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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A7415 it is the complementary color #858BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A7415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A7415 shade: #7F7410, #908623, #A19836, #B2AA49 and #C3BC5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A7415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A7415 shade: #7A7415, #696202, #585000, #473E00 and #362C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A7415 shade: #7A7414, #7A5814, #7A3D14, #7A2214 and #7A1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A7415 shade: #7A7414, #647A14, #497A14, #2E7A14 and #147A16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A7415 shade matches the following richer shades: #7A7414 and #857E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A7415 shade: #7A7414, #6E6920, #625F2B, #575537 and #4B4B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A7415 shade: #7A3D14, #7A5814, #7A7314, #657A14 and #4A7A14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A7415 shade: #333108, #56520E, #7A7414, #9D951A and #C0B720

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A7415 shade: #7A7415, #147A22 and #4A147A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A7415 shade: #7A7415, #147A73 and #73147A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A7415 shade: #7A7415, #147A22, #141B7A and #7A146C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A7415 shade: #7A7415, #147A40, #141B7A and #7A144E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

Complementary color

CMYK 43 / 41 / 0 / 8

HEX #858BEA

RGB 133 139 234

HSL 236.44, 0.71%, 0.72%

LAB 61.13, 21.65, -48.79

 

CMYK 0 / 9 / 87 / 50

HEX #7F7410

RGB 127 116 16

HSL 54.05, 0.78%, 0.28%

LAB 48.31, -6.45, 50.58

 

CMYK 0 / 7 / 76 / 44

HEX #908623

RGB 144 134 35

HSL 54.5, 0.61%, 0.35%

LAB 55.18, -7.77, 51.21

 

CMYK 0 / 6 / 66 / 37

HEX #A19836

RGB 161 152 54

HSL 54.95, 0.5%, 0.42%

LAB 61.91, -8.81, 50.78

 

CMYK 0 / 4 / 59 / 30

HEX #B2AA49

RGB 178 170 73

HSL 55.43, 0.42%, 0.49%

LAB 68.53, -9.64, 49.9

 

CMYK 0 / 4 / 53 / 24

HEX #C3BC5C

RGB 195 188 92

HSL 55.92, 0.46%, 0.56%

LAB 75.04, -10.31, 48.81

 

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

CMYK 0 / 7 / 98 / 59

HEX #696202

RGB 105 98 2

HSL 55.92, 0.96%, 0.21%

LAB 40.8, -7.21, 47.12

 

CMYK 0 / 9 / 100 / 65

HEX #585000

RGB 88 80 0

HSL 54.55, 1%, 0.17%

LAB 33.59, -5.23, 41.69

 

CMYK 0 / 13 / 100 / 72

HEX #473E00

RGB 71 62 0

HSL 52.39, 1%, 0.14%

LAB 26.11, -3.07, 35.07

 

CMYK 0 / 19 / 100 / 79

HEX #362C00

RGB 54 44 0

HSL 48.89, 1%, 0.11%

LAB 18.3, -0.72, 26.24

 

CMYK 0 / 5 / 84 / 52

HEX #7A7414

RGB 122 116 20

HSL 56.47, 0.72%, 0.28%

LAB 47.85, -8.69, 48.87

 

CMYK 0 / 28 / 84 / 52

HEX #7A5814

RGB 122 88 20

HSL 40, 0.72%, 0.28%

LAB 39.86, 7.53, 41.81

 

CMYK 0 / 50 / 84 / 52

HEX #7A3D14

RGB 122 61 20

HSL 24.12, 0.72%, 0.28%

LAB 32.97, 23.53, 35.48

 

CMYK 0 / 72 / 84 / 52

HEX #7A2214

RGB 122 34 20

HSL 8.24, 0.72%, 0.28%

LAB 27.66, 37.35, 30.39

 

CMYK 0 / 84 / 84 / 52

HEX #7A1414

RGB 122 20 20

HSL 0, 0.72%, 0.28%

LAB 25.83, 42.44, 28.57

 

CMYK 0 / 5 / 84 / 52

HEX #7A7414

RGB 122 116 20

HSL 56.47, 0.72%, 0.28%

LAB 47.85, -8.69, 48.87

 

CMYK 18 / 0 / 84 / 52

HEX #647A14

RGB 100 122 20

HSL 72.94, 0.72%, 0.28%

LAB 47.85, -22.04, 48.17

 

CMYK 40 / 0 / 84 / 52

HEX #497A14

RGB 73 122 20

HSL 88.82, 0.72%, 0.28%

LAB 46.16, -33.2, 46.01

 

CMYK 62 / 0 / 84 / 52

HEX #2E7A14

RGB 46 122 20

HSL 104.71, 0.72%, 0.28%

LAB 45.01, -41.94, 44.54

 

CMYK 84 / 0 / 82 / 52

HEX #147A16

RGB 20 122 22

HSL 121.18, 0.72%, 0.28%

LAB 44.41, -46.97, 43.12

 

CMYK 0 / 5 / 84 / 52

HEX #7A7414

RGB 122 116 20

HSL 56.47, 0.72%, 0.28%

LAB 47.85, -8.69, 48.87

 

