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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0FCB it is the complementary color #85F034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0FCB shade: #7F0FC6, #9021D9, #A133EC, #B245FF and #C357FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0FCB shade: #7A0FCB, #6900B8, #5800A5, #470092 and #36007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0FCB shade: #7A0FCB, #AD0FCB, #CB0FB7, #CB0F84 and #CB0F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0FCB shade: #7A0FCB, #470FCB, #140FCB and #0F0FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0FCB shade matches the following richer shades: #7A0FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0FCB shade: #7A0FCB, #7821BA, #7532A8, #734496 and #705684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0FCB shade: #150FCB, #470FCB, #7A0FCB, #AC0FCB and #CB0FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0FCB shade: #4C097F, #630CA5, #7A0FCB, #9117ED and #A33DF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0FCB shade: #7A0FCB, #CB0F3B and #0FCB2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0FCB shade: #7A0FCB, #CB7A0F and #0FCB7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0FCB shade: #7A0FCB, #CB0F3B, #61CB0F and #0FCB9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0FCB shade: #7A0FCB, #CB1B0F, #61CB0F and #0FBFCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

Complementary color

CMYK 45 / 0 / 78 / 6

HEX #85F034

RGB 133 240 52

HSL 94.15, 0.86%, 0.57%

LAB 85.78, -59.54, 74.3

 

CMYK 36 / 92 / 0 / 22

HEX #7F0FC6

RGB 127 15 198

HSL 276.72, 0.86%, 0.42%

LAB 35.85, 69.45, -69.05

 

CMYK 34 / 85 / 0 / 15

HEX #9021D9

RGB 144 33 217

HSL 276.2, 0.74%, 0.49%

LAB 41.26, 71.71, -71.11

 

CMYK 32 / 78 / 0 / 7

HEX #A133EC

RGB 161 51 236

HSL 275.68, 0.83%, 0.56%

LAB 46.98, 72.81, -72.5

 

CMYK 30 / 73 / 0 / 0

HEX #B245FF

RGB 178 69 255

HSL 275.16, 1%, 0.64%

LAB 52.89, 73.15, -73.42

 

CMYK 24 / 66 / 0 / 0

HEX #C357FF

RGB 195 87 255

HSL 278.57, 1%, 0.67%

LAB 57.69, 69.04, -65.54

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 43 / 100 / 0 / 28

HEX #6900B8

RGB 105 0 184

HSL 274.24, 1%, 0.36%

LAB 30.55, 66.36, -69.62

 

CMYK 47 / 100 / 0 / 35

HEX #5800A5

RGB 88 0 165

HSL 272, 1%, 0.32%

LAB 26.13, 60.69, -65.59

 

CMYK 51 / 100 / 0 / 43

HEX #470092

RGB 71 0 146

HSL 269.18, 1%, 0.29%

LAB 21.63, 54.94, -61.45

 

CMYK 57 / 100 / 0 / 50

HEX #36007F

RGB 54 0 127

HSL 265.51, 1%, 0.25%

LAB 17.07, 49.11, -57.14

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 15 / 93 / 0 / 20

HEX #AD0FCB

RGB 173 15 203

HSL 290.43, 0.86%, 0.43%

LAB 43.56, 76.68, -59.08

 

CMYK 0 / 93 / 10 / 20

HEX #CB0FB7

RGB 203 15 183

HSL 306.38, 0.86%, 0.43%

LAB 47.57, 78.65, -40.71

 

CMYK 0 / 93 / 35 / 20

HEX #CB0F84

RGB 203 15 132

HSL 322.66, 0.86%, 0.43%

LAB 45.23, 72.56, -13.79

 

CMYK 0 / 93 / 60 / 20

HEX #CB0F51

RGB 203 15 81

HSL 338.94, 0.86%, 0.43%

LAB 43.7, 68.42, 15.71

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 65 / 93 / 0 / 20

HEX #470FCB

RGB 71 15 203

HSL 257.87, 0.86%, 0.43%

LAB 29.39, 65.52, -82.87

 

CMYK 90 / 93 / 0 / 20

HEX #140FCB

RGB 20 15 203

HSL 241.6, 0.86%, 0.43%

LAB 26.16, 63.67, -88.34

 

CMYK 93 / 93 / 0 / 20

HEX #0F0FCB

RGB 15 15 203

HSL 240, 0.86%, 0.43%

LAB 26.03, 63.6, -88.57

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 35 / 82 / 0 / 27

HEX #7821BA

RGB 120 33 186

HSL 274.12, 0.7%, 0.43%

LAB 35.25, 61.63, -63.01

 

