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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7987CA it is the complementary color #867835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7987CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7987CA shade: #7E87C5, #8F99D8, #A0ABEB, #B1BDFE and #C2CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7987CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7987CA shade: #7987CA, #6875B7, #5763A4, #465191 and #353F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7987CA shade: #7886C9, #7F78C9, #9578C9, #AB78C9 and #C178C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7987CA shade: #7886C9 and #7878C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7987CA shade matches the following richer shades: #7886C9, #687CD8, #5972E7 and #4A68F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7987CA shade: #7886C9, #8790B9, #969AAA, #A5A49B and #B5AE8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7987CA shade: #78B2C9, #789CC9, #7886C9, #7E78C9 and #9478C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7987CA shade: #4455AA, #5A6BBD, #7886C9, #95A0D4 and #B3BAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7987CA shade: #7987CA, #C978C7 and #A7C978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7987CA shade: #7987CA, #C97886 and #86C978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7987CA shade: #7987CA, #C978C7, #C9BA78 and #78C979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7987CA shade: #7987CA, #C978AF, #C9BA78 and #78C991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

Complementary color

CMYK 0 / 10 / 60 / 47

HEX #867835

RGB 134 120 53

HSL 49.63, 0.43%, 0.37%

LAB 50.4, -3.46, 38.03

 

CMYK 36 / 31 / 0 / 23

HEX #7E87C5

RGB 126 135 197

HSL 232.39, 0.38%, 0.63%

LAB 57.84, 11.8, -33.27

 

CMYK 34 / 29 / 0 / 15

HEX #8F99D8

RGB 143 153 216

HSL 231.78, 0.48%, 0.7%

LAB 64.63, 11.24, -33.27

 

CMYK 32 / 27 / 0 / 8

HEX #A0ABEB

RGB 160 171 235

HSL 231.2, 0.65%, 0.77%

LAB 71.28, 10.74, -33.31

 

CMYK 30 / 26 / 0 / 0

HEX #B1BDFE

RGB 177 189 254

HSL 230.65, 0.97%, 0.85%

LAB 77.81, 10.3, -33.38

 

CMYK 24 / 19 / 0 / 0

HEX #C2CFFF

RGB 194 207 255

HSL 227.21, 1%, 0.88%

LAB 83.61, 5.71, -24.93

 

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

CMYK 43 / 36 / 0 / 28

HEX #6875B7

RGB 104 117 183

HSL 230.13, 0.35%, 0.56%

LAB 50.79, 12.55, -36.43

 

CMYK 47 / 40 / 0 / 36

HEX #5763A4

RGB 87 99 164

HSL 230.65, 0.31%, 0.49%

LAB 43.7, 13.44, -36.58

 

CMYK 52 / 44 / 0 / 43

HEX #465191

RGB 70 81 145

HSL 231.2, 0.35%, 0.42%

LAB 36.43, 14.54, -36.81

 

CMYK 58 / 50 / 0 / 51

HEX #353F7E

RGB 53 63 126

HSL 231.78, 0.41%, 0.35%

LAB 28.95, 15.95, -37.12

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 37 / 40 / 0 / 21

HEX #7F78C9

RGB 127 120 201

HSL 245.19, 0.43%, 0.63%

LAB 54.2, 22.04, -41.25

 

CMYK 26 / 40 / 0 / 21

HEX #9578C9

RGB 149 120 201

HSL 261.48, 0.43%, 0.63%

LAB 56.13, 28.22, -38.08

 

CMYK 15 / 40 / 0 / 21

HEX #AB78C9

RGB 171 120 201

HSL 277.78, 0.43%, 0.63%

LAB 58.33, 34.74, -34.48

 

CMYK 4 / 40 / 0 / 21

HEX #C178C9

RGB 193 120 201

HSL 294.07, 0.43%, 0.63%

LAB 60.77, 41.43, -30.49

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 40 / 40 / 0 / 21

HEX #7878C9

RGB 120 120 201

HSL 240, 0.43%, 0.63%

LAB 53.65, 20.18, -42.16

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 52 / 43 / 0 / 15

HEX #687CD8

RGB 104 124 216

HSL 229.29, 0.59%, 0.63%

LAB 54.36, 18.4, -49.59

 

CMYK 61 / 51 / 0 / 9

HEX #5972E7

RGB 89 114 231

HSL 229.44, 0.75%, 0.63%

LAB 51.76, 26.42, -62.25

 

