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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CFBF2 it is the complementary color #83040D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CFBF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CFBF2 shade: #81FBED, #92FFFF, #A3FFFF, #B4FFFF and #C5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CFBF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CFBF2 shade: #7CFBF2, #6BE9DF, #5AD7CC, #49C5B9 and #38B3A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CFBF2 shade: #7EFBF2, #7EFBD0, #7EFBAE, #7EFB8D and #91FB7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CFBF2 shade: #7EFBF2, #7EE2FB, #7EC0FB, #7E9FFB and #7E7EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CFBF2 shade matches the following richer shades: #7EFBF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CFBF2 shade: #7EFBF2, #89F0E8, #93E5DF, #9EDAD6 and #A9D0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CFBF2 shade: #7EFBAE, #7EFBCF, #7EFBF0, #7EE4FB and #7EC2FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CFBF2 shade: #2EF8EA, #56F9EE, #7EFBF2, #A6FCF6 and #CEFDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CFBF2 shade: #7CFBF2, #8C7EFB and #FBBE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CFBF2 shade: #7CFBF2, #F07EFB and #FBF07E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CFBF2 shade: #7CFBF2, #8C7EFB, #FB7E88 and #ECFB7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CFBF2 shade: #7CFBF2, #B27EFB, #FB7E88 and #C7FB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

Complementary color

CMYK 0 / 97 / 90 / 49

HEX #83040D

RGB 131 4 13

HSL 355.75, 0.94%, 0.26%

LAB 26.57, 48.37, 33.86

 

CMYK 49 / 0 / 6 / 2

HEX #81FBED

RGB 129 251 237

HSL 173.11, 0.94%, 0.75%

LAB 91.58, -37.6, -3.87

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

CMYK 54 / 0 / 4 / 9

HEX #6BE9DF

RGB 107 233 223

HSL 175.24, 0.74%, 0.67%

LAB 85.37, -37.32, -5.8

 

CMYK 58 / 0 / 5 / 16

HEX #5AD7CC

RGB 90 215 204

HSL 174.72, 0.61%, 0.6%

LAB 79.12, -37.13, -5

 

CMYK 63 / 0 / 6 / 23

HEX #49C5B9

RGB 73 197 185

HSL 174.19, 0.52%, 0.53%

LAB 72.79, -36.83, -4.13

 

CMYK 69 / 0 / 7 / 30

HEX #38B3A6

RGB 56 179 166

HSL 173.66, 0.52%, 0.46%

LAB 66.39, -36.35, -3.18

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF2

RGB 126 251 242

HSL 175.68, 0.94%, 0.74%

LAB 91.61, -37.02, -6.44

 

CMYK 50 / 0 / 17 / 2

HEX #7EFBD0

RGB 126 251 208

HSL 159.36, 0.94%, 0.74%

LAB 90.77, -44.87, 9.97

 

CMYK 50 / 0 / 31 / 2

HEX #7EFBAE

RGB 126 251 174

HSL 143.04, 0.94%, 0.74%

LAB 90.08, -51.65, 26.44

 

CMYK 50 / 0 / 44 / 2

HEX #7EFB8D

RGB 126 251 141

HSL 127.2, 0.94%, 0.74%

LAB 89.56, -57.07, 42.16

 

CMYK 42 / 0 / 50 / 2

HEX #91FB7E

RGB 145 251 126

HSL 110.88, 0.94%, 0.74%

LAB 90.1, -53.86, 50.13

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF2

RGB 126 251 242

HSL 175.68, 0.94%, 0.74%

LAB 91.61, -37.02, -6.44

 

CMYK 50 / 10 / 0 / 2

HEX #7EE2FB

RGB 126 226 251

HSL 192, 0.94%, 0.74%

LAB 84.89, -22.78, -21.21

 

CMYK 50 / 24 / 0 / 2

HEX #7EC0FB

RGB 126 192 251

HSL 208.32, 0.94%, 0.74%

LAB 75.51, -5.14, -35.57

 

CMYK 50 / 37 / 0 / 2

HEX #7E9FFB

RGB 126 159 251

HSL 224.16, 0.94%, 0.74%

LAB 66.67, 13.34, -49.4

 

CMYK 50 / 50 / 0 / 2

HEX #7E7EFB

RGB 126 126 251

HSL 240, 0.94%, 0.74%

LAB 58.34, 32.67, -62.65

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF2

RGB 126 251 242

HSL 175.68, 0.94%, 0.74%

LAB 91.61, -37.02, -6.44

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF2

RGB 126 251 242

HSL 175.68, 0.94%, 0.74%

LAB 91.61, -37.02, -6.44

 

CMYK 43 / 0 / 3 / 6

HEX #89F0E8

RGB 137 240 232

HSL 175.34, 0.77%, 0.74%

LAB 88.67, -31.89, -5.53

 

