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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A29B6 it is the complementary color #85D649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A29B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A29B6 shade: #7F29B1, #903BC4, #A14DD7, #B25FEA and #C371FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A29B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A29B6 shade: #7A29B6, #6917A3, #580590, #47007D and #36006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A29B6 shade: #7A29B6, #A029B6, #B629A6, #B62980 and #B6295A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A29B6 shade: #7A29B6, #5429B6, #2E29B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A29B6 shade matches the following richer shades: #7A29B6, #7D17C9 and #8005DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A29B6 shade: #7A29B6, #783BA4, #754D92, #725F80 and #6F726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A29B6 shade: #2E29B6, #5329B6, #7929B6, #9F29B6 and #B629A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A29B6 shade: #4D1A73, #642195, #7A29B6, #9037D1 and #A259D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A29B6 shade: #7A29B6, #B6294A and #29B641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A29B6 shade: #7A29B6, #B67929 and #29B679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A29B6 shade: #7A29B6, #B6294A, #66B629 and #29B695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A29B6 shade: #7A29B6, #B63229, #66B629 and #29ADB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

Complementary color

CMYK 38 / 0 / 66 / 16

HEX #85D649

RGB 133 214 73

HSL 94.47, 0.63%, 0.56%

LAB 78.2, -47.94, 59.59

 

CMYK 28 / 77 / 0 / 31

HEX #7F29B1

RGB 127 41 177

HSL 277.94, 0.62%, 0.43%

LAB 36.5, 58.04, -55.6

 

CMYK 27 / 70 / 0 / 23

HEX #903BC4

RGB 144 59 196

HSL 277.23, 0.54%, 0.5%

LAB 42.83, 58.14, -56.42

 

CMYK 25 / 64 / 0 / 16

HEX #A14DD7

RGB 161 77 215

HSL 276.52, 0.63%, 0.57%

LAB 49.24, 57.77, -56.91

 

CMYK 24 / 59 / 0 / 8

HEX #B25FEA

RGB 178 95 234

HSL 275.83, 0.77%, 0.65%

LAB 55.67, 57.14, -57.22

 

CMYK 23 / 55 / 0 / 1

HEX #C371FD

RGB 195 113 253

HSL 275.14, 0.97%, 0.72%

LAB 62.09, 56.38, -57.4

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 36 / 86 / 0 / 36

HEX #6917A3

RGB 105 23 163

HSL 275.14, 0.75%, 0.36%

LAB 30.06, 57.37, -57.83

 

CMYK 39 / 97 / 0 / 44

HEX #580590

RGB 88 5 144

HSL 275.83, 0.93%, 0.29%

LAB 24.31, 55.09, -55.7

 

CMYK 43 / 100 / 0 / 51

HEX #47007D

RGB 71 0 125

HSL 274.08, 1%, 0.25%

LAB 19.31, 50.16, -52.08

 

CMYK 49 / 100 / 0 / 58

HEX #36006A

RGB 54 0 106

HSL 270.57, 1%, 0.21%

LAB 14.54, 44.04, -47.74

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 12 / 77 / 0 / 29

HEX #A029B6

RGB 160 41 182

HSL 290.64, 0.63%, 0.44%

LAB 41.9, 65.28, -49.59

 

CMYK 0 / 77 / 9 / 29

HEX #B629A6

RGB 182 41 166

HSL 306.81, 0.63%, 0.44%

LAB 44.64, 67.18, -35.53

 

CMYK 0 / 77 / 30 / 29

HEX #B62980

RGB 182 41 128

HSL 322.98, 0.63%, 0.44%

LAB 42.9, 62.07, -15.25

 

CMYK 0 / 77 / 51 / 29

HEX #B6295A

RGB 182 41 90

HSL 339.15, 0.63%, 0.44%

LAB 41.64, 58.22, 6.56

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 54 / 77 / 0 / 29

HEX #5429B6

RGB 84 41 182

HSL 258.3, 0.63%, 0.44%

LAB 31.46, 52.34, -67.04

 

CMYK 75 / 77 / 0 / 29

HEX #2E29B6

RGB 46 41 182

HSL 242.13, 0.63%, 0.44%

LAB 28.23, 48.21, -72.47

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 38 / 89 / 0 / 21

HEX #7D17C9

RGB 125 23 201

HSL 274.38, 0.79%, 0.44%

LAB 36.35, 68.28, -70

 