CMYK 30 / 70 / 0 / 34

HEX #7532A8

RGB 117 50 168

HSL 274.07, 0.54%, 0.43%

LAB 35.77, 50.28, -51.48

 

CMYK 23 / 55 / 0 / 41

HEX #734496

RGB 115 68 150

HSL 274.39, 0.38%, 0.43%

LAB 37.81, 36.1, -37.38

 

CMYK 15 / 35 / 0 / 48

HEX #705684

RGB 112 86 132

HSL 273.91, 0.21%, 0.43%

LAB 40.84, 20.14, -21.72

 

CMYK 90 / 93 / 0 / 20

HEX #150FCB

RGB 21 15 203

HSL 241.91, 0.86%, 0.43%

LAB 26.19, 63.69, -88.28

 

CMYK 65 / 93 / 0 / 20

HEX #470FCB

RGB 71 15 203

HSL 257.87, 0.86%, 0.43%

LAB 29.39, 65.52, -82.87

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 15 / 93 / 0 / 20

HEX #AC0FCB

RGB 172 15 203

HSL 290.11, 0.86%, 0.43%

LAB 43.4, 76.53, -59.36

 

CMYK 0 / 93 / 9 / 20

HEX #CB0FB9

RGB 203 15 185

HSL 305.74, 0.86%, 0.43%

LAB 47.68, 78.92, -41.71

 

CMYK 40 / 93 / 0 / 50

HEX #4C097F

RGB 76 9 127

HSL 274.07, 0.87%, 0.27%

LAB 21.07, 48.88, -50.42

 

CMYK 40 / 93 / 0 / 35

HEX #630CA5

RGB 99 12 165

HSL 274.12, 0.86%, 0.35%

LAB 28.46, 59.65, -61.69

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 39 / 90 / 0 / 7

HEX #9117ED

RGB 145 23 237

HSL 274.21, 0.86%, 0.51%

LAB 42.38, 78.14, -80.67

 

CMYK 32 / 75 / 0 / 6

HEX #A33DF0

RGB 163 61 240

HSL 274.19, 0.86%, 0.59%

LAB 48.78, 70.42, -71.8

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 0 / 93 / 71 / 20

HEX #CB0F3B

RGB 203 15 59

HSL 345.96, 0.86%, 0.43%

LAB 43.29, 67.29, 28.9

 

CMYK 93 / 0 / 77 / 20

HEX #0FCB2E

RGB 15 203 46

HSL 129.89, 0.86%, 0.43%

LAB 71.56, -70.21, 61.57

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 0 / 40 / 93 / 20

HEX #CB7A0F

RGB 203 122 15

HSL 34.15, 0.86%, 0.43%

LAB 58.65, 24.89, 62.63

 

CMYK 93 / 0 / 40 / 20

HEX #0FCB7A

RGB 15 203 122

HSL 154.15, 0.86%, 0.43%

LAB 72.37, -60.28, 28.89

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 0 / 93 / 71 / 20

HEX #CB0F3B

RGB 203 15 59

HSL 345.96, 0.86%, 0.43%

LAB 43.29, 67.29, 28.9

 

CMYK 52 / 0 / 93 / 20

HEX #61CB0F

RGB 97 203 15

HSL 93.83, 0.86%, 0.43%

LAB 73.08, -57.85, 70.51

 

CMYK 93 / 0 / 22 / 20

HEX #0FCB9F

RGB 15 203 159

HSL 165.96, 0.86%, 0.43%

LAB 73.1, -52.11, 10.28

 

CMYK 40 / 93 / 0 / 20

HEX #7A0FCB

RGB 122 15 203

HSL 274.15, 0.86%, 0.43%

LAB 35.58, 69.91, -72.44

 

CMYK 0 / 87 / 93 / 20

HEX #CB1B0F

RGB 203 27 15

HSL 3.83, 0.86%, 0.43%

LAB 43.53, 64.22, 52.29

 

CMYK 52 / 0 / 93 / 20

HEX #61CB0F

RGB 97 203 15

HSL 93.83, 0.86%, 0.43%

LAB 73.08, -57.85, 70.51

 

CMYK 93 / 6 / 0 / 20

HEX #0FBFCB

RGB 15 191 203

HSL 183.83, 0.86%, 0.43%

LAB 70.65, -34.53, -17.25

 

Description

Color code: HEX #7A0FCB | qconv.com Color code: HEX #7A0FCB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 15 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 15 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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