CMYK 70 / 58 / 0 / 3

HEX #4A68F7

RGB 74 104 247

HSL 229.6, 0.92%, 0.63%

LAB 49.58, 35.79, -74.75

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 27 / 22 / 0 / 27

HEX #8790B9

RGB 135 144 185

HSL 229.2, 0.26%, 0.63%

LAB 60.43, 6.1, -22.43

 

CMYK 12 / 9 / 0 / 33

HEX #969AAA

RGB 150 154 170

HSL 228, 0.11%, 0.63%

LAB 63.75, 1.85, -8.83

 

CMYK 0 / 1 / 6 / 35

HEX #A5A49B

RGB 165 164 155

HSL 54, 0.05%, 0.63%

LAB 67.21, -1.3, 4.79

 

CMYK 0 / 4 / 23 / 29

HEX #B5AE8C

RGB 181 174 140

HSL 49.76, 0.22%, 0.63%

LAB 70.86, -3.1, 18.39

 

CMYK 40 / 11 / 0 / 21

HEX #78B2C9

RGB 120 178 201

HSL 197.04, 0.43%, 0.63%

LAB 69.51, -12.9, -17.62

 

CMYK 40 / 22 / 0 / 21

HEX #789CC9

RGB 120 156 201

HSL 213.33, 0.43%, 0.63%

LAB 63.33, -0.85, -27.04

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 37 / 40 / 0 / 21

HEX #7E78C9

RGB 126 120 201

HSL 244.44, 0.43%, 0.63%

LAB 54.12, 21.77, -41.38

 

CMYK 26 / 40 / 0 / 21

HEX #9478C9

RGB 148 120 201

HSL 260.74, 0.43%, 0.63%

LAB 56.03, 27.93, -38.23

 

CMYK 60 / 50 / 0 / 33

HEX #4455AA

RGB 68 85 170

HSL 230, 0.43%, 0.47%

LAB 38.95, 20.03, -47.79

 

CMYK 52 / 43 / 0 / 26

HEX #5A6BBD

RGB 90 107 189

HSL 229.7, 0.43%, 0.55%

LAB 47.45, 17.12, -45.24

 

CMYK 40 / 33 / 0 / 21

HEX #7886C9

RGB 120 134 201

HSL 229.63, 0.43%, 0.63%

LAB 57.33, 11.86, -36.37

 

CMYK 30 / 25 / 0 / 17

HEX #95A0D4

RGB 149 160 212

HSL 229.52, 0.42%, 0.71%

LAB 66.74, 7.96, -27.76

 

CMYK 20 / 17 / 0 / 12

HEX #B3BAE0

RGB 179 186 224

HSL 230.67, 0.42%, 0.79%

LAB 76.12, 5.49, -19.8

 

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 17 / 0 / 40 / 21

HEX #A7C978

RGB 167 201 120

HSL 85.19, 0.43%, 0.63%

LAB 76.89, -25.02, 36.77

 

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

CMYK 0 / 40 / 33 / 21

HEX #C97886

RGB 201 120 134

HSL 349.63, 0.43%, 0.63%

LAB 59.5, 33.32, 6.05

 

CMYK 33 / 0 / 40 / 21

HEX #86C978

RGB 134 201 120

HSL 109.63, 0.43%, 0.63%

LAB 74.95, -36.71, 33.89

 

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 7 / 40 / 21

HEX #C9BA78

RGB 201 186 120

HSL 48.89, 0.43%, 0.63%

LAB 75.38, -4.09, 35.36

 

CMYK 40 / 0 / 40 / 21

HEX #78C979

RGB 120 201 121

HSL 120.74, 0.43%, 0.63%

LAB 74.28, -41.02, 32.38

 

CMYK 40 / 33 / 0 / 21

HEX #7987CA

RGB 121 135 202

HSL 229.63, 0.43%, 0.63%

LAB 57.71, 11.82, -36.33

 

CMYK 0 / 40 / 13 / 21

HEX #C978AF

RGB 201 120 175

HSL 319.26, 0.43%, 0.63%

LAB 60.73, 39.34, -15.69

 

CMYK 0 / 7 / 40 / 21

HEX #C9BA78

RGB 201 186 120

HSL 48.89, 0.43%, 0.63%

LAB 75.38, -4.09, 35.36

 

CMYK 40 / 0 / 28 / 21

HEX #78C991

RGB 120 201 145

HSL 138.52, 0.43%, 0.63%

LAB 74.71, -36.93, 20.39

 

Description

Color code: HEX #7987CA | qconv.com Color code: HEX #7987CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 135 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 135 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 33 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 33% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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