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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A7583 it is the complementary color #858A7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A7583. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A7583 shade: #7F757E, #908791, #A199A4, #B2ABB7 and #C3BDCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A7583. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A7583 shade: #7A7583, #696370, #58515D, #473F4A and #362D37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A7583 shade: #7A7584, #7E7584, #827584, #847581 and #84757D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A7583 shade: #7A7584, #767584 and #757584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A7583 shade matches the following richer shades: #7A7584, #756198, #6F4DAC, #6938C1 and #6324D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A7583 shade: #7A7584, #808970, #869D5C, #8CB247 and #91C633

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A7583 shade: #757884, #767584, #7A7584, #7E7584 and #827584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A7583 shade: #524E58, #66626E, #7A7584, #8F8B98 and #A4A0AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A7583 shade: #7A7583, #84757C and #768475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A7583 shade: #7A7583, #847A75 and #75847A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A7583 shade: #7A7583, #84757C, #7F8475 and #75847D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A7583 shade: #7A7583, #847577, #7F8475 and #758482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

Complementary color

CMYK 4 / 0 / 10 / 46

HEX #858A7C

RGB 133 138 124

HSL 81.43, 0.06%, 0.51%

LAB 56.7, -4.53, 6.86

 

CMYK 0 / 8 / 1 / 50

HEX #7F757E

RGB 127 117 126

HSL 306, 0.04%, 0.48%

LAB 50.38, 5.6, -3.54

 

CMYK 1 / 7 / 0 / 43

HEX #908791

RGB 144 135 145

HSL 294, 0.04%, 0.55%

LAB 57.37, 5.29, -4.13

 

CMYK 2 / 7 / 0 / 36

HEX #A199A4

RGB 161 153 164

HSL 283.64, 0.06%, 0.62%

LAB 64.19, 5.01, -4.7

 

CMYK 3 / 7 / 0 / 28

HEX #B2ABB7

RGB 178 171 183

HSL 275, 0.08%, 0.69%

LAB 70.88, 4.76, -5.25

 

CMYK 3 / 6 / 0 / 21

HEX #C3BDCA

RGB 195 189 202

HSL 267.69, 0.11%, 0.77%

LAB 77.44, 4.52, -5.79

 

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

CMYK 6 / 12 / 0 / 56

HEX #696370

RGB 105 99 112

HSL 267.69, 0.06%, 0.41%

LAB 42.91, 5.09, -6.47

 

CMYK 5 / 13 / 0 / 64

HEX #58515D

RGB 88 81 93

HSL 275, 0.07%, 0.34%

LAB 35.5, 5.44, -5.95

 

CMYK 4 / 15 / 0 / 71

HEX #473F4A

RGB 71 63 74

HSL 283.64, 0.08%, 0.27%

LAB 27.82, 5.84, -5.42

 

CMYK 2 / 18 / 0 / 78

HEX #362D37

RGB 54 45 55

HSL 294, 0.1%, 0.2%

LAB 19.79, 6.33, -4.87

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 5 / 11 / 0 / 48

HEX #7E7584

RGB 126 117 132

HSL 276, 0.06%, 0.49%

LAB 50.48, 6.47, -6.95

 

CMYK 2 / 11 / 0 / 48

HEX #827584

RGB 130 117 132

HSL 292, 0.06%, 0.49%

LAB 50.84, 7.94, -6.37

 

CMYK 0 / 11 / 2 / 48

HEX #847581

RGB 132 117 129

HSL 312, 0.06%, 0.49%

LAB 50.94, 8.08, -4.45

 

CMYK 0 / 11 / 5 / 48

HEX #84757D

RGB 132 117 125

HSL 328, 0.06%, 0.49%

LAB 50.81, 7.3, -2.27

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 11 / 11 / 0 / 48

HEX #757584

RGB 117 117 132

HSL 240, 0.06%, 0.49%

LAB 49.7, 3.2, -8.19

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 23 / 36 / 0 / 40

HEX #756198

RGB 117 97 152

HSL 261.82, 0.22%, 0.49%

LAB 45.08, 19.97, -27.12

 

CMYK 35 / 55 / 0 / 33

HEX #6F4DAC

RGB 111 77 172

HSL 261.47, 0.38%, 0.49%

LAB 40.68, 35.49, -46

 

CMYK 46 / 71 / 0 / 24

HEX #6938C1

RGB 105 56 193

HSL 261.46, 0.55%, 0.49%

LAB 37.27, 51.38, -63.92

 

