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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A70A2 it is the complementary color #858F5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A70A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A70A2 shade: #7F709D, #9082B0, #A194C3, #B2A6D6 and #C3B8E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A70A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A70A2 shade: #7A70A2, #695E8F, #584C7C, #473A69 and #362856

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A70A2 shade: #7A71A2, #8871A2, #9571A2, #A271A1 and #A27194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A70A2 shade: #7A71A2 and #7171A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A70A2 shade matches the following richer shades: #7A71A2, #6F5EB5, #644BC8, #5838DB and #4D25EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A70A2 shade: #7A71A2, #86848F, #91977C, #9DAA69 and #A8BC56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A70A2 shade: #7181A2, #7174A2, #7A71A2, #8871A2 and #9571A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A70A2 shade: #544C74, #665C8D, #7A71A2, #928AB2 and #A9A2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A70A2 shade: #7A70A2, #A2718E and #7AA271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A70A2 shade: #7A70A2, #A27A71 and #71A27A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A70A2 shade: #7A70A2, #A2718E, #98A271 and #71A284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A70A2 shade: #7A70A2, #A2717F, #98A271 and #71A293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

Complementary color

CMYK 7 / 0 / 35 / 44

HEX #858F5D

RGB 133 143 93

HSL 72, 0.21%, 0.46%

LAB 57.48, -12.23, 25.44

 

CMYK 19 / 29 / 0 / 38

HEX #7F709D

RGB 127 112 157

HSL 260, 0.19%, 0.53%

LAB 50.14, 15.42, -22.17

 

CMYK 18 / 26 / 0 / 31

HEX #9082B0

RGB 144 130 176

HSL 258.26, 0.23%, 0.6%

LAB 57.1, 14.88, -22.34

 

CMYK 17 / 24 / 0 / 24

HEX #A194C3

RGB 161 148 195

HSL 256.6, 0.28%, 0.67%

LAB 63.91, 14.39, -22.54

 

CMYK 17 / 22 / 0 / 16

HEX #B2A6D6

RGB 178 166 214

HSL 255, 0.37%, 0.75%

LAB 70.59, 13.95, -22.76

 

CMYK 16 / 21 / 0 / 9

HEX #C3B8E9

RGB 195 184 233

HSL 253.47, 0.53%, 0.82%

LAB 77.14, 13.55, -23

 

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

CMYK 27 / 34 / 0 / 44

HEX #695E8F

RGB 105 94 143

HSL 253.47, 0.21%, 0.46%

LAB 42.75, 15.68, -25.46

 

CMYK 29 / 39 / 0 / 51

HEX #584C7C

RGB 88 76 124

HSL 255, 0.24%, 0.39%

LAB 35.4, 16.43, -25.46

 

CMYK 32 / 45 / 0 / 59

HEX #473A69

RGB 71 58 105

HSL 256.6, 0.29%, 0.32%

LAB 27.81, 17.33, -25.54

 

CMYK 37 / 53 / 0 / 66

HEX #362856

RGB 54 40 86

HSL 258.26, 0.37%, 0.25%

LAB 19.94, 18.43, -25.7

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 16 / 30 / 0 / 36

HEX #8871A2

RGB 136 113 162

HSL 268.16, 0.21%, 0.54%

LAB 51.44, 18.97, -23.01

 

CMYK 8 / 30 / 0 / 36

HEX #9571A2

RGB 149 113 162

HSL 284.08, 0.21%, 0.54%

LAB 52.74, 23.3, -20.91

 

CMYK 0 / 30 / 1 / 36

HEX #A271A1

RGB 162 113 161

HSL 301.22, 0.21%, 0.54%

LAB 54.1, 27.51, -18.13

 

CMYK 0 / 30 / 9 / 36

HEX #A27194

RGB 162 113 148

HSL 317.14, 0.21%, 0.54%

LAB 53.63, 25.06, -11.25

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 30 / 30 / 0 / 36

HEX #7171A2

RGB 113 113 162

HSL 240, 0.21%, 0.54%

LAB 49.41, 11.62, -26.32

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 39 / 48 / 0 / 29

HEX #6F5EB5

RGB 111 94 181

HSL 251.72, 0.37%, 0.54%

LAB 45.25, 27.83, -43.99

 

CMYK 50 / 63 / 0 / 22

HEX #644BC8

RGB 100 75 200

HSL 252, 0.53%, 0.54%

LAB 41.08, 42.16, -61.82

 

CMYK 60 / 74 / 0 / 14

HEX #5838DB

RGB 88 56 219

HSL 251.78, 0.69%, 0.54%

LAB 37.87, 56.11, -78.06

 

CMYK 68 / 84 / 0 / 7

HEX #4D25EE

RGB 77 37 238

HSL 251.94, 0.86%, 0.54%

LAB 36.13, 68.46, -91.82

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 6 / 8 / 0 / 44

HEX #86848F

RGB 134 132 143

HSL 250.91, 0.05%, 0.54%

LAB 55.64, 2.97, -5.63

 

