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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A37CA it is the complementary color #85C835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A37CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A37CA shade: #7F37C5, #9049D8, #A15BEB, #B26DFE and #C37FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A37CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A37CA shade: #7A37CA, #6925B7, #5813A4, #470191 and #36007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A37CA shade: #7835C9, #A035C9, #C835C9, #C935A2 and #C9357A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A37CA shade: #7835C9, #5135C9 and #3535C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A37CA shade matches the following richer shades: #7835C9, #7720DE and #750CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A37CA shade: #7835C9, #7A4AB4, #7C5EA0, #7E738B and #808876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A37CA shade: #3541C9, #5035C9, #7835C9, #9F35C9 and #C635C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A37CA shade: #512488, #652CA8, #7835C9, #8E56D2 and #A476DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A37CA shade: #7A37CA, #C93569 and #35C93C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A37CA shade: #7A37CA, #C97835 and #35C978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A37CA shade: #7A37CA, #C93569, #86C935 and #35C995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A37CA shade: #7A37CA, #C9353C, #86C935 and #35C9C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

Complementary color

CMYK 34 / 0 / 74 / 22

HEX #85C835

RGB 133 200 53

HSL 87.35, 0.58%, 0.5%

LAB 73.9, -43.45, 62.65

 

CMYK 36 / 72 / 0 / 23

HEX #7F37C5

RGB 127 55 197

HSL 270.42, 0.56%, 0.49%

LAB 40.04, 56.81, -61.62

 

CMYK 33 / 66 / 0 / 15

HEX #9049D8

RGB 144 73 216

HSL 269.79, 0.65%, 0.57%

LAB 46.51, 56.27, -61.99

 

CMYK 31 / 61 / 0 / 8

HEX #A15BEB

RGB 161 91 235

HSL 269.17, 0.78%, 0.64%

LAB 53.01, 55.49, -62.16

 

CMYK 30 / 57 / 0 / 0

HEX #B26DFE

RGB 178 109 254

HSL 268.55, 0.99%, 0.71%

LAB 59.49, 54.61, -62.22

 

CMYK 24 / 50 / 0 / 0

HEX #C37FFF

RGB 195 127 255

HSL 271.88, 1%, 0.75%

LAB 64.96, 49.59, -53.92

 

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

CMYK 43 / 80 / 0 / 28

HEX #6925B7

RGB 105 37 183

HSL 267.95, 0.66%, 0.43%

LAB 33.45, 57.28, -64.27

 

CMYK 46 / 88 / 0 / 36

HEX #5813A4

RGB 88 19 164

HSL 268.55, 0.79%, 0.36%

LAB 27.35, 56.48, -62.97

 

CMYK 51 / 99 / 0 / 43

HEX #470191

RGB 71 1 145

HSL 269.17, 0.99%, 0.29%

LAB 21.6, 54.47, -60.88

 

CMYK 57 / 100 / 0 / 51

HEX #36007E

RGB 54 0 126

HSL 265.71, 1%, 0.25%

LAB 16.94, 48.87, -56.7

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 20 / 74 / 0 / 21

HEX #A035C9

RGB 160 53 201

HSL 283.38, 0.58%, 0.5%

LAB 44.57, 64.79, -56.4

 

CMYK 0 / 74 / 0 / 21

HEX #C835C9

RGB 200 53 201

HSL 299.59, 0.58%, 0.5%

LAB 50.74, 72.88, -46.18

 

CMYK 0 / 74 / 19 / 21

HEX #C935A2

RGB 201 53 162

HSL 315.81, 0.58%, 0.5%

LAB 48.97, 67.35, -26.14

 

CMYK 0 / 74 / 39 / 21

HEX #C9357A

RGB 201 53 122

HSL 332.03, 0.58%, 0.5%

LAB 47.45, 62.6, -4.38

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 60 / 74 / 0 / 21

HEX #5135C9

RGB 81 53 201

HSL 251.35, 0.58%, 0.5%

LAB 35.03, 51.5, -72.36

 

CMYK 74 / 74 / 0 / 21

HEX #3535C9

RGB 53 53 201

HSL 240, 0.58%, 0.5%

LAB 32.96, 48.43, -75.83

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 46 / 86 / 0 / 13

HEX #7720DE

RGB 119 32 222

HSL 267.47, 0.75%, 0.5%

LAB 38.25, 69.91, -79.05

 

CMYK 52 / 95 / 0 / 5

HEX #750CF2

RGB 117 12 242

HSL 267.39, 0.91%, 0.5%

LAB 38.65, 78.24, -89.78

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 32 / 59 / 0 / 29

HEX #7A4AB4

RGB 122 74 180

HSL 267.17, 0.42%, 0.5%

LAB 41.74, 42.01, -48.96

 

