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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A1EDE it is the complementary color #85E121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A1EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A1EDE shade: #7F1ED9, #9030EC, #A142FF, #B254FF and #C366FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A1EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A1EDE shade: #7A1EDE, #690CCB, #5800B8, #4700A5 and #360092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A1EDE shade: #781DDB, #AC1DDB, #DB1DD8, #DB1DA5 and #DB1D71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A1EDE shade: #781DDB, #451DDB and #1D1DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A1EDE shade matches the following richer shades: #781DDB and #7809F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A1EDE shade: #781DDB, #7932C7, #7A46B3, #7B5A9F and #7C6E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A1EDE shade: #1D2ADB, #431DDB, #761DDB, #A91DDB and #DB1DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A1EDE shade: #511493, #6519B7, #781DDB, #8E3EE4 and #A362E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A1EDE shade: #7A1EDE, #DB1D5D and #1DDB2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A1EDE shade: #7A1EDE, #DB761D and #1DDB76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A1EDE shade: #7A1EDE, #DB1D5D, #83DB1D and #1DDB9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A1EDE shade: #7A1EDE, #DB1D24, #83DB1D and #1DDBD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

Complementary color

CMYK 41 / 0 / 85 / 12

HEX #85E121

RGB 133 225 33

HSL 88.75, 0.76%, 0.51%

LAB 81.26, -54.57, 74.9

 

CMYK 41 / 86 / 0 / 15

HEX #7F1ED9

RGB 127 30 217

HSL 271.12, 0.76%, 0.48%

LAB 38.64, 70.27, -75.5

 

CMYK 39 / 80 / 0 / 7

HEX #9030EC

RGB 144 48 236

HSL 270.64, 0.83%, 0.56%

LAB 44.38, 71.26, -76.84

 

CMYK 37 / 74 / 0 / 0

HEX #A142FF

RGB 161 66 255

HSL 270.16, 1%, 0.63%

LAB 50.33, 71.45, -77.68

 

CMYK 30 / 67 / 0 / 0

HEX #B254FF

RGB 178 84 255

HSL 272.98, 1%, 0.66%

LAB 55.1, 66.92, -69.84

 

CMYK 24 / 60 / 0 / 0

HEX #C366FF

RGB 195 102 255

HSL 276.47, 1%, 0.7%

LAB 60.18, 62.22, -61.55

 

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

CMYK 48 / 94 / 0 / 20

HEX #690CCB

RGB 105 12 203

HSL 269.21, 0.89%, 0.42%

LAB 33.09, 68.66, -76.63

 

CMYK 52 / 100 / 0 / 28

HEX #5800B8

RGB 88 0 184

HSL 268.7, 1%, 0.36%

LAB 28.21, 64.9, -73.57

 

CMYK 57 / 100 / 0 / 35

HEX #4700A5

RGB 71 0 165

HSL 265.82, 1%, 0.32%

LAB 23.86, 59.35, -69.43

 

CMYK 63 / 100 / 0 / 43

HEX #360092

RGB 54 0 146

HSL 262.19, 1%, 0.29%

LAB 19.47, 53.75, -65.1

 

CMYK 45 / 87 / 0 / 14

HEX #781DDB

RGB 120 29 219

HSL 268.74, 0.77%, 0.49%

LAB 37.82, 70.16, -78.03

 

CMYK 21 / 87 / 0 / 14

HEX #AC1DDB

RGB 172 29 219

HSL 285.16, 0.77%, 0.49%

LAB 45.31, 77.07, -65.48

 

CMYK 0 / 87 / 1 / 14

HEX #DB1DD8

RGB 219 29 216

HSL 300.95, 0.77%, 0.49%

LAB 52.84, 84.27, -51.25

 

CMYK 0 / 87 / 25 / 14

HEX #DB1DA5

RGB 219 29 165

HSL 317.05, 0.77%, 0.49%

LAB 50.28, 77.55, -25.63

 

CMYK 0 / 87 / 48 / 14

HEX #DB1D71

RGB 219 29 113

HSL 333.47, 0.77%, 0.49%

LAB 48.42, 72.42, 2.94

 

CMYK 45 / 87 / 0 / 14

HEX #781DDB

RGB 120 29 219

HSL 268.74, 0.77%, 0.49%

LAB 37.82, 70.16, -78.03

 

CMYK 68 / 87 / 0 / 14

HEX #451DDB

RGB 69 29 219

HSL 252.63, 0.77%, 0.49%

LAB 32.39, 65.65, -87.18

 

CMYK 87 / 87 / 0 / 14

HEX #1D1DDB

RGB 29 29 219

HSL 240, 0.77%, 0.49%

LAB 30.05, 63.89, -91.15

 

CMYK 45 / 87 / 0 / 14

HEX #781DDB

RGB 120 29 219

HSL 268.74, 0.77%, 0.49%

LAB 37.82, 70.16, -78.03

 

CMYK 50 / 96 / 0 / 6

HEX #7809F0

RGB 120 9 240

HSL 268.83, 0.93%, 0.49%

LAB 38.69, 78.41, -88.57

 

