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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE66A it is the complementary color #831995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE66A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE66A shade: #81E665, #92F878, #A3FF8B, #B4FF9E and #C5FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE66A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE66A shade: #7CE66A, #6BD457, #5AC244, #49B031 and #389E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE66A shade: #7CE56A, #9DE56A, #BFE56A, #E0E56A and #E5CA6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE66A shade: #7CE56A, #6AE57A, #6AE59B, #6AE5BC and #6AE5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE66A shade matches the following richer shades: #7CE56A and #72F35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE66A shade: #7CE56A, #86D778, #90C986, #9ABB94 and #A4ADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE66A shade: #BEE56A, #9EE56A, #7DE56A, #6AE579 and #6AE599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE66A shade: #3FD924, #5DDF47, #7CE56A, #9BEB8E and #BAF1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE66A shade: #7CE66A, #6ADFE5 and #E56AAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE66A shade: #7CE66A, #6A7DE5 and #E56A7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE66A shade: #7CE66A, #6ADFE5, #D36AE5 and #E5706A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE66A shade: #7CE66A, #6ABAE5, #D36AE5 and #E5956A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

Complementary color

CMYK 12 / 83 / 0 / 42

HEX #831995

RGB 131 25 149

HSL 291.29, 0.71%, 0.34%

LAB 33.33, 58.37, -43.81

 

CMYK 44 / 0 / 56 / 10

HEX #81E665

RGB 129 230 101

HSL 106.98, 0.72%, 0.65%

LAB 83.02, -53.06, 52.97

 

CMYK 41 / 0 / 52 / 3

HEX #92F878

RGB 146 248 120

HSL 107.81, 0.9%, 0.72%

LAB 89.21, -53.07, 51.83

 

CMYK 36 / 0 / 45 / 0

HEX #A3FF8B

RGB 163 255 139

HSL 107.59, 1%, 0.77%

LAB 92.21, -48.44, 46.79

 

CMYK 29 / 0 / 38 / 0

HEX #B4FF9E

RGB 180 255 158

HSL 106.39, 1%, 0.81%

LAB 93.32, -40.48, 39.17

 

CMYK 23 / 0 / 31 / 0

HEX #C5FFB1

RGB 197 255 177

HSL 104.62, 1%, 0.85%

LAB 94.55, -32.15, 31.53

 

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

CMYK 50 / 0 / 59 / 17

HEX #6BD457

RGB 107 212 87

HSL 110.4, 0.59%, 0.59%

LAB 76.62, -53.84, 51.59

 

CMYK 54 / 0 / 65 / 24

HEX #5AC244

RGB 90 194 68

HSL 109.52, 0.51%, 0.51%

LAB 70.3, -53.54, 52.58

 

CMYK 59 / 0 / 72 / 31

HEX #49B031

RGB 73 176 49

HSL 108.66, 0.56%, 0.44%

LAB 63.91, -52.97, 53.23

 

CMYK 65 / 0 / 81 / 38

HEX #389E1E

RGB 56 158 30

HSL 107.81, 0.68%, 0.37%

LAB 57.45, -51.97, 53.22

 

CMYK 46 / 0 / 54 / 10

HEX #7CE56A

RGB 124 229 106

HSL 111.22, 0.7%, 0.66%

LAB 82.57, -53.56, 50.11

 

CMYK 31 / 0 / 54 / 10

HEX #9DE56A

RGB 157 229 106

HSL 95.12, 0.7%, 0.66%

LAB 84.09, -43.12, 52.29

 

CMYK 17 / 0 / 54 / 10

HEX #BFE56A

RGB 191 229 106

HSL 78.54, 0.7%, 0.66%

LAB 86.08, -30.8, 55.12

 

CMYK 2 / 0 / 54 / 10

HEX #E0E56A

RGB 224 229 106

HSL 62.44, 0.7%, 0.66%

LAB 88.41, -17.92, 58.41

 

CMYK 0 / 12 / 54 / 10

HEX #E5CA6A

RGB 229 202 106

HSL 46.83, 0.7%, 0.66%

LAB 81.81, -2.32, 50.82

 

CMYK 46 / 0 / 54 / 10

HEX #7CE56A

RGB 124 229 106

HSL 111.22, 0.7%, 0.66%

LAB 82.57, -53.56, 50.11

 

CMYK 54 / 0 / 47 / 10

HEX #6AE57A

RGB 106 229 122

HSL 127.8, 0.7%, 0.66%

LAB 82.11, -56.26, 41.8

 

CMYK 54 / 0 / 32 / 10

HEX #6AE59B

RGB 106 229 155

HSL 143.9, 0.7%, 0.66%

LAB 82.63, -50.81, 25.9

 

CMYK 54 / 0 / 18 / 10

HEX #6AE5BC

RGB 106 229 188

HSL 160, 0.7%, 0.66%

LAB 83.3, -44.07, 9.63

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DD

RGB 106 229 221

HSL 176.1, 0.7%, 0.66%

LAB 84.13, -36.18, -6.57

 

CMYK 46 / 0 / 54 / 10

HEX #7CE56A

RGB 124 229 106

HSL 111.22, 0.7%, 0.66%

LAB 82.57, -53.56, 50.11

 

