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Color name
HEX #7A48A7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A48A7 it is the complementary color #85B758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A48A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A48A7 shade: #7F48A2, #905AB5, #A16CC8, #B27EDB and #C390EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A48A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A48A7 shade: #7A48A7, #693694, #582481, #47126E and #36005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A48A7 shade: #7A47A7, #9447A7, #A747A1, #A74787 and #A7476D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A48A7 shade: #7A47A7, #6047A7 and #4747A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A48A7 shade matches the following richer shades: #7A47A7, #7B34BB, #7C21CE and #7D0DE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A48A7 shade: #7A47A7, #795B94, #786E81, #77826D and #76955A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A48A7 shade: #4749A7, #5F47A7, #7947A7, #9347A7 and #A747A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A48A7 shade: #502F6E, #653B8A, #7A47A7, #8E5EBA and #A37BC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A48A7 shade: #7A48A7, #A74763 and #47A753

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A48A7 shade: #7A48A7, #A77947 and #47A779

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A48A7 shade: #7A48A7, #A74763, #76A747 and #47A78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A48A7 shade: #7A48A7, #A74947, #76A747 and #47A6A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

Complementary color

CMYK 27 / 0 / 52 / 28

HEX #85B758

RGB 133 183 88

HSL 91.58, 0.4%, 0.53%

LAB 69.15, -32.9, 42.67

 

CMYK 22 / 56 / 0 / 36

HEX #7F48A2

RGB 127 72 162

HSL 276.67, 0.38%, 0.46%

LAB 40.82, 40.01, -39.71

 

CMYK 20 / 50 / 0 / 29

HEX #905AB5

RGB 144 90 181

HSL 275.6, 0.38%, 0.53%

LAB 47.72, 39.14, -39.85

 

CMYK 20 / 46 / 0 / 22

HEX #A16CC8

RGB 161 108 200

HSL 274.57, 0.46%, 0.6%

LAB 54.52, 38.27, -39.95

 

CMYK 19 / 42 / 0 / 14

HEX #B27EDB

RGB 178 126 219

HSL 273.55, 0.56%, 0.68%

LAB 61.22, 37.44, -40.03

 

CMYK 18 / 39 / 0 / 7

HEX #C390EE

RGB 195 144 238

HSL 272.55, 0.73%, 0.75%

LAB 67.81, 36.66, -40.11

 

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

CMYK 29 / 64 / 0 / 42

HEX #693694

RGB 105 54 148

HSL 272.55, 0.47%, 0.4%

LAB 33.52, 40.76, -43.09

 

CMYK 32 / 72 / 0 / 49

HEX #582481

RGB 88 36 129

HSL 273.55, 0.56%, 0.32%

LAB 26.51, 41.39, -42.74

 

CMYK 35 / 84 / 0 / 57

HEX #47126E

RGB 71 18 110

HSL 274.57, 0.72%, 0.25%

LAB 19.63, 41.32, -41.89

 

CMYK 41 / 100 / 0 / 64

HEX #36005B

RGB 54 0 91

HSL 275.6, 1%, 0.18%

LAB 12.86, 40.52, -40.53

 

CMYK 27 / 57 / 0 / 35

HEX #7A47A7

RGB 122 71 167

HSL 271.88, 0.4%, 0.47%

LAB 40.3, 40.43, -43.56

 

CMYK 11 / 57 / 0 / 35

HEX #9447A7

RGB 148 71 167

HSL 288.13, 0.4%, 0.47%

LAB 43.64, 47.29, -38.04

 

CMYK 0 / 57 / 4 / 35

HEX #A747A1

RGB 167 71 161

HSL 303.75, 0.4%, 0.47%

LAB 46.04, 51.34, -30.53

 

CMYK 0 / 57 / 19 / 35

HEX #A74787

RGB 167 71 135

HSL 320, 0.4%, 0.47%

LAB 44.9, 47.09, -16.69

 

CMYK 0 / 57 / 35 / 35

HEX #A7476D

RGB 167 71 109

HSL 336.25, 0.4%, 0.47%

LAB 43.98, 43.49, -2.19

 

CMYK 27 / 57 / 0 / 35

HEX #7A47A7

RGB 122 71 167

HSL 271.88, 0.4%, 0.47%

LAB 40.3, 40.43, -43.56

 

CMYK 43 / 57 / 0 / 35

HEX #6047A7

RGB 96 71 167

HSL 255.63, 0.4%, 0.47%

LAB 37.45, 34, -48.29

 

CMYK 57 / 57 / 0 / 35

HEX #4747A7

RGB 71 71 167

HSL 240, 0.4%, 0.47%

LAB 35.27, 28.61, -51.92

 

CMYK 27 / 57 / 0 / 35

HEX #7A47A7

RGB 122 71 167

HSL 271.88, 0.4%, 0.47%

LAB 40.3, 40.43, -43.56

 

CMYK 34 / 72 / 0 / 27

HEX #7B34BB

RGB 123 52 187

HSL 271.56, 0.56%, 0.47%

LAB 38.3, 55.03, -58.63

 

CMYK 40 / 84 / 0 / 19

HEX #7C21CE

RGB 124 33 206

HSL 271.56, 0.72%, 0.47%

LAB 37.53, 66.63, -70.97

 

