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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A2C44 it is the complementary color #85D3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A2C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A2C44 shade: #7F2C3F, #903E52, #A15065, #B26278 and #C3748B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A2C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A2C44 shade: #7A2C44, #691A31, #58081E, #47000B and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A2C44 shade: #7B2C44, #7B2C2F and #7B2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A2C44 shade: #7B2C44, #7B2C5A, #7B2C6F, #722C7B and #5D2C7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A2C44 shade matches the following richer shades: #7B2C44, #891E3F, #96113A and #A40335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A2C44 shade: #7B2C44, #6E3A4A, #60474F, #525554 and #456359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A2C44 shade: #7B2C6F, #7B2C5A, #7B2C45, #7B2C30 and #7B3D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A2C44 shade: #3F1623, #5D2134, #7B2C44, #9A3755 and #B84266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A2C44 shade: #7A2C44, #7B722C and #2C657B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A2C44 shade: #7A2C44, #457B2C and #2C457B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A2C44 shade: #7A2C44, #7B722C, #2C7B62 and #2C357B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A2C44 shade: #7A2C44, #6D7B2C, #2C7B62 and #3B2C7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

Complementary color

CMYK 37 / 0 / 11 / 17

HEX #85D3BB

RGB 133 211 187

HSL 161.54, 0.47%, 0.67%

LAB 79.14, -29.42, 4.31

 

CMYK 0 / 65 / 50 / 50

HEX #7F2C3F

RGB 127 44 63

HSL 346.27, 0.49%, 0.34%

LAB 31.05, 37.5, 7.48

 

CMYK 0 / 57 / 43 / 44

HEX #903E52

RGB 144 62 82

HSL 345.37, 0.4%, 0.4%

LAB 37.81, 36.72, 5.23

 

CMYK 0 / 50 / 37 / 37

HEX #A15065

RGB 161 80 101

HSL 344.44, 0.34%, 0.47%

LAB 44.59, 35.79, 3.5

 

CMYK 0 / 45 / 33 / 30

HEX #B26278

RGB 178 98 120

HSL 343.5, 0.34%, 0.54%

LAB 51.33, 34.84, 2.08

 

CMYK 0 / 41 / 29 / 24

HEX #C3748B

RGB 195 116 139

HSL 342.53, 0.4%, 0.61%

LAB 58, 33.93, 0.89

 

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

CMYK 0 / 75 / 53 / 59

HEX #691A31

RGB 105 26 49

HSL 342.53, 0.6%, 0.26%

LAB 23.55, 36.57, 5.74

 

CMYK 0 / 91 / 66 / 65

HEX #58081E

RGB 88 8 30

HSL 343.5, 0.83%, 0.19%

LAB 17.19, 35.73, 9.8

 

CMYK 0 / 100 / 85 / 72

HEX #47000B

RGB 71 0 11

HSL 350.7, 1%, 0.14%

LAB 11.71, 32.33, 13.91

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 64 / 45 / 52

HEX #7B2C44

RGB 123 44 68

HSL 341.77, 0.47%, 0.33%

LAB 30.47, 36.62, 3.28

 

CMYK 0 / 64 / 62 / 52

HEX #7B2C2F

RGB 123 44 47

HSL 357.72, 0.47%, 0.33%

LAB 29.95, 34.63, 16.35

 

CMYK 0 / 64 / 64 / 52

HEX #7B2C2C

RGB 123 44 44

HSL 0, 0.47%, 0.33%

LAB 29.9, 34.4, 18.22

 

CMYK 0 / 64 / 45 / 52

HEX #7B2C44

RGB 123 44 68

HSL 341.77, 0.47%, 0.33%

LAB 30.47, 36.62, 3.28

 

CMYK 0 / 64 / 27 / 52

HEX #7B2C5A

RGB 123 44 90

HSL 325.06, 0.47%, 0.33%

LAB 31.23, 39.44, -9.99

 

CMYK 0 / 64 / 10 / 52

HEX #7B2C6F

RGB 123 44 111

HSL 309.11, 0.47%, 0.33%

LAB 32.17, 42.78, -22.03

 

CMYK 7 / 64 / 0 / 52

HEX #722C7B

RGB 114 44 123

HSL 293.16, 0.47%, 0.33%

LAB 31.37, 42.52, -30.97

 

CMYK 24 / 64 / 0 / 52

HEX #5D2C7B

RGB 93 44 123

HSL 277.22, 0.47%, 0.33%

LAB 28.27, 36.99, -36.09

 

CMYK 0 / 64 / 45 / 52

HEX #7B2C44

RGB 123 44 68

HSL 341.77, 0.47%, 0.33%

LAB 30.47, 36.62, 3.28

 

CMYK 0 / 78 / 54 / 46

HEX #891E3F

RGB 137 30 63

HSL 341.5, 0.64%, 0.33%

LAB 30.89, 46.45, 7.54

 

CMYK 0 / 89 / 61 / 41

HEX #96113A

RGB 150 17 58

HSL 341.5, 0.8%, 0.33%

LAB 32.24, 53.23, 13.12

 

CMYK 0 / 98 / 68 / 36

HEX #A40335

RGB 164 3 53

HSL 341.37, 0.96%, 0.33%

LAB 34.43, 58.64, 19.84

 

