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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CFE1A it is the complementary color #8301E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CFE1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CFE1A shade: #81FE15, #92FF28, #A3FF3B, #B4FF4E and #C5FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CFE1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CFE1A shade: #7CFE1A, #6BEC07, #5ADA00, #49C800 and #38B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CFE1A shade: #7CFD1A, #B9FD1A, #F6FD1A, #FDC71A and #FD8A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CFE1A shade: #7CFD1A, #3FFD1A, #1AFD33, #1AFD70 and #1AFDAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CFE1A shade matches the following richer shades: #7CFD1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CFE1A shade: #7CFD1A, #7EEB2D, #81D83F, #84C652 and #86B364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CFE1A shade: #F6FD1A, #B9FD1A, #7DFD1A, #40FD1A and #1AFD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CFE1A shade: #55C400, #67EE01, #7CFD1A, #93FE43 and #ABFE6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CFE1A shade: #7CFE1A, #1AFDC8 and #FD1AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CFE1A shade: #7CFE1A, #1A7DFD and #FD1A7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CFE1A shade: #7CFE1A, #1AFDC8, #9B1AFD and #FD1A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CFE1A shade: #7CFE1A, #1AEEFD, #9B1AFD and #FD291A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

Complementary color

CMYK 43 / 100 / 0 / 10

HEX #8301E5

RGB 131 1 229

HSL 274.21, 0.99%, 0.45%

LAB 38.73, 77.97, -82.2

 

CMYK 49 / 0 / 92 / 0

HEX #81FE15

RGB 129 254 21

HSL 92.19, 0.99%, 0.54%

LAB 89.68, -66.87, 83.84

 

CMYK 43 / 0 / 84 / 0

HEX #92FF28

RGB 146 255 40

HSL 90.42, 1%, 0.58%

LAB 90.68, -61.67, 81.82

 

CMYK 36 / 0 / 77 / 0

HEX #A3FF3B

RGB 163 255 59

HSL 88.16, 1%, 0.62%

LAB 91.52, -55.4, 78.13

 

CMYK 29 / 0 / 69 / 0

HEX #B4FF4E

RGB 180 255 78

HSL 85.42, 1%, 0.65%

LAB 92.47, -48.5, 73.26

 

CMYK 23 / 0 / 62 / 0

HEX #C5FF61

RGB 197 255 97

HSL 82.03, 1%, 0.69%

LAB 93.56, -41.09, 67.48

 

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

CMYK 55 / 0 / 97 / 7

HEX #6BEC07

RGB 107 236 7

HSL 93.8, 0.94%, 0.48%

LAB 83.51, -66.84, 79.9

 

CMYK 59 / 0 / 100 / 15

HEX #5ADA00

RGB 90 218 0

HSL 95.23, 1%, 0.43%

LAB 77.47, -65.17, 75.5

 

CMYK 64 / 0 / 100 / 22

HEX #49C800

RGB 73 200 0

HSL 98.1, 1%, 0.39%

LAB 71.37, -63.2, 70.46

 

CMYK 69 / 0 / 100 / 29

HEX #38B600

RGB 56 182 0

HSL 101.54, 1%, 0.36%

LAB 65.2, -60.96, 65.39

 

CMYK 51 / 0 / 90 / 1

HEX #7CFD1A

RGB 124 253 26

HSL 94.1, 0.98%, 0.55%

LAB 89.21, -67.81, 82.71

 

CMYK 27 / 0 / 90 / 1

HEX #B9FD1A

RGB 185 253 26

HSL 77.97, 0.98%, 0.55%

LAB 91.97, -47.93, 86.12

 

CMYK 3 / 0 / 90 / 1

HEX #F6FD1A

RGB 246 253 26

HSL 61.85, 0.98%, 0.55%

LAB 95.96, -24.04, 90.98

 

CMYK 0 / 21 / 90 / 1

HEX #FDC71A

RGB 253 199 26

HSL 45.73, 0.98%, 0.55%

LAB 82.81, 5.66, 81.08

 

CMYK 0 / 45 / 90 / 1

HEX #FD8A1A

RGB 253 138 26

HSL 29.6, 0.98%, 0.55%

LAB 68.85, 37.32, 70.58

 

CMYK 51 / 0 / 90 / 1

HEX #7CFD1A

RGB 124 253 26

HSL 94.1, 0.98%, 0.55%

LAB 89.21, -67.81, 82.71

 

CMYK 75 / 0 / 90 / 1

HEX #3FFD1A

RGB 63 253 26

HSL 110.22, 0.98%, 0.55%

LAB 87.67, -80.59, 80.8

 

CMYK 90 / 0 / 80 / 1

HEX #1AFD33

RGB 26 253 51

HSL 126.61, 0.98%, 0.55%

LAB 87.34, -83.18, 75.17

 

CMYK 90 / 0 / 56 / 1

HEX #1AFD70

RGB 26 253 112

HSL 142.73, 0.98%, 0.55%

LAB 87.8, -77.52, 53.11

 

CMYK 90 / 0 / 31 / 1

HEX #1AFDAE

RGB 26 253 174

HSL 159.12, 0.98%, 0.55%

LAB 88.7, -66.88, 24.22

 

CMYK 51 / 0 / 90 / 1

HEX #7CFD1A

RGB 124 253 26

HSL 94.1, 0.98%, 0.55%

LAB 89.21, -67.81, 82.71

 

