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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D45F it is the complementary color #862BA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D45F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D45F shade: #7ED45A, #8FE66D, #A0F880, #B1FF93 and #C2FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D45F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D45F shade: #79D45F, #68C24C, #57B039, #469E26 and #358C13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D45F shade: #78D45D, #98D45D, #B7D45D, #D4D05D and #D4B05D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D45F shade: #78D45D, #5DD463, #5DD483, #5DD4A3 and #5DD4C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D45F shade matches the following richer shades: #78D45D, #6EE44D and #65F53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D45F shade: #78D45D, #81C36E, #8AB37E, #93A28F and #9C929F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D45F shade: #B8D45D, #99D45D, #79D45D, #5DD461 and #5DD481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D45F shade: #4BB02E, #5CCB3D, #78D45D, #93DC7E and #AEE59F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D45F shade: #79D45F, #5DD4D0 and #D45DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D45F shade: #79D45F, #5D79D4 and #D45D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D45F shade: #79D45F, #5DD4D0, #B85DD4 and #D45D61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D45F shade: #79D45F, #5DB4D4, #B85DD4 and #D47D5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

Complementary color

CMYK 16 / 73 / 0 / 37

HEX #862BA0

RGB 134 43 160

HSL 286.67, 0.58%, 0.4%

LAB 36.62, 55.13, -45.18

 

CMYK 41 / 0 / 58 / 17

HEX #7ED45A

RGB 126 212 90

HSL 102.3, 0.59%, 0.59%

LAB 77.44, -47.83, 51.4

 

CMYK 38 / 0 / 53 / 10

HEX #8FE66D

RGB 143 230 109

HSL 103.14, 0.71%, 0.66%

LAB 83.72, -47.85, 50.3

 

CMYK 35 / 0 / 48 / 3

HEX #A0F880

RGB 160 248 128

HSL 104, 0.9%, 0.74%

LAB 89.94, -47.79, 49.15

 

CMYK 31 / 0 / 42 / 0

HEX #B1FF93

RGB 177 255 147

HSL 103.33, 1%, 0.79%

LAB 93, -42.94, 44.1

 

CMYK 24 / 0 / 35 / 0

HEX #C2FFA6

RGB 194 255 166

HSL 101.12, 1%, 0.83%

LAB 94.2, -34.74, 36.52

 

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

CMYK 46 / 0 / 61 / 24

HEX #68C24C

RGB 104 194 76

HSL 105.76, 0.49%, 0.53%

LAB 70.9, -48.75, 49.94

 

CMYK 51 / 0 / 68 / 31

HEX #57B039

RGB 87 176 57

HSL 104.87, 0.51%, 0.46%

LAB 64.46, -48.46, 50.81

 

CMYK 56 / 0 / 76 / 38

HEX #469E26

RGB 70 158 38

HSL 104, 0.61%, 0.38%

LAB 57.94, -47.88, 51.22

 

CMYK 62 / 0 / 86 / 45

HEX #358C13

RGB 53 140 19

HSL 103.14, 0.76%, 0.31%

LAB 51.34, -46.85, 50.66

 

CMYK 43 / 0 / 56 / 17

HEX #78D45D

RGB 120 212 93

HSL 106.39, 0.58%, 0.6%

LAB 77.2, -49.38, 49.69

 

CMYK 28 / 0 / 56 / 17

HEX #98D45D

RGB 152 212 93

HSL 90.25, 0.58%, 0.6%

LAB 78.78, -38.7, 51.94

 

CMYK 14 / 0 / 56 / 17

HEX #B7D45D

RGB 183 212 93

HSL 74.62, 0.58%, 0.6%

LAB 80.71, -27.01, 54.65

 

CMYK 0 / 2 / 56 / 17

HEX #D4D05D

RGB 212 208 93

HSL 57.98, 0.58%, 0.6%

LAB 81.78, -13.37, 56.45

 

CMYK 0 / 17 / 56 / 17

HEX #D4B05D

RGB 212 176 93

HSL 41.85, 0.58%, 0.6%

LAB 73.44, 3.17, 46.83

 

CMYK 43 / 0 / 56 / 17

HEX #78D45D

RGB 120 212 93

HSL 106.39, 0.58%, 0.6%

LAB 77.2, -49.38, 49.69

 

CMYK 56 / 0 / 53 / 17

HEX #5DD463

RGB 93 212 99

HSL 123.03, 0.58%, 0.6%

LAB 76.26, -56.08, 45.54

 

CMYK 56 / 0 / 38 / 17

HEX #5DD483

RGB 93 212 131

HSL 139.16, 0.58%, 0.6%

LAB 76.71, -51.22, 30.24

 

CMYK 56 / 0 / 23 / 17

HEX #5DD4A3

RGB 93 212 163

HSL 155.29, 0.58%, 0.6%

LAB 77.32, -44.98, 14.3

 

CMYK 56 / 0 / 8 / 17

HEX #5DD4C3

RGB 93 212 195

HSL 171.43, 0.58%, 0.6%

LAB 78.08, -37.49, -1.69

 

CMYK 43 / 0 / 56 / 17

HEX #78D45D

RGB 120 212 93

HSL 106.39, 0.58%, 0.6%

LAB 77.2, -49.38, 49.69

 

CMYK 52 / 0 / 66 / 11

HEX #6EE44D

RGB 110 228 77

HSL 106.89, 0.74%, 0.6%

LAB 81.48, -60.03, 61.21

 

