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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE87D it is the complementary color #831782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE87D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE87D shade: #81E878, #92FA8B, #A3FF9E, #B4FFB1 and #C5FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE87D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE87D shade: #7CE87D, #6BD66A, #5AC457, #49B244 and #38A031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE87D shade: #7CE87D, #98E87C, #B5E87C, #D2E87C and #E8E07C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE87D shade: #7CE87D, #7CE89A, #7CE8B7, #7CE8D4 and #7CDEE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE87D shade matches the following richer shades: #7CE87D and #70F471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE87D shade: #7CE87D, #89DB8A, #95CF96, #A2C2A2 and #AEB6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE87D shade: #B6E87C, #99E87C, #7CE87C, #7CE899 and #7CE8B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE87D shade: #36DB38, #59E15B, #7CE87D, #A0EEA0 and #C3F4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE87D shade: #7CE87D, #7CD2E8 and #E87CA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE87D shade: #7CE87D, #7C7CE8 and #E87C7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE87D shade: #7CE87D, #7CD2E8, #E87CE8 and #E8927C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE87D shade: #7CE87D, #7CB2E8, #E87CE8 and #E8B27C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

Complementary color

CMYK 0 / 82 / 1 / 49

HEX #831782

RGB 131 23 130

HSL 300.56, 0.7%, 0.3%

LAB 31.92, 55.58, -34.31

 

CMYK 44 / 0 / 48 / 9

HEX #81E878

RGB 129 232 120

HSL 115.18, 0.71%, 0.69%

LAB 83.83, -51.58, 45.09

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8B

RGB 146 250 139

HSL 116.22, 0.92%, 0.76%

LAB 90.02, -51.48, 43.87

 

CMYK 36 / 0 / 38 / 0

HEX #A3FF9E

RGB 163 255 158

HSL 116.91, 1%, 0.81%

LAB 92.48, -45.83, 37.91

 

CMYK 29 / 0 / 31 / 0

HEX #B4FFB1

RGB 180 255 177

HSL 117.69, 1%, 0.85%

LAB 93.62, -37.68, 30.12

 

CMYK 23 / 0 / 23 / 0

HEX #C5FFC4

RGB 197 255 196

HSL 118.98, 1%, 0.88%

LAB 94.9, -29.18, 22.4

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 50 / 0 / 50 / 16

HEX #6BD66A

RGB 107 214 106

HSL 119.44, 0.57%, 0.63%

LAB 77.44, -52.35, 43.74

 

CMYK 54 / 0 / 56 / 23

HEX #5AC457

RGB 90 196 87

HSL 118.35, 0.48%, 0.55%

LAB 71.11, -52.23, 45

 

CMYK 59 / 0 / 62 / 30

HEX #49B244

RGB 73 178 68

HSL 117.27, 0.45%, 0.48%

LAB 64.7, -51.9, 46.19

 

CMYK 65 / 0 / 69 / 37

HEX #38A031

RGB 56 160 49

HSL 116.22, 0.53%, 0.41%

LAB 58.23, -51.23, 47.16

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 34 / 0 / 47 / 9

HEX #98E87C

RGB 152 232 124

HSL 104.44, 0.7%, 0.7%

LAB 84.92, -44.01, 44.75

 

CMYK 22 / 0 / 47 / 9

HEX #B5E87C

RGB 181 232 124

HSL 88.33, 0.7%, 0.7%

LAB 86.5, -34.05, 47.06

 

CMYK 9 / 0 / 47 / 9

HEX #D2E87C

RGB 210 232 124

HSL 72.22, 0.7%, 0.7%

LAB 88.39, -23.24, 49.8

 

CMYK 0 / 3 / 47 / 9

HEX #E8E07C

RGB 232 224 124

HSL 55.56, 0.7%, 0.7%

LAB 87.93, -10.71, 49.63

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 47 / 0 / 34 / 9

HEX #7CE89A

RGB 124 232 154

HSL 136.67, 0.7%, 0.7%

LAB 84.14, -47.79, 28.55

 

CMYK 47 / 0 / 21 / 9

HEX #7CE8B7

RGB 124 232 183

HSL 152.78, 0.7%, 0.7%

LAB 84.7, -42.29, 14.32

 

CMYK 47 / 0 / 9 / 9

HEX #7CE8D4

RGB 124 232 212

HSL 168.89, 0.7%, 0.7%

LAB 85.38, -35.91, 0.08

 