CMYK 51 / 0 / 90 / 1

HEX #7CFD1A

RGB 124 253 26

HSL 94.1, 0.98%, 0.55%

LAB 89.21, -67.81, 82.71

 

CMYK 46 / 0 / 81 / 8

HEX #7EEB2D

RGB 126 235 45

HSL 94.42, 0.83%, 0.55%

LAB 83.99, -60.12, 74.42

 

CMYK 40 / 0 / 71 / 15

HEX #81D83F

RGB 129 216 63

HSL 94.12, 0.66%, 0.55%

LAB 78.54, -50.82, 63.69

 

CMYK 33 / 0 / 59 / 22

HEX #84C652

RGB 132 198 82

HSL 94.14, 0.5%, 0.55%

LAB 73.48, -40.67, 50.54

 

CMYK 25 / 0 / 44 / 30

HEX #86B364

RGB 134 179 100

HSL 94.18, 0.34%, 0.55%

LAB 68.19, -29.2, 35.5

 

CMYK 3 / 0 / 90 / 1

HEX #F6FD1A

RGB 246 253 26

HSL 61.85, 0.98%, 0.55%

LAB 95.96, -24.04, 90.98

 

CMYK 27 / 0 / 90 / 1

HEX #B9FD1A

RGB 185 253 26

HSL 77.97, 0.98%, 0.55%

LAB 91.97, -47.93, 86.12

 

CMYK 51 / 0 / 90 / 1

HEX #7DFD1A

RGB 125 253 26

HSL 93.83, 0.98%, 0.55%

LAB 89.25, -67.53, 82.76

 

CMYK 75 / 0 / 90 / 1

HEX #40FD1A

RGB 64 253 26

HSL 109.96, 0.98%, 0.55%

LAB 87.69, -80.45, 80.82

 

CMYK 90 / 0 / 81 / 1

HEX #1AFD31

RGB 26 253 49

HSL 126.08, 0.98%, 0.55%

LAB 87.34, -83.29, 75.69

 

CMYK 57 / 0 / 100 / 23

HEX #55C400

RGB 85 196 0

HSL 93.98, 1%, 0.38%

LAB 70.46, -58.93, 69.9

 

CMYK 57 / 0 / 100 / 7

HEX #67EE01

RGB 103 238 1

HSL 94.18, 0.99%, 0.47%

LAB 83.98, -68.62, 80.72

 

CMYK 51 / 0 / 90 / 1

HEX #7CFD1A

RGB 124 253 26

HSL 94.1, 0.98%, 0.55%

LAB 89.21, -67.81, 82.71

 

CMYK 42 / 0 / 74 / 0

HEX #93FE43

RGB 147 254 67

HSL 94.33, 0.99%, 0.63%

LAB 90.55, -59.74, 74.53

 

CMYK 33 / 0 / 57 / 0

HEX #ABFE6C

RGB 171 254 108

HSL 94.11, 0.99%, 0.71%

LAB 91.96, -48.85, 60.72

 

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

CMYK 90 / 0 / 21 / 1

HEX #1AFDC8

RGB 26 253 200

HSL 165.99, 0.98%, 0.55%

LAB 89.22, -61.06, 11.63

 

CMYK 0 / 90 / 15 / 1

HEX #FD1AD7

RGB 253 26 215

HSL 310.04, 0.98%, 0.55%

LAB 58.53, 90.64, -41.27

 

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

CMYK 90 / 51 / 0 / 1

HEX #1A7DFD

RGB 26 125 253

HSL 213.83, 0.98%, 0.55%

LAB 54, 20.69, -70.97

 

CMYK 0 / 90 / 51 / 1

HEX #FD1A7D

RGB 253 26 125

HSL 333.83, 0.98%, 0.55%

LAB 55.18, 81.68, 6.24

 

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

CMYK 90 / 0 / 21 / 1

HEX #1AFDC8

RGB 26 253 200

HSL 165.99, 0.98%, 0.55%

LAB 89.22, -61.06, 11.63

 

CMYK 39 / 90 / 0 / 1

HEX #9B1AFD

RGB 155 26 253

HSL 274.1, 0.98%, 0.55%

LAB 45.36, 81.97, -84.73

 

CMYK 0 / 90 / 69 / 1

HEX #FD1A4F

RGB 253 26 79

HSL 345.99, 0.98%, 0.55%

LAB 54.22, 79.02, 32.52

 

CMYK 51 / 0 / 90 / 0

HEX #7CFE1A

RGB 124 254 26

HSL 94.21, 0.99%, 0.55%

LAB 89.51, -68.16, 82.96

 

CMYK 90 / 6 / 0 / 1

HEX #1AEEFD

RGB 26 238 253

HSL 183.96, 0.98%, 0.55%

LAB 86.24, -40.49, -20.43

 

CMYK 39 / 90 / 0 / 1

HEX #9B1AFD

RGB 155 26 253

HSL 274.1, 0.98%, 0.55%

LAB 45.36, 81.97, -84.73

 

CMYK 0 / 84 / 90 / 1

HEX #FD291A

RGB 253 41 26

HSL 3.96, 0.98%, 0.55%

LAB 54.6, 74.98, 60.38

 

Description

Color code: HEX #7CFE1A | qconv.com Color code: HEX #7CFE1A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 254 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 254 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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