CMYK 23 / 41 / 0 / 37

HEX #7C5EA0

RGB 124 94 160

HSL 267.27, 0.26%, 0.5%

LAB 45.4, 25.95, -31.32

 

CMYK 9 / 17 / 0 / 45

HEX #7E738B

RGB 126 115 139

HSL 267.5, 0.09%, 0.5%

LAB 50.17, 9.15, -11.54

 

CMYK 6 / 0 / 13 / 47

HEX #808876

RGB 128 136 118

HSL 86.67, 0.07%, 0.5%

LAB 55.59, -6.42, 8.67

 

CMYK 74 / 68 / 0 / 21

HEX #3541C9

RGB 53 65 201

HSL 235.14, 0.58%, 0.5%

LAB 35.51, 41.42, -71.64

 

CMYK 60 / 74 / 0 / 21

HEX #5035C9

RGB 80 53 201

HSL 250.95, 0.58%, 0.5%

LAB 34.94, 51.37, -72.5

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 21 / 74 / 0 / 21

HEX #9F35C9

RGB 159 53 201

HSL 282.97, 0.58%, 0.5%

LAB 44.42, 64.6, -56.64

 

CMYK 1 / 74 / 0 / 21

HEX #C635C9

RGB 198 53 201

HSL 298.78, 0.58%, 0.5%

LAB 50.42, 72.46, -46.71

 

CMYK 40 / 74 / 0 / 47

HEX #512488

RGB 81 36 136

HSL 267, 0.58%, 0.34%

LAB 26.12, 41.75, -47.8

 

CMYK 40 / 74 / 0 / 34

HEX #652CA8

RGB 101 44 168

HSL 267.58, 0.58%, 0.42%

LAB 32.69, 49.94, -56.58

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 32 / 59 / 0 / 18

HEX #8E56D2

RGB 142 86 210

HSL 267.1, 0.58%, 0.58%

LAB 48.33, 47.75, -55.64

 

CMYK 25 / 46 / 0 / 15

HEX #A476DA

RGB 164 118 218

HSL 267.6, 0.57%, 0.66%

LAB 57.95, 37.71, -44.71

 

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

CMYK 0 / 74 / 48 / 21

HEX #C93569

RGB 201 53 105

HSL 338.92, 0.58%, 0.5%

LAB 46.95, 60.99, 5.29

 

CMYK 74 / 0 / 70 / 21

HEX #35C93C

RGB 53 201 60

HSL 122.84, 0.58%, 0.5%

LAB 71.46, -64.63, 56.73

 

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

CMYK 0 / 40 / 74 / 21

HEX #C97835

RGB 201 120 53

HSL 27.16, 0.58%, 0.5%

LAB 58.14, 26.25, 48.67

 

CMYK 74 / 0 / 40 / 21

HEX #35C978

RGB 53 201 120

HSL 147.16, 0.58%, 0.5%

LAB 72.15, -56.46, 29.71

 

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

CMYK 0 / 74 / 48 / 21

HEX #C93569

RGB 201 53 105

HSL 338.92, 0.58%, 0.5%

LAB 46.95, 60.99, 5.29

 

CMYK 33 / 0 / 74 / 21

HEX #86C935

RGB 134 201 53

HSL 87.16, 0.58%, 0.5%

LAB 74.25, -43.52, 63.01

 

CMYK 74 / 0 / 26 / 21

HEX #35C995

RGB 53 201 149

HSL 158.92, 0.58%, 0.5%

LAB 72.69, -50.48, 15.14

 

CMYK 40 / 73 / 0 / 21

HEX #7A37CA

RGB 122 55 202

HSL 267.35, 0.58%, 0.5%

LAB 39.81, 57.12, -64.94

 

CMYK 0 / 74 / 70 / 21

HEX #C9353C

RGB 201 53 60

HSL 357.16, 0.58%, 0.5%

LAB 46.03, 57.94, 31.49

 

CMYK 33 / 0 / 74 / 21

HEX #86C935

RGB 134 201 53

HSL 87.16, 0.58%, 0.5%

LAB 74.25, -43.52, 63.01

 

CMYK 74 / 0 / 3 / 21

HEX #35C9C2

RGB 53 201 194

HSL 177.16, 0.58%, 0.5%

LAB 73.82, -38.99, -7.55

 

Description

Color code: HEX #7A37CA | qconv.com Color code: HEX #7A37CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 55 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 55 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 73 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 73% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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