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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CF8DF it is the complementary color #830720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CF8DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CF8DF shade: #81F8DA, #92FFED, #A3FFFF, #B4FFFF and #C5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CF8DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CF8DF shade: #7CF8DF, #6BE6CC, #5AD4B9, #49C2A6 and #38B093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CF8DF shade: #7CF8DF, #7CF8BD, #7CF89C, #7DF87C and #9EF87C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CF8DF shade: #7CF8DF, #7CEFF8, #7CCEF8, #7CACF8 and #7C8BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CF8DF shade matches the following richer shades: #7CF8DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CF8DF shade: #7CF8DF, #87ECD8, #92E1D1, #9DD6CB and #A8CBC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CF8DF shade: #7CF89B, #7CF8BC, #7CF8DD, #7CF1F8 and #7CD0F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CF8DF shade: #2DF3CC, #54F6D5, #7CF8DF, #A3FAE8 and #CAFCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CF8DF shade: #7CF8DF, #7C7EF8 and #F8AB7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CF8DF shade: #7CF8DF, #DD7CF8 and #F8DD7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CF8DF shade: #7CF8DF, #7C7EF8, #F87C97 and #F8F67C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CF8DF shade: #7CF8DF, #9F7CF8, #F87C97 and #D5F87C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

Complementary color

CMYK 0 / 95 / 76 / 49

HEX #830720

RGB 131 7 32

HSL 347.9, 0.9%, 0.27%

LAB 26.97, 48.43, 22.79

 

CMYK 48 / 0 / 12 / 3

HEX #81F8DA

RGB 129 248 218

HSL 164.87, 0.89%, 0.74%

LAB 90.26, -40.66, 4.06

 

CMYK 43 / 0 / 7 / 0

HEX #92FFED

RGB 146 255 237

HSL 170.09, 1%, 0.79%

LAB 93.34, -35.57, -1.22

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 53 / 0 / 11 / 10

HEX #6BE6CC

RGB 107 230 204

HSL 167.32, 0.71%, 0.66%

LAB 84.01, -40.62, 2.22

 

CMYK 58 / 0 / 13 / 17

HEX #5AD4B9

RGB 90 212 185

HSL 166.72, 0.59%, 0.59%

LAB 77.74, -40.54, 3.15

 

CMYK 62 / 0 / 14 / 24

HEX #49C2A6

RGB 73 194 166

HSL 166.12, 0.5%, 0.52%

LAB 71.39, -40.36, 4.16

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 50 / 0 / 24 / 3

HEX #7CF8BD

RGB 124 248 189

HSL 151.45, 0.9%, 0.73%

LAB 89.44, -48, 17.87

 

CMYK 50 / 0 / 37 / 3

HEX #7CF89C

RGB 124 248 156

HSL 135.48, 0.9%, 0.73%

LAB 88.84, -54.04, 33.82

 

CMYK 50 / 0 / 50 / 3

HEX #7DF87C

RGB 125 248 124

HSL 119.52, 0.9%, 0.73%

LAB 88.42, -58.5, 48.83

 

CMYK 36 / 0 / 50 / 3

HEX #9EF87C

RGB 158 248 124

HSL 103.55, 0.9%, 0.73%

LAB 89.79, -48.9, 50.82

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 50 / 4 / 0 / 3

HEX #7CEFF8

RGB 124 239 248

HSL 184.35, 0.9%, 0.73%

LAB 88.35, -30.31, -14.43

 

CMYK 50 / 17 / 0 / 3

HEX #7CCEF8

RGB 124 206 248

HSL 200.32, 0.9%, 0.73%

LAB 79.16, -13.87, -28.35

 

CMYK 50 / 31 / 0 / 3

HEX #7CACF8

RGB 124 172 248

HSL 216.77, 0.9%, 0.73%

LAB 69.87, 4.58, -42.74

 

CMYK 50 / 44 / 0 / 3

HEX #7C8BF8

RGB 124 139 248

HSL 232.74, 0.9%, 0.73%

LAB 61.24, 23.68, -56.37

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 43 / 0 / 8 / 7

HEX #87ECD8

RGB 135 236 216

HSL 168.12, 0.73%, 0.73%

LAB 87.05, -34.23, 0.46

 

CMYK 35 / 0 / 7 / 12

HEX #92E1D1

RGB 146 225 209

HSL 167.85, 0.57%, 0.73%

LAB 84.26, -27.75, 0.14

 