CMYK 36 / 0 / 3 / 10

HEX #93E5DF

RGB 147 229 223

HSL 175.61, 0.61%, 0.74%

LAB 85.79, -26.25, -5

 

CMYK 28 / 0 / 2 / 15

HEX #9EDAD6

RGB 158 218 214

HSL 176, 0.45%, 0.74%

LAB 83.06, -19.84, -4.21

 

CMYK 19 / 0 / 1 / 18

HEX #A9D0CD

RGB 169 208 205

HSL 175.38, 0.29%, 0.74%

LAB 80.71, -13.41, -2.78

 

CMYK 50 / 0 / 31 / 2

HEX #7EFBAE

RGB 126 251 174

HSL 143.04, 0.94%, 0.74%

LAB 90.08, -51.65, 26.44

 

CMYK 50 / 0 / 18 / 2

HEX #7EFBCF

RGB 126 251 207

HSL 158.88, 0.94%, 0.74%

LAB 90.75, -45.09, 10.45

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF0

RGB 126 251 240

HSL 174.72, 0.94%, 0.74%

LAB 91.56, -37.51, -5.48

 

CMYK 50 / 9 / 0 / 2

HEX #7EE4FB

RGB 126 228 251

HSL 191.04, 0.94%, 0.74%

LAB 85.45, -23.77, -20.36

 

CMYK 50 / 23 / 0 / 2

HEX #7EC2FB

RGB 126 194 251

HSL 207.36, 0.94%, 0.74%

LAB 76.06, -6.22, -34.72

 

CMYK 81 / 0 / 6 / 3

HEX #2EF8EA

RGB 46 248 234

HSL 175.84, 0.94%, 0.58%

LAB 88.76, -49.15, -6.69

 

CMYK 65 / 0 / 4 / 2

HEX #56F9EE

RGB 86 249 238

HSL 175.95, 0.93%, 0.66%

LAB 89.81, -44.17, -7.14

 

CMYK 50 / 0 / 4 / 2

HEX #7EFBF2

RGB 126 251 242

HSL 175.68, 0.94%, 0.74%

LAB 91.61, -37.02, -6.44

 

CMYK 34 / 0 / 2 / 1

HEX #A6FCF6

RGB 166 252 246

HSL 175.81, 0.93%, 0.82%

LAB 93.62, -27.12, -5.37

 

CMYK 19 / 0 / 1 / 1

HEX #CEFDFA

RGB 206 253 250

HSL 176.17, 0.92%, 0.9%

LAB 96.11, -15.45, -3.52

 

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

CMYK 44 / 50 / 0 / 2

HEX #8C7EFB

RGB 140 126 251

HSL 246.72, 0.94%, 0.74%

LAB 59.4, 35.72, -60.9

 

CMYK 0 / 24 / 50 / 2

HEX #FBBE7E

RGB 251 190 126

HSL 30.72, 0.94%, 0.74%

LAB 81.2, 14.56, 40.67

 

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

CMYK 4 / 50 / 0 / 2

HEX #F07EFB

RGB 240 126 251

HSL 294.72, 0.94%, 0.74%

LAB 69.76, 61.17, -43.82

 

CMYK 0 / 4 / 50 / 2

HEX #FBF07E

RGB 251 240 126

HSL 54.72, 0.94%, 0.74%

LAB 93.6, -10.96, 55.88

 

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

CMYK 44 / 50 / 0 / 2

HEX #8C7EFB

RGB 140 126 251

HSL 246.72, 0.94%, 0.74%

LAB 59.4, 35.72, -60.9

 

CMYK 0 / 50 / 46 / 2

HEX #FB7E88

RGB 251 126 136

HSL 355.2, 0.94%, 0.74%

LAB 67.43, 48.49, 17.05

 

CMYK 6 / 0 / 50 / 2

HEX #ECFB7E

RGB 236 251 126

HSL 67.2, 0.94%, 0.74%

LAB 95.3, -22.16, 57.63

 

CMYK 51 / 0 / 4 / 2

HEX #7CFBF2

RGB 124 251 242

HSL 175.75, 0.94%, 0.74%

LAB 91.55, -37.43, -6.54

 

CMYK 29 / 50 / 0 / 2

HEX #B27EFB

RGB 178 126 251

HSL 264.96, 0.94%, 0.74%

LAB 62.8, 44.86, -55.27

 

CMYK 0 / 50 / 46 / 2

HEX #FB7E88

RGB 251 126 136

HSL 355.2, 0.94%, 0.74%

LAB 67.43, 48.49, 17.05

 

CMYK 21 / 0 / 50 / 2

HEX #C7FB7E

RGB 199 251 126

HSL 84.96, 0.94%, 0.74%

LAB 92.86, -36.01, 54.12

 

Description

Color code: HEX #7CFBF2 | qconv.com Color code: HEX #7CFBF2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 251 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 251 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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