CMYK 47 / 4 / 0 / 9

HEX #7CDEE8

RGB 124 222 232

HSL 185.56, 0.7%, 0.7%

LAB 83.1, -26.25, -13.86

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 54 / 0 / 54 / 4

HEX #70F471

RGB 112 244 113

HSL 120.45, 0.86%, 0.7%

LAB 86.67, -61.67, 51.69

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 28 / 0 / 28 / 19

HEX #95CF96

RGB 149 207 150

HSL 121.03, 0.38%, 0.7%

LAB 78, -29.83, 22.5

 

CMYK 16 / 0 / 16 / 24

HEX #A2C2A2

RGB 162 194 162

HSL 120, 0.21%, 0.7%

LAB 75.37, -16.94, 12.57

 

CMYK 4 / 0 / 4 / 29

HEX #AEB6AE

RGB 174 182 174

HSL 120, 0.05%, 0.7%

LAB 73.23, -4.29, 3.09

 

CMYK 22 / 0 / 47 / 9

HEX #B6E87C

RGB 182 232 124

HSL 87.78, 0.7%, 0.7%

LAB 86.56, -33.69, 47.15

 

CMYK 34 / 0 / 47 / 9

HEX #99E87C

RGB 153 232 124

HSL 103.89, 0.7%, 0.7%

LAB 84.97, -43.69, 44.82

 

CMYK 47 / 0 / 47 / 9

HEX #7CE87C

RGB 124 232 124

HSL 120, 0.7%, 0.7%

LAB 83.68, -52.46, 42.94

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

CMYK 47 / 0 / 22 / 9

HEX #7CE8B6

RGB 124 232 182

HSL 152.22, 0.7%, 0.7%

LAB 84.68, -42.5, 14.81

 

CMYK 75 / 0 / 74 / 14

HEX #36DB38

RGB 54 219 56

HSL 120.73, 0.7%, 0.54%

LAB 77.12, -70.42, 63.94

 

CMYK 60 / 0 / 60 / 12

HEX #59E15B

RGB 89 225 91

HSL 120.88, 0.69%, 0.62%

LAB 80.03, -62.73, 53.58

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 33 / 0 / 33 / 7

HEX #A0EEA0

RGB 160 238 160

HSL 120, 0.7%, 0.78%

LAB 87.56, -38.99, 30.38

 

CMYK 20 / 0 / 20 / 4

HEX #C3F4C3

RGB 195 244 195

HSL 120, 0.69%, 0.86%

LAB 91.79, -24.78, 18.57

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 47 / 9 / 0 / 9

HEX #7CD2E8

RGB 124 210 232

HSL 192.22, 0.7%, 0.7%

LAB 79.73, -20.28, -18.94

 

CMYK 0 / 47 / 28 / 9

HEX #E87CA7

RGB 232 124 167

HSL 336.11, 0.7%, 0.7%

LAB 65.25, 46.47, -3.98

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 47 / 47 / 0 / 9

HEX #7C7CE8

RGB 124 124 232

HSL 240, 0.7%, 0.7%

LAB 56.61, 27.78, -54.9

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 47 / 9 / 0 / 9

HEX #7CD2E8

RGB 124 210 232

HSL 192.22, 0.7%, 0.7%

LAB 79.73, -20.28, -18.94

 

CMYK 0 / 47 / 0 / 9

HEX #E87CE8

RGB 232 124 232

HSL 300, 0.7%, 0.7%

LAB 67.57, 56.55, -36.87

 

CMYK 0 / 37 / 47 / 9

HEX #E8927C

RGB 232 146 124

HSL 12.22, 0.7%, 0.7%

LAB 68.87, 30.1, 25.28

HEX #E8927C

CMYK 47 / 0 / 46 / 9

HEX #7CE87D

RGB 124 232 125

HSL 120.56, 0.7%, 0.7%

LAB 83.69, -52.32, 42.47

 

CMYK 47 / 23 / 0 / 9

HEX #7CB2E8

RGB 124 178 232

HSL 210, 0.7%, 0.7%

LAB 70.84, -3.4, -32.53

 

CMYK 0 / 47 / 0 / 9

HEX #E87CE8

RGB 232 124 232

HSL 300, 0.7%, 0.7%

LAB 67.57, 56.55, -36.87

 

CMYK 0 / 23 / 47 / 9

HEX #E8B27C

RGB 232 178 124

HSL 30, 0.7%, 0.7%

LAB 76.35, 13.08, 35.1

 

Description

Color code: HEX #7CE87D | qconv.com Color code: HEX #7CE87D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 232 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 232 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 46% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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