CMYK 44 / 94 / 0 / 12

HEX #7D0DE1

RGB 125 13 225

HSL 271.7, 0.89%, 0.47%

LAB 37.99, 75.16, -81.16

 

CMYK 27 / 57 / 0 / 35

HEX #7A47A7

RGB 122 71 167

HSL 271.88, 0.4%, 0.47%

LAB 40.3, 40.43, -43.56

 

CMYK 18 / 39 / 0 / 42

HEX #795B94

RGB 121 91 148

HSL 271.58, 0.24%, 0.47%

LAB 43.78, 23.89, -26.73

 

CMYK 7 / 15 / 0 / 49

HEX #786E81

RGB 120 110 129

HSL 271.58, 0.08%, 0.47%

LAB 47.92, 7.77, -9.06

 

CMYK 8 / 0 / 16 / 49

HEX #77826D

RGB 119 130 109

HSL 91.43, 0.09%, 0.47%

LAB 52.94, -8.17, 10.01

 

CMYK 21 / 0 / 40 / 42

HEX #76955A

RGB 118 149 90

HSL 91.53, 0.25%, 0.47%

LAB 58.12, -21.76, 27.69

 

CMYK 57 / 56 / 0 / 35

HEX #4749A7

RGB 71 73 167

HSL 238.75, 0.4%, 0.47%

LAB 35.78, 27.33, -51.1

 

CMYK 43 / 57 / 0 / 35

HEX #5F47A7

RGB 95 71 167

HSL 255, 0.4%, 0.47%

LAB 37.35, 33.76, -48.46

 

CMYK 28 / 57 / 0 / 35

HEX #7947A7

RGB 121 71 167

HSL 271.25, 0.4%, 0.47%

LAB 40.18, 40.17, -43.76

 

CMYK 12 / 57 / 0 / 35

HEX #9347A7

RGB 147 71 167

HSL 287.5, 0.4%, 0.47%

LAB 43.51, 47.02, -38.27

 

CMYK 0 / 57 / 3 / 35

HEX #A747A2

RGB 167 71 162

HSL 303.13, 0.4%, 0.47%

LAB 46.08, 51.52, -31.05

 

CMYK 27 / 57 / 0 / 57

HEX #502F6E

RGB 80 47 110

HSL 271.43, 0.4%, 0.31%

LAB 26.34, 28.44, -31

 

CMYK 27 / 57 / 0 / 46

HEX #653B8A

RGB 101 59 138

HSL 271.9, 0.4%, 0.39%

LAB 33.41, 34.44, -37.16

 

CMYK 27 / 57 / 0 / 35

HEX #7A47A7

RGB 122 71 167

HSL 271.88, 0.4%, 0.47%

LAB 40.3, 40.43, -43.56

 

CMYK 24 / 49 / 0 / 27

HEX #8E5EBA

RGB 142 94 186

HSL 271.3, 0.4%, 0.55%

LAB 48.64, 37.51, -41.33

 

CMYK 18 / 38 / 0 / 22

HEX #A37BC6

RGB 163 123 198

HSL 272, 0.4%, 0.63%

LAB 58.07, 29.96, -33.25

 

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

CMYK 0 / 57 / 41 / 35

HEX #A74763

RGB 167 71 99

HSL 342.5, 0.4%, 0.47%

LAB 43.69, 42.3, 3.53

 

CMYK 57 / 0 / 50 / 35

HEX #47A753

RGB 71 167 83

HSL 127.5, 0.4%, 0.47%

LAB 61.31, -46.21, 34.94

 

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

CMYK 0 / 28 / 57 / 35

HEX #A77947

RGB 167 121 71

HSL 31.25, 0.4%, 0.47%

LAB 54.39, 12.23, 34.2

 

CMYK 57 / 0 / 28 / 35

HEX #47A779

RGB 71 167 121

HSL 151.25, 0.4%, 0.47%

LAB 61.96, -39.3, 15.48

 

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

CMYK 0 / 57 / 41 / 35

HEX #A74763

RGB 167 71 99

HSL 342.5, 0.4%, 0.47%

LAB 43.69, 42.3, 3.53

 

CMYK 29 / 0 / 57 / 35

HEX #76A747

RGB 118 167 71

HSL 90.63, 0.4%, 0.47%

LAB 63.3, -32.83, 43.73

 

CMYK 57 / 0 / 16 / 35

HEX #47A78C

RGB 71 167 140

HSL 163.13, 0.4%, 0.47%

LAB 62.4, -34.93, 5.53

 

CMYK 27 / 57 / 0 / 35

HEX #7A48A7

RGB 122 72 167

HSL 271.58, 0.4%, 0.47%

LAB 40.51, 39.88, -43.23

 

CMYK 0 / 56 / 57 / 35

HEX #A74947

RGB 167 73 71

HSL 1.25, 0.4%, 0.47%

LAB 43.41, 38.59, 20.34

 

CMYK 29 / 0 / 57 / 35

HEX #76A747

RGB 118 167 71

HSL 90.63, 0.4%, 0.47%

LAB 63.3, -32.83, 43.73

 

CMYK 57 / 1 / 0 / 35

HEX #47A6A7

RGB 71 166 167

HSL 180.63, 0.4%, 0.47%

LAB 62.85, -27.33, -8.95

 

Description

Color code: HEX #7A48A7 | qconv.com Color code: HEX #7A48A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 72 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 72 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 57 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 57% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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