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 66 / 0 / 31 / 51

HEX #2A7D56

RGB 42 125 86

HSL 151.81, 0.5%, 0.33%

LAB 46.75, -34.69, 14.11

 

CMYK 64 / 66 / 0 / 51

HEX #2D2A7D

RGB 45 42 125

HSL 242.17, 0.5%, 0.33%

LAB 22.63, 28.17, -46.73

 

CMYK 0 / 66 / 35 / 51

HEX #7D2A51

RGB 125 42 81

HSL 331.81, 0.5%, 0.33%

LAB 30.9, 39.79, -4.59

 

Description

Color code: HEX #7A7D2B | qconv.com Color code: HEX #7A7D2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 125 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 125 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 66 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 66% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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