CMYK 59 / 0 / 76 / 4

HEX #65F53C

RGB 101 245 60

HSL 106.7, 0.9%, 0.6%

LAB 86.2, -69.52, 71.94

 

CMYK 43 / 0 / 56 / 17

HEX #78D45D

RGB 120 212 93

HSL 106.39, 0.58%, 0.6%

LAB 77.2, -49.38, 49.69

 

CMYK 34 / 0 / 44 / 24

HEX #81C36E

RGB 129 195 110

HSL 106.59, 0.41%, 0.6%

LAB 72.78, -37.07, 36.15

 

CMYK 23 / 0 / 30 / 30

HEX #8AB37E

RGB 138 179 126

HSL 106.42, 0.26%, 0.6%

LAB 68.86, -23.96, 22.72

 

CMYK 9 / 0 / 12 / 36

HEX #93A28F

RGB 147 162 143

HSL 107.37, 0.09%, 0.6%

LAB 64.98, -8.97, 8.09

 

CMYK 2 / 8 / 0 / 38

HEX #9C929F

RGB 156 146 159

HSL 286.15, 0.06%, 0.6%

LAB 61.77, 6.17, -5.52

 

CMYK 13 / 0 / 56 / 17

HEX #B8D45D

RGB 184 212 93

HSL 74.12, 0.58%, 0.6%

LAB 80.78, -26.62, 54.75

 

CMYK 28 / 0 / 56 / 17

HEX #99D45D

RGB 153 212 93

HSL 89.75, 0.58%, 0.6%

LAB 78.84, -38.34, 52.01

 

CMYK 43 / 0 / 56 / 17

HEX #79D45D

RGB 121 212 93

HSL 105.88, 0.58%, 0.6%

LAB 77.25, -49.07, 49.76

 

CMYK 56 / 0 / 54 / 17

HEX #5DD461

RGB 93 212 97

HSL 122.02, 0.58%, 0.6%

LAB 76.24, -56.34, 46.45

 

CMYK 56 / 0 / 39 / 17

HEX #5DD481

RGB 93 212 129

HSL 138.15, 0.58%, 0.6%

LAB 76.68, -51.57, 31.22

 

CMYK 57 / 0 / 74 / 31

HEX #4BB02E

RGB 75 176 46

HSL 106.62, 0.59%, 0.44%

LAB 63.95, -52.68, 54.41

 

CMYK 55 / 0 / 70 / 20

HEX #5CCB3D

RGB 92 203 61

HSL 106.9, 0.58%, 0.52%

LAB 73.1, -56.97, 58.38

 

CMYK 43 / 0 / 56 / 17

HEX #78D45D

RGB 120 212 93

HSL 106.39, 0.58%, 0.6%

LAB 77.2, -49.38, 49.69

 

CMYK 33 / 0 / 43 / 14

HEX #93DC7E

RGB 147 220 126

HSL 106.6, 0.57%, 0.68%

LAB 81.23, -40.12, 39.08

 

CMYK 24 / 0 / 31 / 10

HEX #AEE59F

RGB 174 229 159

HSL 107.14, 0.57%, 0.76%

LAB 85.78, -30.45, 28.62

 

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

CMYK 56 / 0 / 2 / 17

HEX #5DD4D0

RGB 93 212 208

HSL 177.98, 0.58%, 0.6%

LAB 78.44, -34.14, -8.13

 

CMYK 0 / 56 / 21 / 17

HEX #D45DA8

RGB 212 93 168

HSL 322.18, 0.58%, 0.6%

LAB 56.74, 55.26, -17.59

 

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

CMYK 56 / 43 / 0 / 17

HEX #5D79D4

RGB 93 121 212

HSL 225.88, 0.58%, 0.6%

LAB 52.68, 16.6, -50.05

 

CMYK 0 / 56 / 43 / 17

HEX #D45D79

RGB 212 93 121

HSL 345.88, 0.58%, 0.6%

LAB 55.28, 49.47, 7.81

 

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

CMYK 56 / 0 / 2 / 17

HEX #5DD4D0

RGB 93 212 208

HSL 177.98, 0.58%, 0.6%

LAB 78.44, -34.14, -8.13

 

CMYK 13 / 56 / 0 / 17

HEX #B85DD4

RGB 184 93 212

HSL 285.88, 0.58%, 0.6%

LAB 54.84, 54.97, -46.1

 

CMYK 0 / 56 / 54 / 17

HEX #D45D61

RGB 212 93 97

HSL 357.98, 0.58%, 0.6%

LAB 54.75, 47.25, 21.19

 

CMYK 43 / 0 / 55 / 17

HEX #79D45F

RGB 121 212 95

HSL 106.67, 0.58%, 0.6%

LAB 77.27, -48.85, 48.86

 

CMYK 56 / 15 / 0 / 17

HEX #5DB4D4

RGB 93 180 212

HSL 196.13, 0.58%, 0.6%

LAB 69.27, -17.13, -24.13

 

CMYK 13 / 56 / 0 / 17

HEX #B85DD4

RGB 184 93 212

HSL 285.88, 0.58%, 0.6%

LAB 54.84, 54.97, -46.1

 

CMYK 0 / 41 / 56 / 17

HEX #D47D5D

RGB 212 125 93

HSL 16.13, 0.58%, 0.6%

LAB 61.18, 30.62, 31.84

 

Description

Color code: HEX #79D45F | qconv.com Color code: HEX #79D45F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 212 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 212 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 55 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 55% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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