CMYK 0 / 5 / 93 / 48

HEX #857E09

RGB 133 126 9

HSL 56.61, 0.87%, 0.28%

LAB 51.76, -9.33, 55.1

 

CMYK 0 / 5 / 84 / 52

HEX #7A7414

RGB 122 116 20

HSL 56.47, 0.72%, 0.28%

LAB 47.85, -8.69, 48.87

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 0 / 3 / 56 / 62

HEX #625F2B

RGB 98 95 43

HSL 56.73, 0.39%, 0.28%

LAB 39.51, -6.68, 29.79

 

CMYK 0 / 2 / 37 / 66

HEX #575537

RGB 87 85 55

HSL 56.25, 0.23%, 0.28%

LAB 35.59, -4.47, 17.83

 

CMYK 0 / 0 / 12 / 71

HEX #4B4B42

RGB 75 75 66

HSL 60, 0.06%, 0.28%

LAB 31.63, -1.86, 5.37

 

CMYK 0 / 50 / 84 / 52

HEX #7A3D14

RGB 122 61 20

HSL 24.12, 0.72%, 0.28%

LAB 32.97, 23.53, 35.48

 

CMYK 0 / 28 / 84 / 52

HEX #7A5814

RGB 122 88 20

HSL 40, 0.72%, 0.28%

LAB 39.86, 7.53, 41.81

 

CMYK 0 / 6 / 84 / 52

HEX #7A7314

RGB 122 115 20

HSL 55.88, 0.72%, 0.28%

LAB 47.56, -8.13, 48.62

 

CMYK 17 / 0 / 84 / 52

HEX #657A14

RGB 101 122 20

HSL 72.35, 0.72%, 0.28%

LAB 47.93, -21.6, 48.27

 

CMYK 39 / 0 / 84 / 52

HEX #4A7A14

RGB 74 122 20

HSL 88.24, 0.72%, 0.28%

LAB 46.21, -32.82, 46.08

 

CMYK 0 / 4 / 84 / 80

HEX #333108

RGB 51 49 8

HSL 57.21, 0.73%, 0.12%

LAB 19.71, -5.09, 24.54

 

CMYK 0 / 5 / 84 / 66

HEX #56520E

RGB 86 82 14

HSL 56.67, 0.72%, 0.2%

LAB 34.08, -6.92, 37.32

 

CMYK 0 / 5 / 84 / 52

HEX #7A7414

RGB 122 116 20

HSL 56.47, 0.72%, 0.28%

LAB 47.85, -8.69, 48.87

 

CMYK 0 / 5 / 83 / 38

HEX #9D951A

RGB 157 149 26

HSL 56.34, 0.72%, 0.36%

LAB 60.55, -10.29, 59.35

 

CMYK 0 / 5 / 83 / 25

HEX #C0B720

RGB 192 183 32

HSL 56.63, 0.71%, 0.44%

LAB 73.01, -12.33, 69.58

 

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

CMYK 84 / 0 / 72 / 52

HEX #147A22

RGB 20 122 34

HSL 128.24, 0.72%, 0.28%

LAB 44.49, -45.94, 38.64

 

CMYK 39 / 84 / 0 / 52

HEX #4A147A

RGB 74 20 122

HSL 271.76, 0.72%, 0.28%

LAB 21.44, 44.01, -46.65

 

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

CMYK 84 / 0 / 6 / 52

HEX #147A73

RGB 20 122 115

HSL 175.88, 0.72%, 0.28%

LAB 46.05, -28.75, -4.05

 

CMYK 6 / 84 / 0 / 52

HEX #73147A

RGB 115 20 122

HSL 295.88, 0.72%, 0.28%

LAB 28.25, 51.7, -35.3

 

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

CMYK 84 / 0 / 72 / 52

HEX #147A22

RGB 20 122 34

HSL 128.24, 0.72%, 0.28%

LAB 44.49, -45.94, 38.64

 

CMYK 84 / 78 / 0 / 52

HEX #141B7A

RGB 20 27 122

HSL 235.88, 0.72%, 0.28%

LAB 17.17, 33.71, -53.87

 

CMYK 0 / 84 / 11 / 52

HEX #7A146C

RGB 122 20 108

HSL 308.24, 0.72%, 0.28%

LAB 28.7, 50.88, -25.57

 

CMYK 0 / 5 / 83 / 52

HEX #7A7415

RGB 122 116 21

HSL 56.44, 0.71%, 0.28%

LAB 47.86, -8.66, 48.57

 

CMYK 84 / 0 / 48 / 52

HEX #147A40

RGB 20 122 64

HSL 145.88, 0.72%, 0.28%

LAB 44.85, -41.61, 24.02

 

CMYK 84 / 78 / 0 / 52

HEX #141B7A

RGB 20 27 122

HSL 235.88, 0.72%, 0.28%

LAB 17.17, 33.71, -53.87

 

CMYK 0 / 84 / 36 / 52

HEX #7A144E

RGB 122 20 78

HSL 325.88, 0.72%, 0.28%

LAB 27.26, 46.79, -8.12

 

Description

Color code: HEX #7A7415 | qconv.com Color code: HEX #7A7415 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 116 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 116 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 83 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 83% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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