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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A323D it is the complementary color #85CDC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A323D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A323D shade: #7F3238, #90444B, #A1565E, #B26871 and #C37A84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A323D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A323D shade: #7A323D, #69202A, #580E17, #470004 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A323D shade: #7B323D and #7B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A323D shade: #7B323D, #7B3251, #7B3264, #7B3278 and #6A327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A323D shade matches the following richer shades: #7B323D, #892433, #971629 and #A50820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A323D shade: #7B323D, #6D4047, #5F4E50, #515C5A and #436A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A323D shade: #7B3265, #7B3251, #7B323E, #7B3932 and #7B4C32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A323D shade: #401A20, #5D262E, #7B323D, #983E4C and #B54A5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A323D shade: #7A323D, #787B32 and #325B7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A323D shade: #7A323D, #3E7B32 and #323E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A323D shade: #7A323D, #787B32, #327B6E and #34327B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A323D shade: #7A323D, #627B32, #327B6E and #4A327B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

Complementary color

CMYK 35 / 0 / 5 / 20

HEX #85CDC2

RGB 133 205 194

HSL 170.83, 0.42%, 0.66%

LAB 77.61, -24.94, -1.67

 

CMYK 0 / 61 / 56 / 50

HEX #7F3238

RGB 127 50 56

HSL 355.32, 0.44%, 0.35%

LAB 31.99, 33.89, 13.34

 

CMYK 0 / 53 / 48 / 44

HEX #90444B

RGB 144 68 75

HSL 354.47, 0.36%, 0.42%

LAB 38.85, 32.81, 11.1

 

CMYK 0 / 47 / 42 / 37

HEX #A1565E

RGB 161 86 94

HSL 353.6, 0.3%, 0.48%

LAB 45.69, 31.72, 9.32

 

CMYK 0 / 42 / 37 / 30

HEX #B26871

RGB 178 104 113

HSL 352.7, 0.32%, 0.55%

LAB 52.46, 30.69, 7.86

 

CMYK 0 / 37 / 32 / 24

HEX #C37A84

RGB 195 122 132

HSL 351.78, 0.38%, 0.62%

LAB 59.15, 29.73, 6.6

 

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

CMYK 0 / 70 / 60 / 59

HEX #69202A

RGB 105 32 42

HSL 351.78, 0.53%, 0.27%

LAB 24.33, 33.31, 11.61

 

CMYK 0 / 84 / 74 / 65

HEX #580E17

RGB 88 14 23

HSL 352.7, 0.73%, 0.2%

LAB 17.69, 33.43, 15.45

 

CMYK 0 / 100 / 94 / 72

HEX #470004

RGB 71 0 4

HSL 356.62, 1%, 0.14%

LAB 11.61, 32.04, 16.63

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 59 / 50 / 52

HEX #7B323D

RGB 123 50 61

HSL 350.96, 0.42%, 0.34%

LAB 31.41, 32.85, 9.2

 

CMYK 0 / 59 / 59 / 52

HEX #7B3232

RGB 123 50 50

HSL 0, 0.42%, 0.34%

LAB 31.17, 31.83, 16

 

CMYK 0 / 59 / 50 / 52

HEX #7B323D

RGB 123 50 61

HSL 350.96, 0.42%, 0.34%

LAB 31.41, 32.85, 9.2

 

CMYK 0 / 59 / 34 / 52

HEX #7B3251

RGB 123 50 81

HSL 334.52, 0.42%, 0.34%

LAB 32, 35.23, -2.99

 

CMYK 0 / 59 / 19 / 52

HEX #7B3264

RGB 123 50 100

HSL 318.9, 0.42%, 0.34%

LAB 32.73, 38.05, -14.15

 

CMYK 0 / 59 / 2 / 52

HEX #7B3278

RGB 123 50 120

HSL 302.47, 0.42%, 0.34%

LAB 33.66, 41.54, -25.37

 

CMYK 14 / 59 / 0 / 52

HEX #6A327B

RGB 106 50 123

HSL 286.03, 0.42%, 0.34%

LAB 31.29, 37.29, -31.17

 

CMYK 0 / 59 / 50 / 52

HEX #7B323D

RGB 123 50 61

HSL 350.96, 0.42%, 0.34%

LAB 31.41, 32.85, 9.2

 

CMYK 0 / 74 / 63 / 46

HEX #892433

RGB 137 36 51

HSL 351.09, 0.58%, 0.34%

LAB 31.39, 43.35, 16.12

 

CMYK 0 / 85 / 73 / 41

HEX #971629

RGB 151 22 41

HSL 351.16, 0.75%, 0.34%

LAB 32.51, 51.46, 24.6

 

CMYK 0 / 95 / 81 / 35

HEX #A50820

RGB 165 8 32

HSL 350.83, 0.91%, 0.34%

LAB 34.55, 57.39, 33.29

 

CMYK 0 / 59 / 50 / 52

HEX #7B323D

RGB 123 50 61

HSL 350.96, 0.42%, 0.34%

LAB 31.41, 32.85, 9.2

 

