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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CD300 it is the complementary color #832CFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CD300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CD300 shade: #81D300, #92E50E, #A3F721, #B4FF34 and #C5FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CD300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CD300 shade: #7CD300, #6BC100, #5AAF00, #499D00 and #388B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CD300 shade: #7AD100, #B3D100, #D1B600, #D17E00 and #D14500

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CD300 shade: #7AD100, #42D100, #0AD100, #00D12E and #00D166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CD300 shade matches the following richer shades: #7AD100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CD300 shade: #7AD100, #77C010, #74AF21, #719E32 and #6F8D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CD300 shade: #D1B500, #B5D100, #7DD100, #45D100 and #0DD100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CD300 shade: #4A7E00, #62A700, #7AD100, #93FA00 and #A4FF24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CD300 shade: #7CD300, #00D17D and #D100D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CD300 shade: #7CD300, #007DD1 and #D1007D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CD300 shade: #7CD300, #00D17D, #5300D1 and #D10053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CD300 shade: #7CD300, #00D1BC, #5300D1 and #D10014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

Complementary color

CMYK 49 / 83 / 0 / 0

HEX #832CFF

RGB 131 44 255

HSL 264.74, 1%, 0.59%

LAB 44.01, 75.25, -88.17

 

CMYK 39 / 0 / 100 / 17

HEX #81D300

RGB 129 211 0

HSL 83.32, 1%, 0.41%

LAB 76.83, -51.05, 75.64

 

CMYK 36 / 0 / 94 / 10

HEX #92E50E

RGB 146 229 14

HSL 83.16, 0.88%, 0.48%

LAB 83.01, -52.22, 79.54

 

CMYK 34 / 0 / 87 / 3

HEX #A3F721

RGB 163 247 33

HSL 83.55, 0.93%, 0.55%

LAB 89.12, -53.17, 82.16

 

CMYK 29 / 0 / 80 / 0

HEX #B4FF34

RGB 180 255 52

HSL 82.17, 1%, 0.6%

LAB 92.34, -49.82, 81.11

 

CMYK 23 / 0 / 72 / 0

HEX #C5FF47

RGB 197 255 71

HSL 78.91, 1%, 0.64%

LAB 93.38, -42.74, 76.86

 

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

CMYK 45 / 0 / 100 / 24

HEX #6BC100

RGB 107 193 0

HSL 86.74, 1%, 0.38%

LAB 70.36, -51.32, 70.18

 

CMYK 49 / 0 / 100 / 31

HEX #5AAF00

RGB 90 175 0

HSL 89.14, 1%, 0.34%

LAB 64.03, -49.81, 64.92

 

CMYK 54 / 0 / 100 / 38

HEX #499D00

RGB 73 157 0

HSL 92.1, 1%, 0.31%

LAB 57.59, -48.17, 59.58

 

CMYK 60 / 0 / 100 / 45

HEX #388B00

RGB 56 139 0

HSL 95.83, 1%, 0.27%

LAB 51.04, -46.33, 54.17

 

CMYK 42 / 0 / 100 / 18

HEX #7AD100

RGB 122 209 0

HSL 84.98, 1%, 0.41%

LAB 75.91, -52.63, 74.78

 

CMYK 14 / 0 / 100 / 18

HEX #B3D100

RGB 179 209 0

HSL 68.61, 1%, 0.41%

LAB 79.15, -31.13, 78.67

 

CMYK 0 / 13 / 100 / 18

HEX #D1B600

RGB 209 182 0

HSL 52.25, 1%, 0.41%

LAB 74.2, -4.88, 76.14

 

CMYK 0 / 40 / 100 / 18

HEX #D17E00

RGB 209 126 0

HSL 36.17, 1%, 0.41%

LAB 60.32, 25.13, 66.7

 

CMYK 0 / 67 / 100 / 18

HEX #D14500

RGB 209 69 0

HSL 19.81, 1%, 0.41%

LAB 49.27, 53.04, 60.29

 

CMYK 42 / 0 / 100 / 18

HEX #7AD100

RGB 122 209 0

HSL 84.98, 1%, 0.41%

LAB 75.91, -52.63, 74.78

 

CMYK 68 / 0 / 100 / 18

HEX #42D100

RGB 66 209 0

HSL 101.05, 1%, 0.41%

LAB 74.04, -67.52, 72.51

 

CMYK 95 / 0 / 100 / 18

HEX #0AD100

RGB 10 209 0

HSL 117.13, 1%, 0.41%

LAB 73.33, -73.79, 71.64

 

CMYK 100 / 0 / 78 / 18

HEX #00D12E

RGB 0 209 46

HSL 133.21, 1%, 0.41%

LAB 73.41, -72.51, 63.34

 

CMYK 100 / 0 / 51 / 18

HEX #00D166

RGB 0 209 102

HSL 149.28, 1%, 0.41%

LAB 73.91, -66.33, 40.89

 

CMYK 42 / 0 / 100 / 18

HEX #7AD100

RGB 122 209 0

HSL 84.98, 1%, 0.41%

LAB 75.91, -52.63, 74.78

 