CMYK 0 / 64 / 45 / 52

HEX #7B2C44

RGB 123 44 68

HSL 341.77, 0.47%, 0.33%

LAB 30.47, 36.62, 3.28

 

CMYK 0 / 47 / 33 / 57

HEX #6E3A4A

RGB 110 58 74

HSL 341.54, 0.31%, 0.33%

LAB 31.43, 24.96, 0.47

 

CMYK 0 / 26 / 18 / 62

HEX #60474F

RGB 96 71 79

HSL 340.8, 0.15%, 0.33%

LAB 33.04, 12.1, -0.61

 

CMYK 4 / 0 / 1 / 67

HEX #525554

RGB 82 85 84

HSL 160, 0.02%, 0.33%

LAB 35.85, -1.41, 0.16

 

CMYK 30 / 0 / 10 / 61

HEX #456359

RGB 69 99 89

HSL 160, 0.18%, 0.33%

LAB 39.43, -13.42, 2.14

 

CMYK 0 / 64 / 10 / 52

HEX #7B2C6F

RGB 123 44 111

HSL 309.11, 0.47%, 0.33%

LAB 32.17, 42.78, -22.03

 

CMYK 0 / 64 / 27 / 52

HEX #7B2C5A

RGB 123 44 90

HSL 325.06, 0.47%, 0.33%

LAB 31.23, 39.44, -9.99

 

CMYK 0 / 64 / 44 / 52

HEX #7B2C45

RGB 123 44 69

HSL 341.01, 0.47%, 0.33%

LAB 30.5, 36.73, 2.66

 

CMYK 0 / 64 / 61 / 52

HEX #7B2C30

RGB 123 44 48

HSL 356.96, 0.47%, 0.33%

LAB 29.97, 34.71, 15.72

 

CMYK 0 / 50 / 64 / 52

HEX #7B3D2C

RGB 123 61 44

HSL 12.91, 0.47%, 0.33%

LAB 33.41, 25.32, 22.64

 

CMYK 0 / 65 / 44 / 75

HEX #3F1623

RGB 63 22 35

HSL 340.98, 0.48%, 0.17%

LAB 14.13, 21.57, 1.1

 

CMYK 0 / 65 / 44 / 64

HEX #5D2134

RGB 93 33 52

HSL 341, 0.48%, 0.25%

LAB 22.52, 29.41, 1.89

 

CMYK 0 / 64 / 45 / 52

HEX #7B2C44

RGB 123 44 68

HSL 341.77, 0.47%, 0.33%

LAB 30.47, 36.62, 3.28

 

CMYK 0 / 64 / 45 / 40

HEX #9A3755

RGB 154 55 85

HSL 341.82, 0.47%, 0.41%

LAB 38.3, 43.91, 4.26

 

CMYK 0 / 64 / 45 / 28

HEX #B84266

RGB 184 66 102

HSL 341.69, 0.47%, 0.49%

LAB 45.7, 50.59, 4.94

 

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

CMYK 0 / 7 / 64 / 52

HEX #7B722C

RGB 123 114 44

HSL 53.16, 0.47%, 0.33%

LAB 47.53, -5.81, 38.97

 

CMYK 64 / 18 / 0 / 52

HEX #2C657B

RGB 44 101 123

HSL 196.71, 0.47%, 0.33%

LAB 40.04, -11.4, -17.88

 

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

CMYK 44 / 0 / 64 / 52

HEX #457B2C

RGB 69 123 44

HSL 101.01, 0.47%, 0.33%

LAB 46.46, -33.26, 36.7

 

CMYK 64 / 44 / 0 / 52

HEX #2C457B

RGB 44 69 123

HSL 221.01, 0.47%, 0.33%

LAB 29.97, 8.85, -33.65

 

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

CMYK 0 / 7 / 64 / 52

HEX #7B722C

RGB 123 114 44

HSL 53.16, 0.47%, 0.33%

LAB 47.53, -5.81, 38.97

 

CMYK 64 / 0 / 20 / 52

HEX #2C7B62

RGB 44 123 98

HSL 161.01, 0.47%, 0.33%

LAB 46.42, -30.48, 6.64

 

CMYK 64 / 57 / 0 / 52

HEX #2C357B

RGB 44 53 123

HSL 233.16, 0.47%, 0.33%

LAB 25.3, 19.83, -41.15

 

CMYK 0 / 64 / 44 / 52

HEX #7A2C44

RGB 122 44 68

HSL 341.54, 0.47%, 0.33%

LAB 30.29, 36.26, 3

 

CMYK 11 / 0 / 64 / 52

HEX #6D7B2C

RGB 109 123 44

HSL 70.63, 0.47%, 0.33%

LAB 49.01, -17.12, 40.22

 

CMYK 64 / 0 / 20 / 52

HEX #2C7B62

RGB 44 123 98

HSL 161.01, 0.47%, 0.33%

LAB 46.42, -30.48, 6.64

 

CMYK 52 / 64 / 0 / 52

HEX #3B2C7B

RGB 59 44 123

HSL 251.39, 0.47%, 0.33%

LAB 24.2, 28.87, -42.87

 

Description

Color code: HEX #7A2C44 | qconv.com Color code: HEX #7A2C44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 44 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 44 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 44 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 44% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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