CMYK 42 / 98 / 0 / 14

HEX #8005DB

RGB 128 5 219

HSL 274.49, 0.96%, 0.44%

LAB 37.5, 75.18, -78.51

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 27 / 64 / 0 / 36

HEX #783BA4

RGB 120 59 164

HSL 274.86, 0.47%, 0.44%

LAB 37.48, 45.61, -46.3

 

CMYK 20 / 47 / 0 / 43

HEX #754D92

RGB 117 77 146

HSL 274.78, 0.31%, 0.44%

LAB 39.86, 30.51, -31.7

 

CMYK 11 / 26 / 0 / 50

HEX #725F80

RGB 114 95 128

HSL 274.55, 0.15%, 0.44%

LAB 43.24, 14.41, -15.58

 

CMYK 3 / 0 / 4 / 55

HEX #6F726E

RGB 111 114 110

HSL 105, 0.02%, 0.44%

LAB 47.68, -1.95, 1.81

 

CMYK 75 / 77 / 0 / 29

HEX #2E29B6

RGB 46 41 182

HSL 242.13, 0.63%, 0.44%

LAB 28.23, 48.21, -72.47

 

CMYK 54 / 77 / 0 / 29

HEX #5329B6

RGB 83 41 182

HSL 257.87, 0.63%, 0.44%

LAB 31.35, 52.21, -67.22

 

CMYK 34 / 77 / 0 / 29

HEX #7929B6

RGB 121 41 182

HSL 274.04, 0.63%, 0.44%

LAB 36.04, 58.08, -59.36

 

CMYK 13 / 77 / 0 / 29

HEX #9F29B6

RGB 159 41 182

HSL 290.21, 0.63%, 0.44%

LAB 41.74, 65.08, -49.86

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 33 / 77 / 0 / 55

HEX #4D1A73

RGB 77 26 115

HSL 274.38, 0.63%, 0.28%

LAB 22.14, 40.33, -41

 

CMYK 33 / 78 / 0 / 42

HEX #642195

RGB 100 33 149

HSL 274.66, 0.64%, 0.36%

LAB 29.33, 49.92, -50.52

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 31 / 74 / 0 / 18

HEX #9037D1

RGB 144 55 209

HSL 274.68, 0.63%, 0.52%

LAB 43.16, 62.67, -63.41

 

CMYK 25 / 59 / 0 / 15

HEX #A259D9

RGB 162 89 217

HSL 274.22, 0.63%, 0.6%

LAB 51.65, 52.56, -54.18

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 0 / 77 / 59 / 29

HEX #B6294A

RGB 182 41 74

HSL 345.96, 0.63%, 0.44%

LAB 41.26, 57.01, 16.1

 

CMYK 77 / 0 / 64 / 29

HEX #29B641

RGB 41 182 65

HSL 130.21, 0.63%, 0.44%

LAB 65.21, -59.76, 47.88

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 0 / 34 / 77 / 29

HEX #B67929

RGB 182 121 41

HSL 34.04, 0.63%, 0.44%

LAB 55.87, 16.99, 50.93

 

CMYK 77 / 0 / 34 / 29

HEX #29B679

RGB 41 182 121

HSL 154.04, 0.63%, 0.44%

LAB 65.99, -50.68, 20.89

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 0 / 77 / 59 / 29

HEX #B6294A

RGB 182 41 74

HSL 345.96, 0.63%, 0.44%

LAB 41.26, 57.01, 16.1

 

CMYK 44 / 0 / 77 / 29

HEX #66B629

RGB 102 182 41

HSL 94.04, 0.63%, 0.44%

LAB 66.86, -47.34, 59.3

 

CMYK 77 / 0 / 18 / 29

HEX #29B695

RGB 41 182 149

HSL 165.96, 0.63%, 0.44%

LAB 66.59, -44.13, 6.47

 

CMYK 33 / 77 / 0 / 29

HEX #7A29B6

RGB 122 41 182

HSL 274.47, 0.63%, 0.44%

LAB 36.18, 58.25, -59.13

 

CMYK 0 / 73 / 77 / 29

HEX #B63229

RGB 182 50 41

HSL 3.83, 0.63%, 0.44%

LAB 41.82, 52.22, 36.77

 

CMYK 44 / 0 / 77 / 29

HEX #66B629

RGB 102 182 41

HSL 94.04, 0.63%, 0.44%

LAB 66.86, -47.34, 59.3

 

CMYK 77 / 5 / 0 / 29

HEX #29ADB6

RGB 41 173 182

HSL 183.83, 0.63%, 0.44%

LAB 64.75, -30.72, -14.54

 

Description

Color code: HEX #7A29B6 | qconv.com Color code: HEX #7A29B6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 41 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 41 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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