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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A4529 it is the complementary color #85BAD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A4529. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A4529 shade: #7F4524, #905737, #A1694A, #B27B5D and #C38D70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A4529. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A4529 shade: #7A4529, #693316, #582103, #470F00 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A4529 shade: #7A4528, #7A2F28 and #7A2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A4529 shade: #7A4528, #7A5B28, #7A7128, #6D7A28 and #577A28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A4529 shade matches the following richer shades: #7A4528, #87401B, #943C0E and #A23801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A4529 shade: #7A4528, #6D4936, #5F4D43, #525150 and #45555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A4529 shade: #7A2839, #7A2E28, #7A4428, #7A5928 and #7A6F28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A4529 shade: #3C2214, #5B331E, #7A4528, #995633 and #B8673D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A4529 shade: #7A4529, #4E7A28 and #282E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A4529 shade: #7A4529, #287A44 and #43287A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A4529 shade: #7A4529, #4E7A28, #285F7A and #54287A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A4529 shade: #7A4529, #367A28, #285F7A and #6C287A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

Complementary color

CMYK 38 / 13 / 0 / 16

HEX #85BAD6

RGB 133 186 214

HSL 200.74, 0.5%, 0.68%

LAB 72.87, -10.32, -19.58

 

CMYK 0 / 46 / 72 / 50

HEX #7F4524

RGB 127 69 36

HSL 21.76, 0.56%, 0.32%

LAB 35.78, 21.92, 30.28

 

CMYK 0 / 40 / 62 / 44

HEX #905737

RGB 144 87 55

HSL 21.57, 0.45%, 0.39%

LAB 42.8, 20.32, 28.32

 

CMYK 0 / 35 / 54 / 37

HEX #A1694A

RGB 161 105 74

HSL 21.38, 0.37%, 0.46%

LAB 49.71, 18.98, 26.55

 

CMYK 0 / 31 / 48 / 30

HEX #B27B5D

RGB 178 123 93

HSL 21.18, 0.36%, 0.53%

LAB 56.51, 17.84, 24.98

 

CMYK 0 / 28 / 43 / 24

HEX #C38D70

RGB 195 141 112

HSL 20.96, 0.41%, 0.6%

LAB 63.2, 16.87, 23.56

 

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

CMYK 0 / 51 / 79 / 59

HEX #693316

RGB 105 51 22

HSL 20.96, 0.65%, 0.25%

LAB 27.92, 21.79, 28.54

 

CMYK 0 / 63 / 97 / 65

HEX #582103

RGB 88 33 3

HSL 21.18, 0.93%, 0.18%

LAB 20.71, 23.79, 29.18

 

CMYK 0 / 79 / 100 / 72

HEX #470F00

RGB 71 15 0

HSL 12.68, 1%, 0.14%

LAB 13.72, 25.77, 21.1

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 43 / 67 / 52

HEX #7A4528

RGB 122 69 40

HSL 21.22, 0.51%, 0.32%

LAB 35.1, 19.95, 27.02

 

CMYK 0 / 61 / 67 / 52

HEX #7A2F28

RGB 122 47 40

HSL 5.12, 0.51%, 0.32%

LAB 30.22, 32.23, 21.13

 

CMYK 0 / 67 / 67 / 52

HEX #7A2828

RGB 122 40 40

HSL 0, 0.51%, 0.32%

LAB 28.92, 35.67, 19.53

 

CMYK 0 / 43 / 67 / 52

HEX #7A4528

RGB 122 69 40

HSL 21.22, 0.51%, 0.32%

LAB 35.1, 19.95, 27.02

 

CMYK 0 / 25 / 67 / 52

HEX #7A5B28

RGB 122 91 40

HSL 37.32, 0.51%, 0.32%

LAB 40.85, 6.82, 33.6

 

CMYK 0 / 7 / 67 / 52

HEX #7A7128

RGB 122 113 40

HSL 53.41, 0.51%, 0.32%

LAB 47.11, -5.99, 40.38

 

CMYK 11 / 0 / 67 / 52

HEX #6D7A28

RGB 109 122 40

HSL 69.51, 0.51%, 0.32%

LAB 48.67, -16.89, 41.67

 

CMYK 29 / 0 / 67 / 52

HEX #577A28

RGB 87 122 40

HSL 85.61, 0.51%, 0.32%

LAB 47.1, -26.34, 39.55

 

CMYK 0 / 43 / 67 / 52

HEX #7A4528

RGB 122 69 40

HSL 21.22, 0.51%, 0.32%

LAB 35.1, 19.95, 27.02

 

CMYK 0 / 53 / 80 / 47

HEX #87401B

RGB 135 64 27

HSL 20.56, 0.67%, 0.32%

LAB 35.78, 27.78, 35.48

 

CMYK 0 / 59 / 91 / 42

HEX #943C0E

RGB 148 60 14

HSL 20.6, 0.83%, 0.32%

LAB 37.04, 34.86, 43.21

 

CMYK 0 / 65 / 99 / 36

HEX #A23801

RGB 162 56 1

HSL 20.5, 0.99%, 0.32%

LAB 38.75, 41.93, 49.91

 