CMYK 45 / 87 / 0 / 14

HEX #781DDB

RGB 120 29 219

HSL 268.74, 0.77%, 0.49%

LAB 37.82, 70.16, -78.03

 

CMYK 39 / 75 / 0 / 22

HEX #7932C7

RGB 121 50 199

HSL 268.59, 0.6%, 0.49%

LAB 38.67, 58.4, -65.05

 

CMYK 32 / 61 / 0 / 30

HEX #7A46B3

RGB 122 70 179

HSL 268.62, 0.44%, 0.49%

LAB 40.85, 43.94, -49.79

 

CMYK 23 / 43 / 0 / 38

HEX #7B5A9F

RGB 123 90 159

HSL 268.7, 0.28%, 0.49%

LAB 44.27, 27.78, -32.51

 

CMYK 11 / 21 / 0 / 45

HEX #7C6E8B

RGB 124 110 139

HSL 268.97, 0.12%, 0.49%

LAB 48.64, 11.41, -13.88

 

CMYK 87 / 81 / 0 / 14

HEX #1D2ADB

RGB 29 42 219

HSL 235.89, 0.77%, 0.49%

LAB 31.88, 58.44, -88.09

 

CMYK 69 / 87 / 0 / 14

HEX #431DDB

RGB 67 29 219

HSL 252, 0.77%, 0.49%

LAB 32.23, 65.53, -87.46

 

CMYK 46 / 87 / 0 / 14

HEX #761DDB

RGB 118 29 219

HSL 268.11, 0.77%, 0.49%

LAB 37.56, 69.94, -78.46

 

CMYK 23 / 87 / 0 / 14

HEX #A91DDB

RGB 169 29 219

HSL 284.21, 0.77%, 0.49%

LAB 44.84, 76.62, -66.26

 

CMYK 0 / 87 / 0 / 14

HEX #DB1DDB

RGB 219 29 219

HSL 300, 0.77%, 0.49%

LAB 53.01, 84.71, -52.68

 

CMYK 45 / 86 / 0 / 42

HEX #511493

RGB 81 20 147

HSL 268.82, 0.76%, 0.33%

LAB 24.82, 51.2, -56.77

 

CMYK 45 / 86 / 0 / 28

HEX #6519B7

RGB 101 25 183

HSL 268.86, 0.76%, 0.41%

LAB 31.53, 60.81, -67.43

 

CMYK 45 / 87 / 0 / 14

HEX #781DDB

RGB 120 29 219

HSL 268.74, 0.77%, 0.49%

LAB 37.82, 70.16, -78.03

 

CMYK 38 / 73 / 0 / 11

HEX #8E3EE4

RGB 142 62 228

HSL 268.92, 0.75%, 0.57%

LAB 45.36, 63.74, -70.72

 

CMYK 30 / 58 / 0 / 9

HEX #A362E9

RGB 163 98 233

HSL 268.89, 0.75%, 0.65%

LAB 54.45, 51.88, -58.71

 

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

CMYK 0 / 87 / 58 / 14

HEX #DB1D5D

RGB 219 29 93

HSL 339.79, 0.77%, 0.49%

LAB 47.92, 70.98, 14.53

 

CMYK 87 / 0 / 81 / 14

HEX #1DDB2A

RGB 29 219 42

HSL 124.11, 0.77%, 0.49%

LAB 76.73, -74.08, 67.68

 

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

CMYK 0 / 46 / 87 / 14

HEX #DB761D

RGB 219 118 29

HSL 28.11, 0.77%, 0.49%

LAB 59.98, 33.96, 60.88

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

CMYK 0 / 87 / 58 / 14

HEX #DB1D5D

RGB 219 29 93

HSL 339.79, 0.77%, 0.49%

LAB 47.92, 70.98, 14.53

 

CMYK 40 / 0 / 87 / 14

HEX #83DB1D

RGB 131 219 29

HSL 87.79, 0.77%, 0.49%

LAB 79.37, -53, 74.05

 

CMYK 87 / 0 / 29 / 14

HEX #1DDB9C

RGB 29 219 156

HSL 160.11, 0.77%, 0.49%

LAB 78.07, -58.21, 18.86

 

CMYK 45 / 86 / 0 / 13

HEX #7A1EDE

RGB 122 30 222

HSL 268.75, 0.76%, 0.49%

LAB 38.45, 70.8, -78.71

 

CMYK 0 / 87 / 84 / 14

HEX #DB1D24

RGB 219 29 36

HSL 357.79, 0.77%, 0.49%

LAB 47.06, 68.51, 47.07

 

CMYK 40 / 0 / 87 / 14

HEX #83DB1D

RGB 131 219 29

HSL 87.79, 0.77%, 0.49%

LAB 79.37, -53, 74.05

 

CMYK 87 / 0 / 3 / 14

HEX #1DDBD5

RGB 29 219 213

HSL 178.11, 0.77%, 0.49%

LAB 79.46, -43.61, -9.43

 

Description

Color code: HEX #7A1EDE | qconv.com Color code: HEX #7A1EDE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 30 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 30 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 86 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 86% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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