CMYK 54 / 83 / 0 / 16

HEX #6324D5

RGB 99 36 213

HSL 261.36, 0.71%, 0.49%

LAB 35.44, 64.28, -78.58

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 7 / 0 / 18 / 46

HEX #808970

RGB 128 137 112

HSL 81.6, 0.1%, 0.49%

LAB 55.74, -8.03, 12.32

 

CMYK 15 / 0 / 41 / 38

HEX #869D5C

RGB 134 157 92

HSL 81.23, 0.26%, 0.49%

LAB 61.62, -19.31, 31.33

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 27 / 0 / 74 / 22

HEX #91C633

RGB 145 198 51

HSL 81.63, 0.59%, 0.49%

LAB 73.96, -38.25, 63.61

 

CMYK 11 / 9 / 0 / 48

HEX #757884

RGB 117 120 132

HSL 228, 0.06%, 0.49%

LAB 50.55, 1.44, -6.93

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 5 / 11 / 0 / 48

HEX #7E7584

RGB 126 117 132

HSL 276, 0.06%, 0.49%

LAB 50.48, 6.47, -6.95

 

CMYK 2 / 11 / 0 / 48

HEX #827584

RGB 130 117 132

HSL 292, 0.06%, 0.49%

LAB 50.84, 7.94, -6.37

 

CMYK 7 / 11 / 0 / 65

HEX #524E58

RGB 82 78 88

HSL 264, 0.06%, 0.33%

LAB 33.87, 3.84, -5.28

 

CMYK 7 / 11 / 0 / 57

HEX #66626E

RGB 102 98 110

HSL 260, 0.06%, 0.41%

LAB 42.29, 4.13, -6.21

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 6 / 9 / 0 / 40

HEX #8F8B98

RGB 143 139 152

HSL 258.46, 0.06%, 0.57%

LAB 58.58, 4.07, -6.37

 

CMYK 4 / 6 / 0 / 33

HEX #A4A0AB

RGB 164 160 171

HSL 261.82, 0.06%, 0.65%

LAB 66.5, 3.57, -5.19

 

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

CMYK 0 / 11 / 6 / 48

HEX #84757C

RGB 132 117 124

HSL 332, 0.06%, 0.49%

LAB 50.78, 7.11, -1.72

 

CMYK 11 / 0 / 11 / 48

HEX #768475

RGB 118 132 117

HSL 116, 0.06%, 0.49%

LAB 53.64, -8.17, 6.37

 

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

CMYK 0 / 8 / 11 / 48

HEX #847A75

RGB 132 122 117

HSL 20, 0.06%, 0.49%

LAB 51.96, 2.9, 4.11

 

CMYK 11 / 0 / 8 / 48

HEX #75847A

RGB 117 132 122

HSL 140, 0.06%, 0.49%

LAB 53.7, -7.55, 3.54

 

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

CMYK 0 / 11 / 6 / 48

HEX #84757C

RGB 132 117 124

HSL 332, 0.06%, 0.49%

LAB 50.78, 7.11, -1.72

 

CMYK 4 / 0 / 11 / 48

HEX #7F8475

RGB 127 132 117

HSL 80, 0.06%, 0.49%

LAB 54.34, -4.75, 7.46

 

CMYK 11 / 0 / 5 / 48

HEX #75847D

RGB 117 132 125

HSL 152, 0.06%, 0.49%

LAB 53.78, -6.93, 1.91

 

CMYK 7 / 11 / 0 / 49

HEX #7A7583

RGB 122 117 131

HSL 261.43, 0.06%, 0.49%

LAB 50.1, 4.79, -6.97

 

CMYK 0 / 11 / 10 / 48

HEX #847577

RGB 132 117 119

HSL 352, 0.06%, 0.49%

LAB 50.64, 6.17, 1.02

 

CMYK 4 / 0 / 11 / 48

HEX #7F8475

RGB 127 132 117

HSL 80, 0.06%, 0.49%

LAB 54.34, -4.75, 7.46

 

CMYK 11 / 0 / 2 / 48

HEX #758482

RGB 117 132 130

HSL 172, 0.06%, 0.49%

LAB 53.92, -5.88, -0.79

 

Description

Color code: HEX #7A7583 | qconv.com Color code: HEX #7A7583 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 117 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 117 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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