CMYK 0 / 41 / 35 / 57

HEX #6D4047

RGB 109 64 71

HSL 350.67, 0.26%, 0.34%

LAB 32.64, 20.55, 4.15

 

CMYK 0 / 18 / 16 / 63

HEX #5F4E50

RGB 95 78 80

HSL 352.94, 0.1%, 0.34%

LAB 34.92, 7.48, 1.48

 

CMYK 12 / 0 / 2 / 64

HEX #515C5A

RGB 81 92 90

HSL 169.09, 0.06%, 0.34%

LAB 38.1, -4.72, -0.31

 

CMYK 37 / 0 / 6 / 58

HEX #436A64

RGB 67 106 100

HSL 170.77, 0.23%, 0.34%

LAB 41.88, -15.26, -1.01

 

CMYK 0 / 59 / 18 / 52

HEX #7B3265

RGB 123 50 101

HSL 318.08, 0.42%, 0.34%

LAB 32.77, 38.21, -14.73

 

CMYK 0 / 59 / 34 / 52

HEX #7B3251

RGB 123 50 81

HSL 334.52, 0.42%, 0.34%

LAB 32, 35.23, -2.99

 

CMYK 0 / 59 / 50 / 52

HEX #7B323E

RGB 123 50 62

HSL 350.14, 0.42%, 0.34%

LAB 31.44, 32.96, 8.58

 

CMYK 0 / 54 / 59 / 52

HEX #7B3932

RGB 123 57 50

HSL 5.75, 0.42%, 0.34%

LAB 32.63, 28.05, 17.91

 

CMYK 0 / 38 / 59 / 52

HEX #7B4C32

RGB 123 76 50

HSL 21.37, 0.42%, 0.34%

LAB 37.13, 17.04, 23.63

 

CMYK 0 / 59 / 50 / 75

HEX #401A20

RGB 64 26 32

HSL 350.53, 0.42%, 0.18%

LAB 15.13, 19.2, 4.74

 

CMYK 0 / 59 / 51 / 64

HEX #5D262E

RGB 93 38 46

HSL 351.27, 0.42%, 0.26%

LAB 23.37, 26, 7.22

 

CMYK 0 / 59 / 50 / 52

HEX #7B323D

RGB 123 50 61

HSL 350.96, 0.42%, 0.34%

LAB 31.41, 32.85, 9.2

 

CMYK 0 / 59 / 50 / 40

HEX #983E4C

RGB 152 62 76

HSL 350.67, 0.42%, 0.42%

LAB 38.97, 38.99, 10.84

 

CMYK 0 / 59 / 50 / 29

HEX #B54A5A

RGB 181 74 90

HSL 351.03, 0.42%, 0.5%

LAB 46.26, 44.8, 13

 

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

CMYK 2 / 0 / 59 / 52

HEX #787B32

RGB 120 123 50

HSL 62.47, 0.42%, 0.34%

LAB 49.96, -11.72, 38.67

 

CMYK 59 / 26 / 0 / 52

HEX #325B7B

RGB 50 91 123

HSL 206.3, 0.42%, 0.34%

LAB 37.1, -4.12, -22.4

 

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

CMYK 50 / 0 / 59 / 52

HEX #3E7B32

RGB 62 123 50

HSL 110.14, 0.42%, 0.34%

LAB 46.2, -34.91, 33.38

 

CMYK 59 / 50 / 0 / 52

HEX #323E7B

RGB 50 62 123

HSL 230.14, 0.42%, 0.34%

LAB 28.26, 14.89, -36.36

 

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

CMYK 2 / 0 / 59 / 52

HEX #787B32

RGB 120 123 50

HSL 62.47, 0.42%, 0.34%

LAB 49.96, -11.72, 38.67

 

CMYK 59 / 0 / 11 / 52

HEX #327B6E

RGB 50 123 110

HSL 169.32, 0.42%, 0.34%

LAB 46.93, -26.05, 0.3

 

CMYK 58 / 59 / 0 / 52

HEX #34327B

RGB 52 50 123

HSL 241.64, 0.42%, 0.34%

LAB 25.08, 23.47, -41.47

 

CMYK 0 / 59 / 50 / 52

HEX #7A323D

RGB 122 50 61

HSL 350.83, 0.42%, 0.34%

LAB 31.24, 32.47, 8.93

 

CMYK 20 / 0 / 59 / 52

HEX #627B32

RGB 98 123 50

HSL 80.55, 0.42%, 0.34%

LAB 48.25, -21.35, 36.27

 

CMYK 59 / 0 / 11 / 52

HEX #327B6E

RGB 50 123 110

HSL 169.32, 0.42%, 0.34%

LAB 46.93, -26.05, 0.3

 

CMYK 40 / 59 / 0 / 52

HEX #4A327B

RGB 74 50 123

HSL 259.73, 0.42%, 0.34%

LAB 27.21, 28.61, -37.93

 

Description

Color code: HEX #7A323D | qconv.com Color code: HEX #7A323D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 50 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 50 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 50 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 50% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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