CMYK 27 / 0 / 5 / 16

HEX #9DD6CB

RGB 157 214 203

HSL 168.42, 0.41%, 0.73%

LAB 81.61, -20.53, -0.49

 

CMYK 17 / 0 / 3 / 20

HEX #A8CBC4

RGB 168 203 196

HSL 168, 0.25%, 0.73%

LAB 79.05, -13.02, -0.39

 

CMYK 50 / 0 / 38 / 3

HEX #7CF89B

RGB 124 248 155

HSL 135, 0.9%, 0.73%

LAB 88.82, -54.21, 34.3

 

CMYK 50 / 0 / 24 / 3

HEX #7CF8BC

RGB 124 248 188

HSL 150.97, 0.9%, 0.73%

LAB 89.42, -48.2, 18.35

 

CMYK 50 / 0 / 11 / 3

HEX #7CF8DD

RGB 124 248 221

HSL 166.94, 0.9%, 0.73%

LAB 90.16, -41.09, 2.33

 

CMYK 50 / 3 / 0 / 3

HEX #7CF1F8

RGB 124 241 248

HSL 183.39, 0.9%, 0.73%

LAB 88.91, -31.26, -13.59

 

CMYK 50 / 16 / 0 / 3

HEX #7CD0F8

RGB 124 208 248

HSL 199.35, 0.9%, 0.73%

LAB 79.71, -14.91, -27.51

 

CMYK 81 / 0 / 16 / 5

HEX #2DF3CC

RGB 45 243 204

HSL 168.18, 0.89%, 0.56%

LAB 86.51, -54.98, 5.69

 

CMYK 66 / 0 / 13 / 4

HEX #54F6D5

RGB 84 246 213

HSL 167.78, 0.9%, 0.65%

LAB 88.26, -49.5, 3.59

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 35 / 0 / 7 / 2

HEX #A3FAE8

RGB 163 250 232

HSL 167.59, 0.9%, 0.81%

LAB 92.57, -30.05, 0.32

 

CMYK 20 / 0 / 4 / 1

HEX #CAFCF2

RGB 202 252 242

HSL 168, 0.89%, 0.89%

LAB 95.41, -17.77, -0.45

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 50 / 49 / 0 / 3

HEX #7C7EF8

RGB 124 126 248

HSL 239.03, 0.9%, 0.73%

LAB 58.02, 31.35, -61.52

 

CMYK 0 / 31 / 50 / 3

HEX #F8AB7C

RGB 248 171 124

HSL 22.74, 0.9%, 0.73%

LAB 76.4, 23.16, 35.51

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 11 / 50 / 0 / 3

HEX #DD7CF8

RGB 221 124 248

HSL 286.94, 0.9%, 0.73%

LAB 66.95, 56.5, -46.76

 

CMYK 0 / 11 / 50 / 3

HEX #F8DD7C

RGB 248 221 124

HSL 46.94, 0.9%, 0.73%

LAB 88.51, -2.82, 50.64

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 50 / 49 / 0 / 3

HEX #7C7EF8

RGB 124 126 248

HSL 239.03, 0.9%, 0.73%

LAB 58.02, 31.35, -61.52

 

CMYK 0 / 50 / 39 / 3

HEX #F87C97

RGB 248 124 151

HSL 346.94, 0.9%, 0.73%

LAB 66.98, 49.96, 7.88

 

CMYK 0 / 1 / 50 / 3

HEX #F8F67C

RGB 248 246 124

HSL 59.03, 0.9%, 0.73%

LAB 94.88, -15.25, 58.25

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 36 / 50 / 0 / 3

HEX #9F7CF8

RGB 159 124 248

HSL 256.94, 0.9%, 0.73%

LAB 60.39, 40.5, -57.56

 

CMYK 0 / 50 / 39 / 3

HEX #F87C97

RGB 248 124 151

HSL 346.94, 0.9%, 0.73%

LAB 66.98, 49.96, 7.88

 

CMYK 14 / 0 / 50 / 3

HEX #D5F87C

RGB 213 248 124

HSL 76.94, 0.9%, 0.73%

LAB 92.9, -29.68, 55.3

 

Description

Color code: HEX #7CF8DF | qconv.com Color code: HEX #7CF8DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 248 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 248 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 10 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 10% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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