CMYK 4 / 0 / 18 / 41

HEX #91977C

RGB 145 151 124

HSL 73.33, 0.11%, 0.54%

LAB 61.31, -7.1, 13.51

 

CMYK 8 / 0 / 38 / 33

HEX #9DAA69

RGB 157 170 105

HSL 72, 0.28%, 0.54%

LAB 67.23, -15.21, 31.99

 

CMYK 11 / 0 / 54 / 26

HEX #A8BC56

RGB 168 188 86

HSL 71.76, 0.43%, 0.54%

LAB 72.87, -21.92, 48.58

 

CMYK 30 / 20 / 0 / 36

HEX #7181A2

RGB 113 129 162

HSL 220.41, 0.21%, 0.54%

LAB 53.84, 2.13, -19.51

 

CMYK 30 / 28 / 0 / 36

HEX #7174A2

RGB 113 116 162

HSL 236.33, 0.21%, 0.54%

LAB 50.23, 9.82, -25.05

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 16 / 30 / 0 / 36

HEX #8871A2

RGB 136 113 162

HSL 268.16, 0.21%, 0.54%

LAB 51.44, 18.97, -23.01

 

CMYK 8 / 30 / 0 / 36

HEX #9571A2

RGB 149 113 162

HSL 284.08, 0.21%, 0.54%

LAB 52.74, 23.3, -20.91

 

CMYK 28 / 34 / 0 / 55

HEX #544C74

RGB 84 76 116

HSL 252, 0.21%, 0.38%

LAB 34.63, 12.93, -21.72

 

CMYK 28 / 35 / 0 / 45

HEX #665C8D

RGB 102 92 141

HSL 252.24, 0.21%, 0.46%

LAB 41.85, 15.43, -25.68

 

CMYK 25 / 30 / 0 / 36

HEX #7A71A2

RGB 122 113 162

HSL 251.02, 0.21%, 0.54%

LAB 50.16, 14.43, -25.09

 

CMYK 18 / 22 / 0 / 30

HEX #928AB2

RGB 146 138 178

HSL 252, 0.21%, 0.62%

LAB 59.44, 11.37, -19.9

 

CMYK 13 / 16 / 0 / 24

HEX #A9A2C2

RGB 169 162 194

HSL 253.13, 0.21%, 0.7%

LAB 68.15, 8.91, -15.49

 

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

CMYK 0 / 30 / 12 / 36

HEX #A2718E

RGB 162 113 142

HSL 324.49, 0.21%, 0.54%

LAB 53.43, 23.99, -8.04

 

CMYK 25 / 0 / 30 / 36

HEX #7AA271

RGB 122 162 113

HSL 108.98, 0.21%, 0.54%

LAB 62.65, -23.31, 21.2

 

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

CMYK 0 / 25 / 30 / 36

HEX #A27A71

RGB 162 122 113

HSL 11.02, 0.21%, 0.54%

LAB 54.86, 14.25, 10.97

 

CMYK 30 / 0 / 25 / 36

HEX #71A27A

RGB 113 162 122

HSL 131.02, 0.21%, 0.54%

LAB 62.3, -24.83, 15.68

 

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

CMYK 0 / 30 / 12 / 36

HEX #A2718E

RGB 162 113 142

HSL 324.49, 0.21%, 0.54%

LAB 53.43, 23.99, -8.04

 

CMYK 6 / 0 / 30 / 36

HEX #98A271

RGB 152 162 113

HSL 72.24, 0.21%, 0.54%

LAB 64.73, -11.95, 24.36

 

CMYK 30 / 0 / 19 / 36

HEX #71A284

RGB 113 162 132

HSL 143.27, 0.21%, 0.54%

LAB 62.52, -22.89, 10.42

 

CMYK 25 / 31 / 0 / 36

HEX #7A70A2

RGB 122 112 162

HSL 252, 0.21%, 0.54%

LAB 49.9, 15.03, -25.5

 

CMYK 0 / 30 / 22 / 36

HEX #A2717F

RGB 162 113 127

HSL 342.86, 0.21%, 0.54%

LAB 52.98, 21.49, 0.09

 

CMYK 6 / 0 / 30 / 36

HEX #98A271

RGB 152 162 113

HSL 72.24, 0.21%, 0.54%

LAB 64.73, -11.95, 24.36

 

CMYK 30 / 0 / 9 / 36

HEX #71A293

RGB 113 162 147

HSL 161.63, 0.21%, 0.54%

LAB 62.89, -19.71, 2.55

 

Description

Color code: HEX #7A70A2 | qconv.com Color code: HEX #7A70A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 112 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 112 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 31 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 31% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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