CMYK 53 / 0 / 62 / 5

HEX #72F35C

RGB 114 243 92

HSL 111.26, 0.86%, 0.66%

LAB 86.23, -63.1, 60.38

 

CMYK 46 / 0 / 54 / 10

HEX #7CE56A

RGB 124 229 106

HSL 111.22, 0.7%, 0.66%

LAB 82.57, -53.56, 50.11

 

CMYK 38 / 0 / 44 / 16

HEX #86D778

RGB 134 215 120

HSL 111.16, 0.54%, 0.66%

LAB 79.06, -42.93, 39.16

 

CMYK 28 / 0 / 33 / 21

HEX #90C986

RGB 144 201 134

HSL 111.04, 0.38%, 0.66%

LAB 75.71, -31.26, 27.75

 

CMYK 18 / 0 / 21 / 27

HEX #9ABB94

RGB 154 187 148

HSL 110.77, 0.22%, 0.66%

LAB 72.59, -18.63, 16.14

 

CMYK 5 / 0 / 6 / 32

HEX #A4ADA2

RGB 164 173 162

HSL 109.09, 0.06%, 0.66%

LAB 69.75, -5.25, 4.55

 

CMYK 17 / 0 / 54 / 10

HEX #BEE56A

RGB 190 229 106

HSL 79.02, 0.7%, 0.66%

LAB 86.02, -31.18, 55.03

 

CMYK 31 / 0 / 54 / 10

HEX #9EE56A

RGB 158 229 106

HSL 94.63, 0.7%, 0.66%

LAB 84.15, -42.78, 52.36

 

CMYK 45 / 0 / 54 / 10

HEX #7DE56A

RGB 125 229 106

HSL 110.73, 0.7%, 0.66%

LAB 82.61, -53.27, 50.17

 

CMYK 54 / 0 / 47 / 10

HEX #6AE579

RGB 106 229 121

HSL 127.32, 0.7%, 0.66%

LAB 82.1, -56.41, 42.27

 

CMYK 54 / 0 / 33 / 10

HEX #6AE599

RGB 106 229 153

HSL 142.93, 0.7%, 0.66%

LAB 82.59, -51.18, 26.88

 

CMYK 71 / 0 / 83 / 15

HEX #3FD924

RGB 63 217 36

HSL 111.05, 0.72%, 0.5%

LAB 76.56, -69.56, 69.23

 

CMYK 58 / 0 / 68 / 13

HEX #5DDF47

RGB 93 223 71

HSL 111.32, 0.7%, 0.58%

LAB 79.36, -63.06, 61.13

 

CMYK 46 / 0 / 54 / 10

HEX #7CE56A

RGB 124 229 106

HSL 111.22, 0.7%, 0.66%

LAB 82.57, -53.56, 50.11

 

CMYK 34 / 0 / 40 / 8

HEX #9BEB8E

RGB 155 235 142

HSL 111.61, 0.7%, 0.74%

LAB 86.18, -41.94, 37.55

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

CMYK 54 / 3 / 0 / 10

HEX #6ADFE5

RGB 106 223 229

HSL 182.93, 0.7%, 0.66%

LAB 82.65, -31.29, -13.02

 

CMYK 0 / 54 / 24 / 10

HEX #E56AAE

RGB 229 106 174

HSL 326.83, 0.7%, 0.66%

LAB 61.67, 55.21, -13.34

 

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

CMYK 54 / 45 / 0 / 10

HEX #6A7DE5

RGB 106 125 229

HSL 230.73, 0.7%, 0.66%

LAB 55.47, 22.32, -55.11

 

CMYK 0 / 54 / 45 / 10

HEX #E56A7D

RGB 229 106 125

HSL 350.73, 0.7%, 0.66%

LAB 60.29, 49.47, 12.9

 

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

CMYK 54 / 3 / 0 / 10

HEX #6ADFE5

RGB 106 223 229

HSL 182.93, 0.7%, 0.66%

LAB 82.65, -31.29, -13.02

 

CMYK 8 / 54 / 0 / 10

HEX #D36AE5

RGB 211 106 229

HSL 291.22, 0.7%, 0.66%

LAB 61.49, 59, -44.92

 

CMYK 0 / 51 / 54 / 10

HEX #E5706A

RGB 229 112 106

HSL 2.93, 0.7%, 0.66%

LAB 61.03, 44.85, 24.82

 

CMYK 46 / 0 / 54 / 10

HEX #7CE66A

RGB 124 230 106

HSL 111.29, 0.71%, 0.66%

LAB 82.87, -53.95, 50.46

 

CMYK 54 / 19 / 0 / 10

HEX #6ABAE5

RGB 106 186 229

HSL 200.98, 0.7%, 0.66%

LAB 72.12, -12.64, -28.99

 

CMYK 8 / 54 / 0 / 10

HEX #D36AE5

RGB 211 106 229

HSL 291.22, 0.7%, 0.66%

LAB 61.49, 59, -44.92

 

CMYK 0 / 35 / 54 / 10

HEX #E5956A

RGB 229 149 106

HSL 20.98, 0.7%, 0.66%

LAB 68.89, 25.69, 35.01

 

Description

Color code: HEX #7CE66A | qconv.com Color code: HEX #7CE66A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 230 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 230 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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