CMYK 0 / 43 / 67 / 52

HEX #7A4528

RGB 122 69 40

HSL 21.22, 0.51%, 0.32%

LAB 35.1, 19.95, 27.02

 

CMYK 0 / 33 / 50 / 57

HEX #6D4936

RGB 109 73 54

HSL 20.73, 0.34%, 0.32%

LAB 34.56, 12.9, 17.55

 

CMYK 0 / 19 / 29 / 63

HEX #5F4D43

RGB 95 77 67

HSL 21.43, 0.17%, 0.32%

LAB 34.28, 5.85, 8.77

HEX #5F4D43

CMYK 0 / 1 / 2 / 68

HEX #525150

RGB 82 81 80

HSL 30, 0.01%, 0.32%

LAB 34.51, 0.2, 0.73

HEX #525150

CMYK 26 / 9 / 0 / 64

HEX #45555D

RGB 69 85 93

HSL 200, 0.15%, 0.32%

LAB 35.11, -4.15, -6.7

HEX #45555D

CMYK 0 / 67 / 53 / 52

HEX #7A2839

RGB 122 40 57

HSL 347.56, 0.51%, 0.32%

LAB 29.29, 37.03, 8.84

 

CMYK 0 / 62 / 67 / 52

HEX #7A2E28

RGB 122 46 40

HSL 4.39, 0.51%, 0.32%

LAB 30.02, 32.74, 20.9

 

CMYK 0 / 44 / 67 / 52

HEX #7A4428

RGB 122 68 40

HSL 20.49, 0.51%, 0.32%

LAB 34.85, 20.54, 26.73

 

CMYK 0 / 27 / 67 / 52

HEX #7A5928

RGB 122 89 40

HSL 35.85, 0.51%, 0.32%

LAB 40.3, 8.01, 32.98

 

CMYK 0 / 9 / 67 / 52

HEX #7A6F28

RGB 122 111 40

HSL 51.95, 0.51%, 0.32%

LAB 46.52, -4.86, 39.76

 

CMYK 0 / 43 / 67 / 76

HEX #3C2214

RGB 60 34 20

HSL 21, 0.5%, 0.16%

LAB 16.28, 10.77, 14.59

 

CMYK 0 / 44 / 67 / 64

HEX #5B331E

RGB 91 51 30

HSL 20.66, 0.5%, 0.24%

LAB 25.82, 15.83, 20.87

 

CMYK 0 / 43 / 67 / 52

HEX #7A4528

RGB 122 69 40

HSL 21.22, 0.51%, 0.32%

LAB 35.1, 19.95, 27.02

 

CMYK 0 / 44 / 67 / 40

HEX #995633

RGB 153 86 51

HSL 20.59, 0.5%, 0.4%

LAB 43.75, 24.51, 32.02

 

CMYK 0 / 44 / 67 / 28

HEX #B8673D

RGB 184 103 61

HSL 20.49, 0.5%, 0.48%

LAB 52.09, 28.8, 37.37

 

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

CMYK 36 / 0 / 67 / 52

HEX #4E7A28

RGB 78 122 40

HSL 92.2, 0.51%, 0.32%

LAB 46.57, -29.89, 38.81

 

CMYK 67 / 62 / 0 / 52

HEX #282E7A

RGB 40 46 122

HSL 235.61, 0.51%, 0.32%

LAB 23.03, 23.55, -44.2

 

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

CMYK 67 / 0 / 44 / 52

HEX #287A44

RGB 40 122 68

HSL 140.49, 0.51%, 0.32%

LAB 45.34, -37.54, 22.5

 

CMYK 45 / 67 / 0 / 52

HEX #43287A

RGB 67 40 122

HSL 259.76, 0.51%, 0.32%

LAB 24.05, 32.74, -42.43

 

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

CMYK 36 / 0 / 67 / 52

HEX #4E7A28

RGB 78 122 40

HSL 92.2, 0.51%, 0.32%

LAB 46.57, -29.89, 38.81

 

CMYK 67 / 22 / 0 / 52

HEX #285F7A

RGB 40 95 122

HSL 199.76, 0.51%, 0.32%

LAB 37.92, -8.97, -20.55

 

CMYK 31 / 67 / 0 / 52

HEX #54287A

RGB 84 40 122

HSL 272.2, 0.51%, 0.32%

LAB 26.18, 36.65, -38.89

 

CMYK 0 / 43 / 66 / 52

HEX #7A4529

RGB 122 69 41

HSL 20.74, 0.5%, 0.32%

LAB 35.11, 20.02, 26.45

 

CMYK 56 / 0 / 67 / 52

HEX #367A28

RGB 54 122 40

HSL 109.76, 0.51%, 0.32%

LAB 45.44, -38.07, 37.25

 

CMYK 67 / 22 / 0 / 52

HEX #285F7A

RGB 40 95 122

HSL 199.76, 0.51%, 0.32%

LAB 37.92, -8.97, -20.55

 

CMYK 11 / 67 / 0 / 52

HEX #6C287A

RGB 108 40 122

HSL 289.76, 0.51%, 0.32%

LAB 29.69, 42.64, -33.07

 

Description

Color code: HEX #7A4529 | qconv.com Color code: HEX #7A4529 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 69 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 69 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 66 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 66% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

70% - Murari Publications ...
Link: http://mnspirit.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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