CMYK 42 / 0 / 100 / 18

HEX #7AD100

RGB 122 209 0

HSL 84.98, 1%, 0.41%

LAB 75.91, -52.63, 74.78

 

CMYK 38 / 0 / 92 / 25

HEX #77C010

RGB 119 192 16

HSL 84.89, 0.85%, 0.41%

LAB 70.63, -46.57, 68.75

 

CMYK 34 / 0 / 81 / 31

HEX #74AF21

RGB 116 175 33

HSL 84.93, 0.68%, 0.41%

LAB 65.34, -39.92, 60.54

 

CMYK 28 / 0 / 68 / 38

HEX #719E32

RGB 113 158 50

HSL 85, 0.52%, 0.41%

LAB 60.06, -32.4, 49.43

 

CMYK 21 / 0 / 52 / 45

HEX #6F8D43

RGB 111 141 67

HSL 84.32, 0.36%, 0.41%

LAB 54.9, -23.38, 35.72

 

CMYK 0 / 13 / 100 / 18

HEX #D1B500

RGB 209 181 0

HSL 51.96, 1%, 0.41%

LAB 73.94, -4.36, 75.95

 

CMYK 13 / 0 / 100 / 18

HEX #B5D100

RGB 181 209 0

HSL 68.04, 1%, 0.41%

LAB 79.29, -30.31, 78.83

 

CMYK 40 / 0 / 100 / 18

HEX #7DD100

RGB 125 209 0

HSL 84.11, 1%, 0.41%

LAB 76.05, -51.62, 74.95

 

CMYK 67 / 0 / 100 / 18

HEX #45D100

RGB 69 209 0

HSL 100.19, 1%, 0.41%

LAB 74.1, -66.94, 72.59

 

CMYK 94 / 0 / 100 / 18

HEX #0DD100

RGB 13 209 0

HSL 116.27, 1%, 0.41%

LAB 73.34, -73.67, 71.66

 

CMYK 41 / 0 / 100 / 51

HEX #4A7E00

RGB 74 126 0

HSL 84.76, 1%, 0.25%

LAB 47.47, -35.3, 51.69

 

CMYK 41 / 0 / 100 / 35

HEX #62A700

RGB 98 167 0

HSL 84.79, 1%, 0.33%

LAB 61.86, -43.97, 63.38

 

CMYK 42 / 0 / 100 / 18

HEX #7AD100

RGB 122 209 0

HSL 84.98, 1%, 0.41%

LAB 75.91, -52.63, 74.78

 

CMYK 41 / 0 / 100 / 2

HEX #93FA00

RGB 147 250 0

HSL 84.72, 1%, 0.49%

LAB 89.19, -60.24, 85.59

 

CMYK 36 / 0 / 86 / 0

HEX #A4FF24

RGB 164 255 36

HSL 84.93, 1%, 0.57%

LAB 91.48, -55.94, 83.61

 

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

CMYK 100 / 0 / 40 / 18

HEX #00D17D

RGB 0 209 125

HSL 155.89, 1%, 0.41%

LAB 74.24, -62.32, 29.8

 

CMYK 0 / 100 / 0 / 18

HEX #D100D1

RGB 209 0 209

HSL 300, 1%, 0.41%

LAB 49.69, 84.57, -52.37

 

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

CMYK 100 / 40 / 0 / 18

HEX #007DD1

RGB 0 125 209

HSL 204.11, 1%, 0.41%

LAB 51, 2.74, -51.18

 

CMYK 0 / 100 / 40 / 18

HEX #D1007D

RGB 209 0 125

HSL 324.11, 1%, 0.41%

LAB 45.68, 74.54, -8.69

 

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

CMYK 100 / 0 / 40 / 18

HEX #00D17D

RGB 0 209 125

HSL 155.89, 1%, 0.41%

LAB 74.24, -62.32, 29.8

 

CMYK 60 / 100 / 0 / 18

HEX #5300D1

RGB 83 0 209

HSL 263.83, 1%, 0.41%

LAB 30.5, 70.22, -84.49

 

CMYK 0 / 100 / 60 / 18

HEX #D10053

RGB 209 0 83

HSL 336.17, 1%, 0.41%

LAB 44.49, 71.39, 15.74

 

CMYK 41 / 0 / 100 / 17

HEX #7CD300

RGB 124 211 0

HSL 84.74, 1%, 0.41%

LAB 76.6, -52.74, 75.36

 

CMYK 100 / 0 / 10 / 18

HEX #00D1BC

RGB 0 209 188

HSL 173.97, 1%, 0.41%

LAB 75.6, -47.42, -1.74

 

CMYK 60 / 100 / 0 / 18

HEX #5300D1

RGB 83 0 209

HSL 263.83, 1%, 0.41%

LAB 30.5, 70.22, -84.49

 

CMYK 0 / 100 / 90 / 18

HEX #D10014

RGB 209 0 20

HSL 354.26, 1%, 0.41%

LAB 43.66, 69.15, 51.03

 

Description

Color code: HEX #7CD300 | qconv.com Color code: HEX #7CD300 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 211 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 211 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 100 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 100% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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